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Osnova

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Karolína Stehlíková (ed.)

Omnibus

An English Reader

MU, Brno 2015

Short stories

Oscar Wilde – The Selfish Gigant

read by Ondřej Schneider

Every afternoon, as they were coming from school, the children used to go and play in the Giant's garden.

It was a large lovely garden, with soft green grass. Here and there over the grass stood beautiful flowers like stars, and there were twelve peach-trees that in the springtime broke out into delicate blossoms of pink and pearl, and in the autumn bore rich fruit. The birds sat on the trees and sang so sweetly that the children used to stop their games in order to listen to them. “How happy we are here!” they cried to each other.

One day the Giant came back. He had been to visit his friend the Cornish ogre, and had stayed with him for seven years. After the seven years were over he had said all that he had to say, for his conversation was limited, and he determined to return to his own castle. When he arrived he saw the children playing in the garden.

“What are you doing here?” he cried in a very gruff voice, and the children ran away.

“My own garden is my own garden,” said the Giant; “anyone can understand that, and I will allow nobody to play in it but myself.” So he built a high wall all round it, and put up a notice-board.

TRESPASSERS WILL BE PROSECUTED

He was a very selfish Giant.

The poor children had now nowhere to play. They tried to play on the road, but the road was very dusty and full of hard stones, and they did not like it. They used to wander round the high wall when their lessons were over, and talk about the beautiful garden inside. “How happy we were there,” they said to each other.

Then the Spring came, and all over the country there were little blossoms and little birds. Only in the garden of the Selfish Giant it was still winter. The birds did not care to sing in it as there were no children, and the trees forgot to blossom. Once a beautiful flower put its head out from the grass, but when it saw the notice-board it was so sorry for the children that it slipped back into the ground again, and went off to sleep. The only people who were pleased were the Snow and the Frost. “Spring has forgotten this garden,” they cried, “so we will live here all the year round.” The Snow covered up the grass with her great white cloak, and the Frost painted all the trees silver. Then they invited the North Wind to stay with them, and he came. He was wrapped in furs, and he roared all day about the garden, and blew the chimney-pots down. “This is a delightful spot,” he said, “we must ask the Hail on a visit.” So the Hail came. Every day for three hours he rattled on the roof of the castle till he broke most of the slates, and then he ran round and round the garden as fast as he could go. He was dressed in grey, and his breath was like ice.

“I cannot understand why the Spring is so late in coming,” said the Selfish Giant, as he sat at the window and looked out at his cold white garden; “I hope there will be a change in the weather.”

But the Spring never came, nor the Summer. The Autumn gave golden fruit to every garden, but to the Giant's garden she gave none. “He is too selfish,” she said. So it was always Winter there, and the North Wind, and the Hail, and the Frost, and the Snow danced about through the trees.

One morning the Giant was lying awake in bed when he heard some lovely music. It sounded so sweet to his ears that he thought it must be the King's musicians passing by. It was really only a little linnet singing outside his window, but it was so long since he had heard a bird sing in his garden that it seemed to him to be the most beautiful music in the world. Then the Hail stopped dancing over his head, and the North Wind ceased roaring, and a delicious perfume came to him through the open casement. “I believe the Spring has come at last,” said the Giant; and he jumped out of bed and looked out.

What did he see?

He saw a most wonderful sight. Through a little hole in the wall the children had crept in, and they were sitting in the branches of the trees. In every tree that he could see there was a little child. And the trees were so glad to have the children back again that they had covered themselves with blossoms, and were waving their arms gently above the children's heads. The birds were flying about and twittering with delight, and the flowers were looking up through the green grass and laughing. It was a lovely scene, only in one corner it was still winter. It was the farthest corner of the garden, and in it was standing a little boy. He was so small that he could not reach up to the branches of the tree, and he was wandering all round it, crying bitterly. The poor tree was still quite covered with frost and snow, and the North Wind was blowing and roaring above it. “Climb up! little boy,” said the Tree, and it bent its branches down as low as it could; but the boy was too tiny.

And the Giant's heart melted as he looked out. “How selfish I have been!” he said; “now I know why the Spring would not come here. I will put that poor little boy on the top of the tree, and then I will knock down the wall, and my garden shall be the children's playground for ever and ever.” He was really very sorry for what he had done.

So he crept downstairs and opened the front-door quite softly, and went out into the garden. But when the children saw him they were so frightened that they all ran away, and the garden became winter again. Only the little boy did not run, for his eyes were so full of tears that he did not see the Giant coming. And the Giant stole up behind him and took him gently in his hand, and put him up into the tree. And the tree broke at once into blossom, and the birds came and sang on it, and the little boy stretched out his two arms and flung them round the Giant's neck, and kissed him. And the other children, when they saw that the Giant was not wicked any longer, came running back, and with them came the Spring. “It is your garden now, little children,” said the Giant, and he took a great axe and knocked down the wall. And when the people were going to market at twelve o'clock they found the Giant playing with the children in the most beautiful garden they had ever seen.

All day long they played, and in the evening they came to the Giant to bid him good-bye.

“But where is your little companion?” he said: “the boy I put into the tree.” The Giant loved him the best because he had kissed him.

“We don't know,” answered the children; “he has gone away.”

“You must tell him to be sure and come here tomorrow,” said the Giant. But the children said that they did not know where he lived, and had never seen him before; and the Giant felt very sad.

Every afternoon, when school was over, the children came and played with the Giant. But the little boy whom the Giant loved was never seen again. The Giant was very kind to all the children, yet he longed for his first little friend, and often spoke of him. “How I would like to see him!” he used to say.

Years went over, and the Giant grew very old and feeble. He could not play about any more, so he sat in a huge armchair, and watched the children at their games, and admired his garden. “I have many beautiful flowers,” he said; “but the children are the most beautiful flowers of all.”

One winter morning he looked out of his window as he was dressing. He did not hate the Winter now, for he knew that it was merely the Spring asleep, and that the flowers were resting.

Suddenly he rubbed his eyes in wonder, and looked and looked. It certainly was a marvellous sight. In the farthest corner of the garden was a tree quite covered with lovely white blossoms. Its branches were all golden, and silver fruit hung down from them, and underneath it stood the little boy he had loved.

Downstairs ran the Giant in great joy, and out into the garden. He hastened across the grass, and came near to the child. And when he came quite close his face grew red with anger, and he said, “Who hath dared to wound thee?” For on the palms of the child's hands were the prints of two nails, and the prints of two nails were on the little feet.

“Who hath dared to wound thee?” cried the Giant; “tell me, that I may take my big sword and slay him.”

“Nay!” answered the child; “but these are the wounds of Love.”

“Who art thou?” said the Giant, and a strange awe fell on him, and he knelt before the little child.

And the child smiled on the Giant, and said to him, “You let me play once in your garden, today you shall come with me to my garden, which is Paradise.”

And when the children ran in that afternoon, they found the Giant lying dead under the tree, all covered with white blossoms.

Edgar Allan Poe – The Black Cat

read by Pavel Štébl

For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not – and very surely do I not dream. But to-morrow I die, and to-day I would unburden my soul. My immediate purpose is to place before the world, plainly, succinctly, and without comment, a series of mere household events. In their consequences, these events have terrified – have tortured – have destroyed me. Yet I will not attempt to expound them. To me, they have presented little but horror – to many they will seem less terrible than baroques. Here-after, perhaps, some intellect may be found which will reduce my phantasm to the commonplace – some intellect more calm, more logical, and far less excitable than my own, which will perceive, in the circumstances I detail with awe, nothing more than an ordinary succession of very natural causes and effects.

From my infancy I was noted for the docility and humanity of my disposition. My tenderness of heart was even so conspicuous as to make me the jest of my companions. I was especially fond of animals, and was indulged by my parents with a great variety of pets. With these I spent most of my time, and never was so happy as when feeding and caressing them. This peculiarity of character grew with my growth, and, in my manhood, I derived from it one of my principal sources of pleasure. To those who have cherished an affection for a faithful and sagacious dog, I need hardly be at the trouble of explaining the nature or the intensity of the gratification thus derivable. There is something in the unselfish and self-sacrificing love of a brute, which goes directly to the heart of him who has had frequent occasion to test the paltry friendship and gossamer fidelity of mere Man.

I married early, and was happy to find in my wife a disposition not uncongenial with my own. Observing my partiality for domestic pets, she lost no opportunity of procuring those of the most agreeable kind. We had birds, gold-fish, a fine dog, rabbits, a small monkey, and a cat.

This latter was a remarkably large and beautiful animal, entirely black, and sagacious to an astonishing degree. In speaking of his intelligence, my wife, who at heart was not a little tinctured with superstition, made frequent allusion to the ancient popular notion, which regarded all black cats as witches in disguise. Not that she was ever serious upon this point-and I mention the matter at all for no better reason than that it happens, just now, to be remembered.

Pluto – this was the cat's name – was my favourite pet and playmate. I alone fed him, and he attended me wherever I went about the house. It was even with difficulty that I could prevent him from following me through the streets.

Our friendship lasted, in this manner, for several years, during which my general temperament and character – through the instrumentality of the fiend Intemperance – had (I blush to confess it) experienced a radical alteration for the worse. I grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language to my wife. At length, I even offered her personal violence. My pets, of course, were made to feel the change in my disposition. I not only neglected, but ill-used them. For Pluto, however, I still retained sufficient regard to restrain me from maltreating him, as I made no scruple of maltreating the rabbits, the monkey, or even the dog, when by accident, or through affection, they came in my way. But my disease grew upon me-for what disease is like alcohol? – and at length even Pluto, who was now becoming old, and consequently somewhat peevish – even Pluto began to experience the effects of my ill temper.

One night, returning home, much intoxicated, from one of my haunts about town, I fancied that the cat avoided my presence. I seized him; when, in his fright at my violence, he inflicted a slight wound upon my hand with his teeth. The fury of a demon instantly possessed me. I knew myself no longer. My original soul seemed, at once, to take its flight from my body; and a more than fiendish malevolence, gin-nurtured, thrilled every fibre of my frame. I took from my waistcoat pocket a pen-knife, opened it, grasped the poor beast by the throat, and deliberately cut one of its eyes from the socket! I blush, I burn, I shudder, while I pen the damnable atrocity.

When reason returned with the morning – when I had slept off the fumes of the night's debauch – I experienced a sentiment half of horror, half of remorse, for the crime of which I had been guilty; but it was, at best, a feeble and equivocal feeling, and the soul remained untouched. I again plunged into excess, and soon drowned in wine all memory of the deed.

In the meantime the cat slowly recovered. The socket of the lost eye presented, it is true, a frightful appearance, but he no longer appeared to suffer any pain. He went about the house as usual, but, as might be expected, fled in extreme terror at my approach. I had so much of my old heart left, as to be at first grieved by this evident dislike on the part of a creature which had once so loved me. But this feeling soon gave place to irritation. And then came, as if to my final and irrevocable overthrow, the spirit of Perverseness. Of this spirit philosophy takes no account. Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart – one of the indivisible primary faculties, or sentiments, which give direction to the character of man. Who has not, a hundred times, found himself committing a vile or a silly action, for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgement, to violate that which is Law, merely because we understand it to be such? This spirit of perverseness, I say, came to my final overthrow. It was this unfathomable longing of the soul to vex itself – to offer violence to its own nature – to do wrong for the wrong's sake only – that urged me to continue and finally to consummate the injury I had inflicted upon the unoffending brute. One morning, in cool blood, I slipped a noose about its neck and hung it to the limb of a tree-hung it with the tears streaming from my eyes, and with the bitterest remorse at my heart – hung it because I knew that it had loved me, and because I felt it had given me no reason of offence – hung it because I knew that in so doing I was committing a sin – a deadly sin that would so jeopardise my immortal soul as to place it – if such a thing were possible – even beyond the reach of the infinite mercy of the Most Merciful and Most Terrible God.

On the night of the day on which this cruel deed was done, I was aroused from sleep by the cry of “Fire!” The curtains of my bed were in flames. The whole house was blazing. It was with great difficulty that my wife, a servant, and myself, made our escape from the conflagration. The destruction was complete. My entire worldly wealth was swallowed up, and I resigned myself thenceforward to despair.

I am above the weakness of seeking to establish a sequence of cause and effect between the disaster and the atrocity. But I am detailing a chain of facts, and wish not to leave even a possible link imperfect. On the day succeeding the fire, I visited the ruins. The walls, with one exception, had fallen in. This exception was found in a compartment wall, not very thick, which stood about the middle of the house, and against which had rested the head of my bed. The plastering had here, in great measure, resisted the action of the fire – a fact which I attributed to its having been recently spread. About this wall a dense crowd were collected, and many persons seemed to be examining a particular portion of it with very minute and eager attention. The words “strange!” “singular!” and other similar expressions, excited my curiosity. I approached and saw, as if graven in bas-relief upon the white surface, the figure of a gigantic cat. The impression was given with an accuracy truly marvellous. There was a rope about the animal's neck.

When I first beheld this apparition – for I could scarcely regard it as less – my wonder and my terror were extreme. But at length reflection came to my aid. The cat, I remembered, had been hung in a garden adjacent to the house. Upon the alarm of fire, this garden had been immediately filled by the crowd – by some one of whom the animal must have been cut from the tree and thrown, through an open window, into my chamber. This had probably been done with the view of arousing me from sleep. The falling of other walls had compressed the victim of my cruelty into the substance of the freshly-spread plaster; the lime of which, with the flames and the ammonia from the carcass, had then accomplished the portraiture as I saw it.

Although I thus readily accounted to my reason, if not altogether to my conscience, for the startling fact just detailed, it did not the less fail to make a deep impression upon my fancy. For months I could not rid myself of the phantasm of the cat; and, during this period, there came back into my spirit a half-sentiment that seemed, but was not, remorse. I went so far as to regret the loss of the animal, and to look about me, among the vile haunts which I now habitually frequented, for another pet of the same species, and of somewhat similar appearance, with which to supply its place.

One night as I sat, half stupefied, in a den of more than infamy, my attention was suddenly drawn to some black object, reposing upon the head of one of the immense hogsheads of gin, or of rum, which constituted the chief furniture of the apartment. I had been looking steadily at the top of this hogshead for some minutes, and what now caused me surprise was the fact that I had not sooner perceived the object thereupon. I approached it, and touched it with my hand. It was a black cat – a very large one – fully as large as Pluto, and closely resembling him in every respect but one. Pluto had not a white hair upon any portion of his body; but this cat had a large, although indefinite, splotch of white, covering nearly the whole region of the breast.

Upon my touching him, he immediately arose, purred loudly, rubbed against my hand, and appeared delighted with my notice. This, then, was the very creature of which I was in search. I at once offered to purchase it of the landlord; but this person made no claim to it – knew nothing of it – had never seen it before.

I continued my caresses, and when I prepared to go home, the animal evinced a disposition to accompany me. I permitted it to do so; occasionally stooping and patting it as I proceeded. When it reached the house it domesticated itself at once, and became immediately a great favourite with my wife.

For my own part, I soon found a dislike to it arising within me. This was just the reverse of what I had anticipated; but – I know not how or why it was – its evident fondness for myself rather disgusted and annoyed me. By slow degrees, these feelings of disgust and annoyance rose into the bitterness of hatred. I avoided the creature; a certain sense of shame, and the remembrance of my former deed of cruelty, preventing me from physically abusing it. I did not, for some weeks, strike, or otherwise violently ill-use it; but gradually – very gradually – I came to look upon it with unutterable loathing, and to flee silently from its odious presence, as from the breath of a pestilence.

What added, no doubt, to my hatred of the beast, was the discovery, on the morning after I brought it home, that, like Pluto, it also had been deprived of one of its eyes. This circumstance, however, only endeared it to my wife, who, as I have already said, possessed, in a high degree, that humanity of feeling which had once been my distinguishing trait, and the source of many of my simplest and purest pleasures.

With my aversion to this cat, however, its partiality for myself seemed to increase. It followed my footsteps with a pertinacity which it would be difficult to make the reader comprehend. Whenever I sat, it would crouch beneath my chair, or spring upon my knees, covering me with its loathsome caresses. If I arose to walk, it would get between my feet, and thus nearly throw me down, or, fastening its long and sharp claws in my dress, clamber, in this manner, to my breast. At such times, although I longed to destroy it with a blow, I was yet withheld from so doing, partly by a memory of my former crime, but chiefly – let me confess it at once – by absolute dread of the beast.

This dread was not exactly a dread of physical evil – and yet I should be at a loss how otherwise to define it. I am almost ashamed to own – yes, even in this felon's cell, I am almost ashamed to own – that the terror and horror with which the animal inspired me, had been heightened by one of the merest chimeras it would be possible to conceive. My wife had called my attention, more than once, to the character of the mark of white hair, of which I have spoken, and which constituted the sole visible difference between the strange beast and the one I had destroyed. The reader will remember that this mark, although large, had been originally very indefinite; but, by slow degrees – degrees nearly imperceptible, and which for a long time my reason struggled to reject as fanciful – it had, at length, assumed a rigorous distinctness of outline. It was now the representation of an object that I shudder to name – and for this, above all, I loathed, and dreaded, and would have rid myself of the monster had I dared – it was now, I say, the image of a hideous – of a ghastly thing – of the Gallows! – oh, mournful and terrible engine of horror and of crime – of agony and of death!

And now was I indeed wretched beyond the wretchedness of mere humanity. And a brute beast – whose fellow I had contemptuously destroyed – a brute beast to work out for me – for me, a man, fashioned in the image of the High God – so much of insufferable woe! Alas! neither by day nor by night knew I the blessing of rest any more! During the former the creature left me no moment alone; and, in the latter, I started, hourly, from dreams of unutterable fear, to find the hot breath of the thing upon my face, and its vast weight – an incarnate nightmare that I had no power to shake off – incumbent eternally upon my heart!

Beneath the pressure of torments such as these, the feeble remnant of the good within me succumbed. Evil thoughts became my sole intimates – the darkest and most evil of thoughts. The moodiness of my usual temper increased to hatred of all things and of all mankind; while, from the sudden, frequent, and ungovernable outbursts of a fury to which I now blindly abandoned myself, my uncomplaining wife, alas! was the most usual and the most patient of sufferers.

One day she accompanied me, upon some household errand, into the cellar of the old building which our poverty compelled us to inhabit. The cat followed me down the steep stairs, and, nearly throwing me headlong, exasperated me to madness. Uplifting an axe, and forgetting, in my wrath, the childish dread which had hitherto stayed my hand, I aimed a blow at the animal which, of course, would have proved instantly fatal had it descended as I wished. But this blow was arrested by the hand of my wife. Goaded, by the interference, into a rage more than demoniacal, I withdrew my arm from her grasp, and buried the axe in her brain. She fell dead upon the spot, without a groan.

This hideous murder accomplished, I set myself forthwith, and with entire deliberation, to the task of concealing the body. I knew that I could not remove it from the house, either by day or by night, without the risk of being observed by the neighbours. Many projects entered my mind. At one period I thought of cutting the corpse into minute fragments, and destroying them by fire. At another, I resolved to dig a grave for it in the floor of the cellar. Again, I deliberated about casting it into the well in the yard – about packing it in a box, as if merchandise, with the usual arrangements, and so getting a porter to take it from the house. Finally I hit upon what I considered a far better expedient than either of these. I determined to wall it up in the cellar – as the monks of the Middle Ages are recorded to have walled up their victims.

For a purpose such as this the cellar was well adapted. Its walls were loosely constructed, and had lately been plastered throughout with a rough plaster, which the dampness of the atmosphere had prevented from hardening. Moreover, in one of the walls was a projection, caused by a false chimney, or fireplace, that had been filled up, and made to resemble the rest of the cellar. I made no doubt that I could readily displace the bricks at this point, insert the corpse, and wall the whole up as before, so that no eye could detect anything suspicious.

And in this calculation I was not deceived. By means of a crowbar I easily dislodged the bricks, and, having carefully deposited the body against the inner wall, I propped it in that position, while, with little trouble, I relaid the whole structure as it originally stood. Having procured mortar, sand, and hair, with every possible precaution, I prepared a plaster which could not be distinguished from the old, and with this I very carefully went over the new brickwork. When I had finished, I felt satisfied that all was right. The wall did not present the slightest appearance of having been disturbed. The rubbish on the floor was picked up with the minutest care. I looked around triumphantly, and said to myself, “Here at least, then, my labour has not been in vain.”

My next step was to look for the beast which had been the cause of so much wretchedness; for I had, at length, firmly resolved to put it to death. Had I been able to meet with it, at the moment, there could have been no doubt of its fate; but it appeared that the crafty animal had been alarmed at the violence of my previous anger, and forbore to present itself in my present mood. It is impossible to describe, or to imagine, the deep, the blissful sense of relief which the absence of the detested creature occasioned in my bosom. It did not make its appearance during the night – and thus for one night at least, since its introduction into the house, I soundly and tranquilly slept; aye, slept even with the burden of murder upon my soul!

The second and the third day passed, and still my tormentor came not. Once again I breathed as a free man. The monster, in terror, had fled the premises for ever! I should behold it no more! My happiness was supreme! The guilt of my dark deed disturbed me but little. Some few inquiries had been made, but these had been readily answered. Even a search had been instituted – but of course nothing was to be discovered. I looked upon my future felicity as secured.

Upon the fourth day of the assassination, a party of the police came, very unexpectedly, into the house, and proceeded again to make rigorous investigation of the premises. Secure, however, in the inscrutability of my place of concealment, I felt no embarrassment whatever. The officers bade me accompany them in their search. They left no nook or corner unexplored. At length, for the third or fourth time, they descended into the cellar. I quivered not in a muscle. My heart beat calmly as that of one who slumbers in innocence. I walked the cellar from end to end. I folded my arms upon my bosom, and roamed easily to and fro. The police were thoroughly satisfied, and prepared to depart. The glee at my heart was too strong to be restrained. I burned to say if but one word, by way of triumph, and to render doubly sure their assurance of my guiltlessness.

“Gentlemen,” I said at last, as the party ascended the steps, “I delight to have allayed your suspicions. I wish you all health, and a little more courtesy. By-the-bye, gentlemen, this – this is a very well-constructed house.” (In the rabid desire to say something easily, I scarcely knew what I uttered at all.) “I may say an excellently well-constructed house. These walls – are you going, gentlemen? – these walls are solidly put together;” and here, through the mere frenzy of bravado, I rapped heavily, with a cane which I held in my hand, upon that very portion of the brickwork behind which stood the corpse of the wife of my bosom. But may God shield and deliver me from the fangs of the Arch-Fiend! No sooner had the reverberation of my blows sunk into silence, than I was answered by a voice from within the tomb! – by a cry, at first muffled and broken, like the sobbing of a child, and then quickly swelling into one long, loud, and continuous scream, utterly anomalous and inhuman – a howl – a wailing shriek, half of horror and half of triumph, such as might have arisen only out of hell, conjointly from the throats of the damned in their agony and of the demons that exult in the damnation.

Of my own thoughts it is folly to speak. Swooning, I staggered to the opposite wall. For one instant the party upon the stairs remained motionless, through extremity of terror and of awe. In the next, a dozen stout arms were toiling at the wall. It fell bodily. The corpse, already greatly decayed and clotted with gore, stood erect before the eyes of the spectators. Upon its head, with red extended mouth and solitary eye of fire, sat the hideous beast whose craft had seduced me into murder, and whose informing voice had consigned me to the hangman. I had walled the monster up within the tomb!

James Joyce – Eveline

read by Chloe Fortescue

She sat at the window watching the evening invade the avenue. Her head was leaned against the window curtains, and in her nostrils was the odour of dusty cretonne. She was tired.

Few people passed. The man out of the last house passed on his way home; she heard his footsteps clacking along the concrete pavement and afterwards crunching on the cinder path before the new red houses. One time there used to be a field there in which they used to play every evening with other people's children. Then a man from Belfast bought the field and built houses in it – not like their little brown houses, but bright brick houses with shining roofs. The children of the avenue used to play together in that field – the Devines, the Waters, the Dunns, little Keogh the cripple, she and her brothers and sisters. Ernest, however, never played: he was too grown up. Her father used often to hunt them in out of the field with his blackthorn stick; but usually little Keogh used to keep nix and call out when he saw her father coming. Still they seemed to have been rather happy then. Her father was not so bad then; and besides, her mother was alive. That was a long time ago; she and her brothers and sisters were all grown up; her mother was dead. Tizzie Dunn was dead, too, and the Waters had gone back to England. Everything changes. Now she was going to go away like the others, to leave her home.

Home! She looked round the room, reviewing all its familiar objects which she had dusted once a week for so many years, wondering where on earth all the dust came from. Perhaps she would never see again those familiar objects from which she had never dreamed of being divided. And yet during all those years she had never found out the name of the priest whose yellowing photograph hung on the wall above the broken harmonium beside the coloured print of the promises made to Blessed Margaret Mary Alacoque. He had been a school friend of her father. Whenever he showed the photograph to a visitor her father used to pass it with a casual word:

“He is in Melbourne now.”

She had consented to go away, to leave her home. Was that wise? She tried to weigh each side of the question. In her home anyway she had shelter and food; she had those whom she had known all her life about her. Of course she had to work hard, both in the house and at business. What would they say of her in the Stores when they found out that she had run away with a fellow? Say she was a fool, perhaps; and her place would be filled up by advertisement. Miss Gavan would be glad. She had always had an edge on her, especially whenever there were people listening.

“Miss Hill, don't you see these ladies are waiting.”

“Look lively, Miss Hill, please.”

She would not cry many tears at leaving the Stores.

But in her new home, in a distant unknown country, it would not be like that. Then she would be married – she, Eveline. People would treat her with respect then. She would not be treated as her mother had been. Even now, though she was over nineteen, she sometimes felt herself in danger of her father's violence. She knew it was that that had given her the Palpitations. When they were growing up he had never gone for her, like he used to go for Harry and Ernest, because she was a girl; but latterly he had begun to threaten her and say what he would do to her only for her dead mother's sake. And now she had nobody to protect her, Ernest was dead and Harry, who was in the church decorating business, was nearly always down somewhere in the country. Besides, the invariable squabble for money on Saturday nights had begun to weary her unspeakably. She always gave her entire wages – seven shillings – and Harry always sent up what he could, but the trouble was to get any money from her father. He said she used to squander the money, that she had no head, that he wasn't going to give her his hard-earned money to throw about the streets, and much more, for he was usually fairly bad on Saturday night. In the end he would give her the money and ask her had she any intention of buying Sunday's dinner. Then she had to rush out as quickly as she could and do her marketing, holding her black leather purse tightly in her hand as she elbowed her way through the crowds and returning home late under her load of provisions. She had hard work to keep the house together and to see that the two young children who had been left to her charge went to school regularly and got their meals regularly. It was hard work – a hard life – but now that she was about to leave it she did not find it a wholly undesirable life.

She was about to explore another life with Frank. Frank was very kind, manly, open-hearted. She was to go away with him by the night-boat to be his wife and to live with him in Buenos Aires, where he had a home waiting for her. How well she remembered the first time she had seen him; he was lodging in a house on the main road where she used to visit. It seemed a few weeks ago. He was standing at the gate, his peaked cap pushed back on his head and his hair tumbled forward over a face of bronze. Then they had come to know each other. He used to meet her outside the Stores every evening and see her home. He took her to see The Bohemian Girl and she felt elated as she sat in an unaccustomed part of the theatre with him. He was awfully fond of music and sang a little. People knew that they were courting, and, when he sang about the lass that loves a sailor, she always felt pleasantly confused. He used to call her Poppens out of fun. First of all it had been an excitement for her to have a fellow and then she had begun to like him. He had tales of distant countries. He had started as a deck boy at a pound a month on a ship of the Allan Line going out to Canada. He told her the names of the ships he had been on and the names of the different services. He had sailed through the Straits of Magellan and he told her stories of the terrible Patagonians. He had fallen on his feet in Buenos Aires, he said, and had come over to the old country just for a holiday. Of course, her father had found out the affair and had forbidden her to have anything to say to him.

“I know these sailor chaps,” he said.

One day he had quarrelled with Frank, and after that she had to meet her lover secretly.

The evening deepened in the avenue. The white of two letters in her lap grew indistinct. One was to Harry; the other was to her father. Ernest had been her favourite, but she liked Harry too. Her father was becoming old lately, she noticed; he would miss her. Sometimes he could be very nice. Not long before, when she had been laid up for a day, he had read her out a ghost story and made toast for her at the fire. Another day, when their mother was alive, they had all gone for a picnic to the Hill of Howth. She remembered her father putting on her mother's bonnet to make the children laugh.

Her time was running out, but she continued to sit by the window, leaning her head against the window curtain, inhaling the odour of dusty cretonne. Down far in the avenue she could hear a street organ playing. She knew the air. Strange that it should come that very night to remind her of the promise to her mother, her promise to keep the home together as long as she could. She remembered the last night of her mother's illness; she was again in the close, dark room at the other side of the hall and outside she heard a melancholy air of Italy. The organ-player had been ordered to go away and given sixpence. She remembered her father strutting back into the sick-room saying:

“Damned Italians! coming over here.”

As she mused the pitiful vision of her mother's life laid its spell on the very quick of her being – that life of commonplace sacrifices closing in final craziness. She trembled as she heard again her mother's voice saying constantly with foolish insistence:

“Derevaun Seraun! Derevaun Seraun.”

She stood up in a sudden impulse of terror. Escape! She must escape! Frank would save her. He would give her life, perhaps love, too. But she wanted to live. Why should she be unhappy? She had a right to happiness. Frank would take her in his arms, fold her in his arms. He would save her.

She stood among the swaying crowd in the station at the North Wall. He held her hand and she knew that he was speaking to her, saying something about the passage over and over again.

The station was full of soldiers with brown baggages. Through the wide doors of the sheds she caught a glimpse of the black mass of the boat, lying in beside the quay wall, with illumined portholes. She answered nothing. She felt her cheek pale and cold and, out of a maze of distress, she prayed to God to direct her, to show her what was her duty. The boat blew a long mournful whistle into the mist. If she went, tomorrow she would be on the sea with Frank, steaming towards Buenos Ayres. Their passage had been booked. Could she still draw back after all he had done for her? Her distress awoke a nausea in her body and she kept moving her lips in silent fervent prayer.

A bell clanged upon her heart. She felt him seize her hand:

“Come.”

All the seas of the world tumbled about her heart. He was drawing her into them: he would drown her. She gripped with both hands at the iron railing.

“Come.”

No! No! No! It was impossible. Her hands clutched the iron in frenzy. Amid the seas she sent a cry of anguish.

“Eveline! Evvy.”

He rushed beyond the barrier and called to her to follow. He was shouted at to go on, but he still called to her. She set her white face to him, passive, like a helpless animal. Her eyes gave him no sign of love or farewell or recognition.

Virginia Woolf – Kew Gardens

read by Ondřej Schneider

From the oval-shaped flower-bed there rose perhaps a hundred stalks spreading into heart-shaped or tongue-shaped leaves half-way up and unfurling at the tip red or blue or yellow petals marked with spots of colour raised upon the surface; and from the red, blue or yellow gloom of the throat emerged a straight bar, rough with gold dust and slightly clubbed at the end. The petals were voluminous enough to be stirred by the summer breeze, and when they moved, the red, blue and yellow lights passed one over the other, staining an inch of the brown earth beneath with a spot of the most intricate colour. The light fell either upon the smooth, grey back of a pebble, or, the shell of a snail with its brown, circular veins, or falling into a raindrop, it expanded with such intensity of red, blue and yellow the thin walls of water that one expected them to burst and disappear. Instead, the drop was left in a second silver grey once more, and the light now settled upon the flesh of a leaf, revealing the branching thread of fibre beneath the surface, and again it moved on and spread its illumination in the vast green spaces beneath the dome of the heart-shaped and tongue-shaped leaves. Then the breeze stirred rather more briskly overhead and the colour was flashed into the air above, into the eyes of the men and women who walk in Kew Gardens in July.

The figures of these men and women straggled past the flower-bed with a curiously irregular movement not unlike that of the white and blue butterflies who crossed the turf in zig-zag flights from bed to bed. The man was about six inches in front of the woman, strolling carelessly, while she bore on with greater purpose, only turning her head now and then to see that the children were not too far behind. The man kept this distance in front of the woman purposely, though perhaps unconsciously, for he wished to go on with his thoughts.

“Fifteen years ago I came here with Lily,” he thought. “We sat somewhere over there by a lake and I begged her to marry me all through the hot afternoon. How the dragonfly kept circling round us: how clearly I see the dragonfly and her shoe with the square silver buckle at the toe. All the time I spoke I saw her shoe and when it moved impatiently I knew without looking up what she was going to say: the whole of her seemed to be in her shoe. And my love, my desire, were in the dragonfly; for some reason I thought that if it settled there, on that leaf, the broad one with the red flower in the middle of it, if the dragonfly settled on the leaf she would say 'Yes' at once. But the dragonfly went round and round: it never settled anywhere of course not, happily not, or I shouldn't be walking here with Eleanor and the children. Tell me, Eleanor. D'you ever think of the past.”

“Why do you ask, Simon.”

“Because I've been thinking of the past. I've been thinking of Lily, the woman I might have married... Well, why are you silent? Do you mind my thinking of the past.”

“Why should I mind, Simon? Doesn't one always think of the past, in a garden with men and women lying under the trees? Aren't they one's past, all that remains of it, those men and women, those ghosts lying under the trees,... one's happiness, one's reality.”

“For me, a square silver shoe buckle and a dragonfly .”

“For me, a kiss. Imagine six little girls sitting before their easels twenty years ago, down by the side of a lake, painting the water-lilies, the first red water-lilies I'd ever seen. And suddenly a kiss, there on the back of my neck. And my hand shook all the afternoon so that I couldn't paint. I took out my watch and marked the hour when I would allow myself to think of the kiss for five minutes only – it was so precious – the kiss of an old grey-haired woman with a wart on her nose, the mother of all my kisses all my life. Come, Caroline, come, Hubert.”

They walked on the past the flower-bed, now walking four abreast, and soon diminished in size among the trees and looked half transparent as the sunlight and shade swam over their backs in large trembling irregular patches.

In the oval flower bed the snail, whose shell had been stained red, blue, and yellow for the space of two minutes or so, now appeared to be moving very slightly in its shell, and next began to labour over the crumbs of loose earth which broke away and rolled down as it passed over them. It appeared to have a definite goal in front of it, differing in this respect from the singular high stepping angular green insect who attempted to cross in front of it, and waited for a second with its antennae trembling as if in deliberation, and then stepped off as rapidly and strangely in the opposite direction. Brown cliffs with deep green lakes in the hollows, flat, blade-like trees that waved from root to tip, round boulders of grey stone, vast crumpled surfaces of a thin crackling texture all these objects lay across the snail's progress between one stalk and another to his goal. Before he had decided whether to circumvent the arched tent of a dead leaf or to breast it there came past the bed the feet of other human beings.

This time they were both men. The younger of the two wore an expression of perhaps unnatural calm; he raised his eyes and fixed them very steadily in front of him while his companion spoke, and directly his companion had done speaking he looked on the ground again and sometimes opened his lips only after a long pause and sometimes did not open them at all. The elder man had a curiously uneven and shaky method of walking, jerking his hand forward and throwing up his head abruptly, rather in the manner of an impatient carriage horse tired of waiting outside a house; but in the man these gestures were irresolute and pointless. He talked almost incessantly; he smiled to himself and again began to talk, as if the smile had been an answer. He was talking about spirits the spirits of the dead, who, according to him, were even now telling him all sorts of odd things about their experiences in Heaven.

“Heaven was known to the ancients as Thessaly, William, and now, with this war, the spirit matter is rolling between the hills like thunder.” He paused, seemed to listen, smiled, jerked his head and continued:

“You have a small electric battery and a piece of rubber to insulate the wire isolate? – insulate? – well, we'll skip the details, no good going into details that wouldn't be understood and in short the little machine stands in any convenient position by the head of the bed, we will say, on a neat mahogany stand. All arrangements being properly fixed by workmen under my direction, the widow applies her ear and summons the spirit by sign as agreed. Women! Widows! Women in black .”

Here he seemed to have caught sight of a woman's dress in the distance, which in the shade looked a purple black. He took off his hat, placed his hand upon his heart, and hurried towards her muttering and gesticulating feverishly. But William caught him by the sleeve and touched a flower with the tip of his walking-stick in order to divert the old man's attention. After looking at it for a moment in some confusion the old man bent his ear to it and seemed to answer a voice speaking from it, for he began talking about the forests of Uruguay which he had visited hundreds of years ago in company with the most beautiful young woman in Europe. He could be heard murmuring about forests of Uruguay blanketed with the wax petals of tropical roses, nightingales, sea beaches, mermaids, and women drowned at sea, as he suffered himself to be moved on by William, upon whose face the look of stoical patience grew slowly deeper and deeper.

Following his steps so closely as to be slightly puzzled by his gestures came two elderly women of the lower middle class, one stout and ponderous, the other rosy cheeked and nimble. Like most people of their station they were frankly fascinated by any signs of eccentricity betokening a disordered brain, especially in the well-to-do; but they were too far off to be certain whether the gestures were merely eccentric or genuinely mad. After they had scrutinised the old man's back in silence for a moment and given each other a queer, sly look, they went on energetically piecing together their very complicated dialogue:

“Nell, Bert, Lot, Cess, Phil, Pa, he says, I says, she says, I says, I says, I says .”

“My Bert, Sis, Bill, Grandad, the old man, sugar,

Sugar, flour, kippers, greens,
Sugar, sugar, sugar.”

The ponderous woman looked through the pattern of falling words at the flowers standing cool, firm, and upright in the earth, with a curious expression. She saw them as a sleeper waking from a heavy sleep sees a brass candlestick reflecting the light in an unfamiliar way, and closes his eyes and opens them, and seeing the brass candlestick again, finally starts broad awake and stares at the candlestick with all his powers. So the heavy woman came to a standstill opposite the oval-shaped flower bed, and ceased even to pretend to listen to what the other woman was saying. She stood there letting the words fall over her, swaying the top part of her body slowly backwards and forwards, looking at the flowers. Then she suggested that they should find a seat and have their tea.

The snail had now considered every possible method of reaching his goal without going round the dead leaf or climbing over it. Let alone the effort needed for climbing a leaf, he was doubtful whether the thin texture which vibrated with such an alarming crackle when touched even by the tip of his horns would bear his weight; and this determined him finally to creep beneath it, for there was a point where the leaf curved high enough from the ground to admit him. He had just inserted his head in the opening and was taking stock of the high brown roof and was getting used to the cool brown light when two other people came past outside on the turf. This time they were both young, a young man and a young woman. They were both in the prime of youth, or even in that season which precedes the prime of youth, the season before the smooth pink folds of the flower have burst their gummy case, when the wings of the butterfly, though fully grown, are motionless in the sun.

“Lucky it isn't Friday,” he observed.

“Why? D'you believe in luck.”

“They make you pay sixpence on Friday.”

“What's sixpence anyway? Isn't it worth sixpence.”

“What's 'it 'what do you mean by 'it'.”

“O, anything – I mean – you know what I mean.”

Long pauses came between each of these remarks; they were uttered in toneless and monotonous voices. The couple stood still on the edge of the flower bed, and together pressed the end of her parasol deep down into the soft earth. The action and the fact that his hand rested on the top of hers expressed their feelings in a strange way, as these short insignificant words also expressed something, words with short wings for their heavy body of meaning, inadequate to carry them far and thus alighting awkwardly upon the very common objects that surrounded them, and were to their inexperienced touch so massive; but who knows (so they thought as they pressed the parasol into the earth) what precipices aren't concealed in them, or what slopes of ice don't shine in the sun on the other side? Who knows? Who has ever seen this before? Even when she wondered what sort of tea they gave you at Kew, he felt that something loomed up behind her words, and stood vast and solid behind them; and the mist very slowly rose and uncovered – O, Heavens, what were those shapes? – little white tables, and waitresses who looked first at her and then at him; and there was a bill that he would pay with a real two shilling piece, and it was real, all real, he assured himself, fingering the coin in his pocket, real to everyone except to him and to her; even to him it began to seem real; and then but it was too exciting to stand and think any longer, and he pulled the parasol out of the earth with a jerk and was impatient to find the place where one had tea with other people, like other people.

“Come along, Trissie; it's time we had our tea.”

“Wherever does one have one's tea?” she asked with the oddest thrill of excitement in her voice, looking vaguely round and letting herself be drawn on down the grass path, trailing her parasol, turning her head this way and that way, forgetting her tea, wishing to go down there and then down there, remembering orchids and cranes among wild flowers, a Chinese pagoda and a crimson crested bird; but he bore her on.

Thus one couple after another with much the same irregular and aimless movement passed the flower-bed and were enveloped in layer after layer of green blue vapour, in which at first their bodies had substance and a dash of colour, but later both substance and colour dissolved in the green-blue atmosphere. How hot it was! So hot that even the thrush chose to hop, like a mechanical bird, in the shadow of the flowers, with long pauses between one movement and the next; instead of rambling vaguely the white butterflies danced one above another, making with their white shifting flakes the outline of a shattered marble column above the tallest flowers; the glass roofs of the palm house shone as if a whole market full of shiny green umbrellas had opened in the sun; and in the drone of the aeroplane the voice of the summer sky murmured its fierce soul. Yellow and black, pink and snow white, shapes of all these colours, men, women, and children were spotted for a second upon the horizon, and then, seeing the breadth of yellow that lay upon the grass, they wavered and sought shade beneath the trees, dissolving like drops of water in the yellow and green atmosphere, staining it faintly with red and blue. It seemed as if all gross and heavy bodies had sunk down in the heat motionless and lay huddled upon the ground, but their voices went wavering from them as if they were flames lolling from the thick waxen bodies of candles. Voices. Yes, voices. Wordless voices, breaking the silence suddenly with such depth of contentment, such passion of desire, or, in the voices of children, such freshness of surprise; breaking the silence? But there was no silence; all the time the motor omnibuses were turning their wheels and changing their gear; like a vast nest of Chinese boxes all of wrought steel turning ceaselessly one within another the city murmured; on the top of which the voices cried aloud and the petals of myriads of flowers flashed their colours into the air.

Roald Dahl – Lamb to the Slaughter

read by Klára Bicanová

The room was warm and clean, the curtains drawn, the two table lamps alight – hers and the one by the empty chair opposite. On the sideboard behind her, two tall glasses, soda water, whisky. Fresh ice cubes in the Thermos bucket.

Mary Maloney was waiting for her husband to come home from work.

Now and again she would glance up at the clock, but without anxiety, merely to please herself with the thought that each minute gone by made it nearer the time when he would come. There was a slow smiling air about her, and about everything she did. The drop of the head as she bent over her sewing was curiously tranquil. Her skin – for this was her sixth month with child – had acquired a wonderful translucent quality, the mouth was soft, and the eyes, with their new placid look, seemed larger, darker than before.

When the clock said ten minutes to five, she began to listen, and a few moments later, punctually as always, she heard the tyres on the gravel outside, and the car door slamming, the footsteps passing the window, the key turning in the lock. She laid aside her sewing, stood up, and went forward to kiss him as he came in.

“Hullo, darling,” she said.

“Hullo,” he answered.

She took his coat and hung it in the closet. Then she walked over and made the drinks, a strongish one for him, a weak one for herself; and soon she was back again in her chair with the sewing, and he in the other, opposite, holding the tall glass with both his hands, rocking it so the ice cubes tinkled against the side.

For her, this was always a blissful time of day. She knew he didn't want to speak much until the first drink was finished, and she, on her side, was content to sit quietly, enjoying his company after the long hours alone in the house. She loved to luxuriate in the presence of this man, and to feel – almost as a sunbather feels the sun – that warm male glow that came out of him to her when they were alone together. She loved him for the way he sat loosely in a chair, for the way he came in a door, or moved slowly across the room with long strides. She loved the intent, far look in his eyes when they rested on her, the funny shape of the mouth, and especially the way he remained silent about his tiredness, sitting still with himself until the whisky had taken some of it away.

“Tired, darling.”

“Yes,” he said. “I'm tired.” And as he spoke, he did an unusual thing. He lifted his glass and drained it in one swallow although there was still half of it, at least half of it, left. She wasn't really watching him but she knew what he had done because she heard the ice cubes falling back against the bottom of the empty glass when he lowered his arm. He paused a moment, leaning forward in the chair, then he got up and went slowly over to fetch himself another.

“I'll get it!” she cried, jumping up.

“Sit down,” he said.

When he came back, she noticed that the new drink was dark amber with the quantity of whisky in it.

“Darling, shall I get your slippers.”

“No.”

She watched him as he began to sip the dark yellow drink, and she could see little oily swirls in the liquid because it was so strong.

“I think it's a shame,” she said, “that when a policeman gets to be as senior as you, they keep him walking about on his feet all day long.”

He didn't answer, so she bent her head again and went on with her sewing; but each time he lifted the drink to his lips, she heard the ice cubes clinking against the side of the glass.

“Darling,” she said. “Would you like me to get you some cheese? I haven't made any supper because it's Thursday.”

“No,” he said.

“If you're too tired to eat out,” she went on, “it's still not too late. There's plenty of meat and stuff in the freezer, and you can have it right here and not even move out of the chair.”

Her eyes waited on him for an answer, a smile, a little nod, but he made no sign.

“Anyway,” she went on, I'll get you some cheese and crackers first.”

“I don't want it,” he said.

She moved uneasily in her chair, the large eyes still watching his face. “But you must have supper. I can easily do it here. I'd like to do it. We can have lamb chops. Or pork. Anything you want. Everything's in the freezer.”

“Forget it,” he said.

“But, darling, you must eat! I'll fix it anyway, and then you can have it or not, as you like.”

She stood up and placed her sewing on the table by the lamp.

“Sit down,” he said. “Just for a minute, sit down.”

It wasn't till then that she began to get frightened.

“Go on,” he said. “Sit down.”

She lowered herself back slowly into the chair, watching him all the time with those large, bewildered eyes. He had finished the second drink and was staring down into the glass frowning.

“Listen,” he said, “I've got something to tell you.”

“What is it, darling? What's the matter.”

He had become absolutely motionless, and he kept his head down so that the light from the lamp beside him fell across the upper part of his face, leaving the chin and mouth in shadow. She noticed there was a little muscle moving near the corner of his left eye.

“This is going to be a bit of a shock to you, I'm afraid,” he said. “But I've thought about it a good deal and I've decided the only thing to do is tell you right away. I hope you won't blame me too much.”

And he told her. It didn't take long, four or five minutes at most, and she sat very still through it all, watching him with a kind of dazed horror as he went further and further away from her with each word.

“So there it is,” he added. “And I know it's kind of a bad time to be telling you, but there simply wasn't any other way. Of course I'll give you money and see you're looked after. But there needn't really be any fuss. I hope not anyway. It wouldn't be very good for my job.”

Her first instinct was not to believe any of it, to reject it all. It occurred to her that perhaps he hadn't even spoken, that she herself had imagined the whole thing. Maybe, if she went about her business and acted as though she hadn't been listening, then later, when she sort of woke up again, she might find none of it had ever happened.

“I'll get the supper,” she managed to whisper, and this time he didn't stop her.

When she walked across the room she couldn't feel her feet touching the floor. She couldn't feel anything at all – except a slight nausea and a desire to vomit. Everything was automatic now – down the stairs to the cellar, the light switch, the deep freeze, the hand inside the cabinet taking hold of the first object it met. She lifted it out, and looked at it. It was wrapped in paper, so she took off the paper and looked at it again.

A leg of lamb.

All right then, they would have lamb for supper. She carried it upstairs, holding the thin bone-end of it with both her hands, and as she went through the living-room, she saw him standing over by the window with his back to her, and she stopped.

“For God's sake,” he said, hearing her, but not turning round. “Don't make supper for me. I'm going out.”

At that point, Mary Maloney simply walked up behind him and without any pause she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head.

She might just as well have hit him with a steel club.

She stepped back a pace, waiting, and the funny thing was that he remained standing there for at least four or five seconds, gently swaying. Then he crashed to the carpet.

The violence of the crash, the noise, the small table overturning, helped bring her out of the shock. She came out slowly, feeling cold and surprised, and she stood for a while blinking at the body, still holding the ridiculous piece of meat tight with both hands.

All right, she told herself. So I've killed him.

It was extraordinary, now, how clear her mind became all of a sudden. She began thinking very fast. As the wife of a detective, she knew quite well what the penalty would be. That was fine. It made no difference to her. In fact, it would be a relief. On the other hand, what about the child? What were the laws about murderers with unborn children? Did they kill them both – mother and child? Or did they wait until the tenth month? What did they do?

Mary Maloney didn't know. And she certainly wasn't prepared to take a chance.

She carried the meat into the kitchen, placed it in a pan, turned the oven on high, and shoved it inside. Then she washed her hands and ran upstairs to the bedroom. She sat down before the mirror, tidied her face, touched up her lips and face. She tried a smile. It came out rather peculiar. She tried again.

“Hullo Sam,” she said brightly, aloud.

The voice sounded peculiar too.

“I want some potatoes please, Sam. Yes, and I think a can of peas.”

That was better. Both the smile and the voice were coming out better now. She rehearsed it several times more. Then she ran downstairs, took her coat, went out the back door, down the garden, into the street.

It wasn't six o'clock yet and the lights were still on in the grocery shop.

“Hullo Sam,” she said brightly, smiling at the man behind the counter.

“Why, good evening, Mrs Maloney. How're you.”

“I want some potatoes please, Sam. Yes, and I think a can of peas.”

The man turned and reached up behind him on the shelf for the peas.

“Patrick's decided he's tired and doesn't want to eat out tonight,” she told him. “We usually go out Thursdays, you know, and now he's caught me without any vegetables in the house.”

“Then how about meat, Mrs Maloney.”

“No, I've got meat, thanks. I got a nice leg of lamb, from the freezer.”

“Oh.”

“I don't much like cooking it frozen, Sam, but I'm taking a chance on it this time. You think it'll be all right.”

“Personally,” the grocer said, “I don't believe it makes any difference. You want these Idaho potatoes.”

“Oh yes, that'll be fine. Two of those.”

“Anything else?” The grocer cocked his head on one side, looking at her pleasantly. “How about afterwards? What you going to give him for afterwards.”

“Well – what would you suggest, Sam.”

The man glanced around his shop. “How about a nice big slice of cheesecake? I know he likes that.”

“Perfect,” she said. “He loves it.”

And when it was all wrapped and she had paid she put on her brightest smile and said, Thank you, Sam. Good night.

“Good night, Mrs Maloney. And thank you.”

And now, she told herself as she hurried back, all she was doing now, she was returning home to her husband and he was waiting for his supper; and she must cook it good, and make it as tasty as possible because the poor man was tired; and if, when she entered the house, she happened to find anything unusual, or tragic, or terrible, then naturally it would be a shock and she'd become frantic with grief and horror. Mind you, she wasn't expecting to find anything. She was just going home with the vegetables. Mrs Patrick Maloney going home with the vegetables on Thursday evening to cook supper for her husband.

That's the way, she told herself. Do everything right and natural. Keep things absolutely natural and there'll be no need for any acting at all.

Therefore, when she entered the kitchen by the back door, she was humming a little tune to herself and smiling.

“Patrick!” she called. “How are you darling.”

She put the parcel down on the table and went through into the living-room; and when she saw him lying there on the floor with his legs doubled up and one arm twisted back underneath his body, it really was rather a shock. All the old love and longing for him welled up inside her, and she ran over to him, knelt down beside him, and began to cry her heart out. It was easy. No acting was necessary.

A few minutes later she got up and went to the phone. She knew the number of the police station, and when the man at the other end answered, she cried to him, “Quick! Come quick! Patrick's dead.”

“Who's speaking.”

“Mrs Maloney. Mrs Patrick Maloney.”

“You mean Patrick Maloney's dead.”

“I think so,” she sobbed. “He's lying on the floor and I think he's dead.”

“Be right over,” the man said.

The car came over quickly, and when she opened the front door, two policemen walked in. She knew them both – she knew nearly all the men at that precinct – and she fell right into Jack Noonan's arms, weeping hysterically. He put her gently into a chair, then went over to join the other one, who was called O'Malley, kneeling by the body.

“Is he dead?” she cried.

“I'm afraid he is. What happened.”

Briefly, she told her story about going out to the grocer and coming back to find him on the floor. While she was talking, crying and talking, Noonan discovered a small patch of congealed blood on the dead man's head. He showed it to O'Malley who got up at once and hurried to the phone.

Soon, other men began to come into the house. First a doctor, then two detectives, one of whom she knew by name. Later, a police photographer arrived and took pictures, and a man who knew about fingerprints. There was a great deal of whispering and muttering beside the corpse, and the detectives kept asking her a lot of questions. But they always treated her kindly. She told her story again, this time right from the beginning, when Patrick had come in, and she was sewing, and he was tired, so tired he hadn't wanted to go out for supper. She told how she'd put the meat in the oven – “it's there now, cooking” – and how she'd slipped out to the grocer for vegetables, and come back to find him lying on the floor.

“Which grocer?” one of the detectives asked.

She told him, and he turned and whispered something to the other detective who immediately went outside into the street.

In fifteen minutes he was back with page of notes, and there was more whispering, and through her sobbing she heard a few of the whispered phrases – “... acted quite normal... very cheerful... wanted to give him a good supper... peas... cheesecake... impossible that she...”

After a while, the photographer and the doctor departed and two other men came in and took the corpse away on a stretcher. Then the fingerprint man went away. They were exceptionally nice to her, and Jack Noonan asked if she wouldn't rather go somewhere else, to her sister's house perhaps, or to his own wife who would take care of her and put her up for the night.

No, she said. She didn't feel she could move even a yard at the moment. Would they mind awfully if she stayed just where she was until she felt better? She didn't feel too good at the moment, she really didn't.

Then hadn't she better lie down on the bed? Jack Noonan asked.

No, she said, she'd like to stay right where she was, in the chair. A little later perhaps, when she felt better, she would move.

So they left her there while they went about their business, searching the house. Occasionally one of the detectives asked her another question. Sometimes Jack Noonan spoke to her gently as he passed by. Her husband, he told her, had been killed by a blow on the back of the head administered with a heavy blunt instrument, almost certainly a large piece of metal. They were looking for the weapon. The murderer may have taken it with him, but on the other hand he may've thrown it away or hidden it somewhere on the premises.

“It's the old story,” he said. “Get the weapon, and you've got the man.”

Later, one of the detectives came up and sat beside her. Did she know, he asked, of anything in the house that couldn't been used as the weapon? Would she mind having a look around to see if anything was missing – a very big spanner for example, or a heavy metal vase.

They didn't have any heavy metal vase, she said.

“Or a big spanner.”

She didn't think they had a big spanner. But there might be some things like that in the garage.

The search went on. She knew that there were other policemen in the garden all around the house. She could hear their footsteps on he gravel outside, and sometimes she saw the flash of a torch through a chink in the curtains. The four men searching the rooms seemed to be growing weary, a trifle exasperated.

“Jack.”, she said, the next time Sergeant Noonan went by. “Would you mind giving me a drink.”

“Sure I'll give you a drink. You mean this whiskey.”

“Yes, please. But just a small one. It might make me feel better.”

He handed her the glass.

“Why don't you have one yourself,” she said. “You must be awfully tired. Please do. You've been very good to me.”

“Well,” he answered. “It's not strictly allowed, but I might take just a drop to keep me going.”

One by one the others came in and were persuaded to take a little nip of whiskey. They stood around rather awkwardly with the drinks in their hands, uncomfortable in her presence, trying to say consoling things to her. Sergeant Noonan wandered into the kitchen, came out quickly and said, “Look, Mrs Maloney. You know that oven of yours is still on, and the meat still inside.”

“Oh, dear me!” she cried. “So it is.”

“I better turn it off for you, hadn't I.”

“Will you do that, Jack. Thank you so much.”

When the sergeant returned the second time, she looked at him with her large, dark, tearful eyes. “Jack Noonan,” she said.

“Yes.”

“Would you do me a small favour – you and these others.”

“We can try, Mrs Maloney.”

“Well,” she said. “Here you all are, and good friends of dear Patrick's too, and helping to catch the man who killed him. You must be terribly hungry by now because it's long past your supper time, and I know Patrick would never forgive me, God bless his soul, if I allowed you to remain in his house without offering you decent hospitality. Why don't you eat up that lamb that's in the oven? It'll be cooked just right by now.”

“Wouldn't dream of it,” Sergeant Noonan said.

“Please,” she begged. “Please eat it. Personally I couldn't touch a thing, certainly not what's been in the house when he was here. But it's all right for you. It'd be a favour to me if you'd eat it up. Then you can go on with your work again afterwards.”

There was a good deal of hesitating among the four policemen, but they were clearly hungry, and in the end they were persuaded to go into the kitchen and help themselves. The woman stayed where she was, listening to them through the open door, and she could hear them speaking among themselves, their voices thick and sloppy because their mouths were full of meat.

“Have some more, Charlie.”

“No. Better not finish it.”

“She wants us to finish it. She said so. Be doing her a favour.”

“Okay then. Give me some more.”

“That's the hell of a big club the guy must've used to hit poor Patrick,” one of them was saying. “The doc says his skull was smashed all to pieces just like from a sledge-hammer.”

“That's why it ought to be easy to find.”

“Exactly what I say.”

“Whoever done it, they're not going to be carrying a thing like that around with them longer than they need.”

One of them belched.

“Personally, I think it's right here on the premises.”

“Probably right under our very noses. What you think, Jack.”

And in the other room, Mary Maloney began to giggle.

Julian Barnes – Three Simple Stories – Story 3

read by Pavel Štébl

At 8 pm on Saturday, 13th May 1939, the liner St Louis left its home port of Hamburg. It was a cruise ship, and most of the 937 passengers booked on its transatlantic voyage carried visas confirming that they were “tourists, travelling for pleasur.”. The words were an evasion, however, as was the purpose of their voyage. All but a few of them were Jews, refugees from a Nazi state which intended to dispossess, transport and exterminate them. Many, indeed, had already been dispossessed, since emigrants from Germany were permitted to take with them no more than a nominal ten Reichsmarks. This enforced poverty made them easier targets for propaganda: if they left with no more than their allowance, they could be portrayed as shabby Untermenschen scuttling away like rats; if they managed to outwit the system, then they were economic criminals fleeing with stolen goods. All this was normal.

The St Louis was flying the swastika flag, which was normal; its crew included half-a-dozen Gestapo agents, which was also normal. The shipping line had instructed the captain to lay in cheaper cuts of meat for this voyage, to remove luxury goods from the shops and free postcards from the public rooms; but the captain largely circumvented such orders, decreeing that this journey should resemble other cruises by the St Louis and be, as far as possible, normal. So when the Jews arrived on board from a mainland where they had been despised, systematically humiliated and imprisoned, they discovered that although this ship was legally still part of Germany, flew the swastika and had large portraits of Hitler in its public rooms, the Germans with whom they had dealings were courteous, attentive and even obedient. This was abnormal.

None of these Jews – half of whom were women and children – had any intention of revisiting Germany in the near future. Nevertheless, in accordance with the regulations of the shipping company, they had all been obliged to buy return tickets. This payment, they were told, was designed to cover “unforeseen eventualitie.”. When the refugees landed in Havana, they would be given by the Hamburg-Amerika line a receipt for the unused part of the fare. The money itself had been lodged in a special account in Germany: if ever they returned there, they could collect it. Even Jews who had been released from concentration camps on strict condition that they left the Fatherland immediately were obliged to pay for the round trip.

Along with their tickets the refugees had bought landing permits from the Cuban director of immigration, who had given a personal guarantee that they would face no difficulties entering his country. It was he who had classed them as “tourists, travelling for pleasur.”; and in the course of the voyage some passengers, particularly the younger ones, were able to make the remarkable transition from despised Untermensch to pleasure-seeking tourist. Perhaps their escape from Germany felt as miraculous as that of Jonah from the whale. Every day there was food, drink, and dancing. Despite a warning to crew members from the Gestapo cell about contravention of the Law for the Protection of German Blood and Honour, sexual activity continued as normal on a cruise. Towards the end of the Atlantic crossing, the traditional costume ball took place. The band played Glenn Miller; Jews appeared as pirates, sailors and Hawaiian dancers. Some high-spirited girls came as harem women, with Arab dress made from bedsheets – a transformation which struck the more orthodox on board as unseemly.

On Saturday 27th May the St Louis anchored in Havana Harbour. At 4 am the klaxon for reveille sounded, and half an hour later the breakfast gong. Small boats came out to the liner, some bearing vendors of coconuts and bananas, others containing friends and relatives who shouted up names to the rail. The ship was flying a quarantine flag, which was normal. The captain had to certify to the Port of Havana medical officer that no-one on board was “an idiot, or insane, or suffering from a loathsome or contagious diseas.”. When this had been done, immigration officers began to process the passengers, examining their papers and indicating whereabouts on the pier to expect their luggage. The first fifty refugees gathered at the top of the ladder, waiting for the boat to take them ashore.

Immigration, like emigration, is a process in which money is no less important than principles or laws, and often sounder than either of them. Money reassures the host country – or, in the case of Cuba, the transit country – that the new arrivals will not be a charge on the state. Money also serves to bribe the officials who have to take this decision. The Cuban director of immigration had made a great deal of money from previous boatloads of Jews; the President of Cuba had not made enough money from them. The President had therefore issued a decree on 6th May revoking the validity of tourist visas when the true purpose of travel was immigration. Did this decree apply to those on board the St Louis or not? The ship had sailed from Hamburg after the law had been promulgated; on the other hand, the landing permits had been issued earlier. It was a question on which much argument and money could be spent. The number of the presidential decree was 937, which the superstitious might have noticed was also the number of passengers on board when the St Louis left Europe.

A delay developed. Nineteen Cubans and Spaniards were allowed to disembark, plus three passengers with authentic visas; the remaining 900 or so Jews waited for news of the negotiations which involved, variously, the Cuban President, his director of immigration, the shipping line, the local relief committee, the ship's captain and a lawyer flown in from the New York headquarters of the Joint Distribution Committee. These talks lasted several days. Factors to be considered were money, pride, political ambition and Cuban public opinion. The captain of the St Louis, while distrustful of both local politicians and his own shipping line, was convinced at least of one thing: that if Cuba proved inaccessible, the United States, to which most of his passengers had the right of eventual entry, would surely accept them earlier than promised.

Some of the marooned passengers were less confident, and became unnerved by the uncertainties, the delay, the heat. They had spent so long reaching a place of safety, and were now so near. Friends and relatives continued to circle the liner in small boats; a fox terrier, sent on ahead from Germany, was rowed out each day and held up towards the rail and its distant owners. A passengers' committee had been formed, to whom the shipping company gave free cabling facilities; appeals for intercession were despatched to influential people, including the wife of the Cuban president. It was during this time that two passengers attempted suicide, one with a syringe and tranquillizers, another by slashing his wrists and jumping into the sea; both survived. Thereafter, to prevent further suicide attempts, there were security patrols at night; the lifeboats were always ready, and the ship was lit up by floodlights. These measures reminded some Jews of the concentration camps they had recently left.

The St Louis was not meant to leave Havana empty after dropping its 937 emigrants. Some 250 passengers were booked on the return trip to Hamburg via Lisbon. One suggestion was that 250 of the Jews could at least be disembarked to make room for those on shore. But how would you choose the 250 who were to be allowed off the Ark? Who would separate the clean from the unclean? Was it to be done by casting lots?

The predicament of the St Louis was not a disregarded, local issue. The voyage was being logged by the German, British and American press. Der Stürmer commented that if the Jews chose to take up their return passages to Germany, they should be accommodated at Dachau and Buchenwald. Meanwhile, in Havana harbour, American reporters managed to get on board what they nicknamed, perhaps too easily, “the ship that shamed the worl.”. Such publicity does not necessarily help refugees. If the shame belongs to the whole world, then why should one particular country – which had already accepted many Jewish refugees – be so frequently expected to bear it? The world, apparently, did not feel its shame so strongly that it moved its hand to its wallet. The Cuban government accordingly voted to exclude the immigrants and ordered the St Louis to leave the island's territorial waters. This did not mean, the President added, that he had closed the door on negotiations; merely that he would not consider further offers until the ship had left harbour.

How much are refugees? It depends how desperate they are, how rich their patrons, how greedy their hosts. In the world of entry permits and panic it is always a seller's market. Prices are arbitrary, speculative, evanescent. The lawyer from the Joint Distribution Committee put forward an opening offer of 50,000 for the safe landing of the Jews, and was told that the sum might usefully be trebled. But if trebled, why not trebled again? The director of immigration – who had already received 150 a head for the landing permits which had not been honoured – suggested to the shipping line a fee of 250,000 to help get decree number 937 rescinded. A purported intermediary of the President seemed to think that the Jews could be landed for 1,000,000. In the end, the Cuban government was to fix on a bond of 500 for each Jew. This price had a certain logic, being the amount of surety which each official immigrant into the country had to post. So the 907 passengers on board, who had already paid their outward and return fares, who had bought their permits and then been reduced to an official ten Deutschmarks each, would cost 453,500.

As the liner started its engines, a group of women charged the accommodation ladder; they were repelled by Cuban police with pistols. During its six days in Havana harbour the St Louis had become a tourist attraction, and its departure was watched by an estimated crowd of 100,000. The captain had been given permission by his superiors in Hamburg to sail for any port which would accept his passengers. At first he steamed idly in ever-widening circles, waiting to be recalled to Havana; then headed north for Miami. When the ship reached the American coast it was greeted by a US coastguard cutter. But this apparent welcome was a rebuff: the cutter was there to see that the St Louis did not enter territorial waters. The State Department had already decided that if the Jews were turned down by Cuba, they would not be granted entry into the United States. Money was a less direct factor here: high unemployment and reliable xenophobia were sufficient justifications.

The Dominican Republic offered to accept the refugees for the standardized market price of 500 a head; but this merely duplicated the Cuban tariff. Venezuela, Ecuador, Chile, Colombia, Paraguay and Argentina were all approached; each declined to bear the world's shame single-handed. In Miami the immigration inspector announced that the St Louis would not be allowed to dock in any US port.

The liner, denied entry to the whole American continent, continued steaming northwards. Those on board were aware that they were approaching the point at which it would have to swing east and head inevitably back to Europe. Then, at 4.50 on the afternoon of Sunday, 4th June, a news flash was picked up. The President of Cuba had apparently given permission for the Jews to be landed on the Isle of Pines, a former penal colony. The captain turned the St Louis round and headed south again. Passengers brought their luggage up on deck, That evening, over dinner, the spirits of the gala evening returned.

The next morning, three hours' sailing away from the Isle of Pines, the ship received a cable: permission to disembark had not yet been confirmed. The passenger committee, who throughout the crisis had been sending telegrams to prominent Americans asking them to intercede, could think of no one else to contact. Someone suggested the Mayor of St Louis, Missouri, thinking that the consonance of names might perhaps evoke sympathy. A cable was duly despatched.

The Cuban President had asked for a 500 surety per refugee, plus a subsidiary guarantee to cover food and lodging during the period of transit on the Isle of Pines. The American lawyer had offered (according to the Cuban government) a total of 443,000, but further stipulated that this sum was to cover not just the refugees on the St Louis but also 150 Jews on two other ships. The Cuban government found itself unable to accept this counter-proposal and withdrew its own offer. The lawyer for the Joint Committee responded by agreeing in full to the original Cuban demand. The government in return regretted that its offer had already been terminated and could not now be revived. The St Louis turned round and headed north for a second time.

As the ship began its return voyage to Europe, the British and French governments were informally sounded out to see if their countries might take the Jews. The British answer was that they would prefer to view the present difficulty in the wider context of the general European refugee situation, but that they might be prepared to consider possible subsequent entry of the Jews to Britain after their return to Germany.

There had been unconfirmed or impracticable offers from the President of Honduras, from an American philanthropist, even from a quarantine station in the Panama Canal Zone; the ship steamed on. The passenger committee addressed its appeals to political and religious leaders throughout Europe; though its messages now had to be shorter, since the shipping line had withdrawn free cabling facilities. One suggestion made at this time was that the strongest swimmers among the Jews should jump overboard at intervals, thus forcing the St Louis to stop and turn round. This would slow its progress towards Europe and allow more time for negotiations. The idea was not taken up.

German radio announced that since no country would agree to accept the boat-load of Jews, the Fatherland would be obliged to take them back and support them. It was not difficult to guess where they might be supported. What's more, if the St Louis was forced to unload its cargo of degenerates and criminals back in Hamburg, this would prove that the world's supposed concern was mere hypocrisy. Nobody wanted the shabby Jews, and nobody therefore had any right to criticize whatever welcome the Fatherland might extend to the filthy parasites on their return.

It was at this time that a group of younger Jews attempted to hijack the ship. They invaded the bridge, but were dissuaded from further action by the captain. For his part, he conceived a plan of setting fire to the St Louis off Beachy Head, which would compel the rescuing nation to take his passengers in. This desperate scheme might even have been tried. Finally, when many had given up hope and the liner was nearing Europe, the Belgian government announced that it would admit 200 of the passengers. In the days that followed, Holland agreed to take 194, Britain 350, and France 250.

After a voyage of 10,000 miles, the St Louis docked at Antwerp, 300 miles from its port of departure. Relief workers from the four countries involved had already met to decide the distribution of the Jews. Most of those on board possessed the right of eventual entry into the United States, and had therefore been ascribed a number on the US quota list. It was observed that the relief workers competed for passengers with low numbers, since these refugees would, leave their countries of transit the soonest.

In Antwerp a pro-Nazi youth organization had distributed handbills bearing the slogan: “We too want to help the Jews. If they call at our offices each will receive gratis a length of rope and a long nail.” The passengers were disembarked. Those admitted to Belgium were put on a train whose doors were locked and windows nailed shut; they were told that such measures were necessary for their own protection. Those admitted to Holland were immediately transferred to a camp surrounded by barbed wire and guard dogs.

On Wednesday, 21st June the British contingent from the St Louis docked at Southampton. They were able to reflect that their wanderings at sea had lasted precisely forty days and forty nights.

On 1st September the Second World War began, and the passengers from the St Louis shared in the fate of European Jewry. Their chances rose or fell depending upon the country to which they had been allotted. Estimates of how many survived vary.

Poems

William Shakespeare – The Sonnets (18, 51, 66)

read by Pavel Štébl

Sonet 18

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.

Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date.

Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;

And every fair from fair sometime declines,
By chance, or nature's changing course untrimmed.

But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,

Nor shall Death brag thou wand'rest in his shade,
When in eternal lines to time thou grow'st,

So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

Sonet 51

Thus can my love excuse the slow offence
Of my dull bearer when from thee I speed:

From where thou art why should I haste me thence?
Till I return, of posting is no need.

O, what excuse will my poor beast then find,
When swift extremity can seem but slow?

Then should I spur, though mounted on the wind;
In winged speed no motion shall I know.

Then can no horse with my desire keep pace;
Therefore desire of perfect'st love being made,
Shall neigh, no dull flesh in his fiery race;
But love, for love, thus shall excuse my jade;

Since from thee going he went wilful slow,
Towards thee I'll run, and give him leave to go.

Sonet 66

Tired with all these, for restful death I cry:

As to behold desert a beggar born,
And needy nothing trimmed in jollity,

And purest faith unhappily forsworn,
And gilded honour shamefully misplaced,

And maiden virtue rudely strumpeted,
And right perfection wrongfully disgraced,

And strength by limping sway disabled
And art made tongue-tied by authority,

And folly, doctor-like, controlling skill,
And simple truth miscalled simplicity,
And captive good attending captain ill.

Tired with all these, from these would I be gone,
Save that, to die, I leave my love alone.

E. A. Poe – The Raven

read by Pavel Štébl and Ondřej Schneider

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore -
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
“Tis some visiter,” I muttered, “tapping at my chamber door -
Only this, and nothing more.”

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; – vainly I had sought to borrow
From my books surcease of sorrow – sorrow for the lost Lenore -
For the rare and radiant maiden whom the angels name Lenore -
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me – filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
“Tis some visiter entreating entrance at my chamber door -
Some late visiter entreating entrance at my chamber door; -
This it is, and nothing more.”

Presently my soul grew stronger; hesitating then no longer,
“Sir,” said I, “or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you” – here I opened wide the door; -
Darkness there, and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, “Lenore.”
This I whispered, and an echo murmured back the word, “Lenore!” -
Merely this, and nothing more.

Back into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
“Surely,” said I, “surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore -
Let my heart be still a moment and this mystery explore; -
Tis the wind and nothing more.”

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door -
Perched upon a bust of Pallas just above my chamber door -
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
“Though thy crest be shorn and shaven, thou,” I said, “art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore -
Tell me what thy lordly name is on the Night's Plutonian shore.”
Quoth the Raven, “Nevermore.”

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning – little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door -
Bird or beast upon the sculptured bust above his chamber door,
With such name as “Nevermore.”

But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing farther then he uttered; not a feather then he fluttered -
Till I scarcely more than muttered: “Other friends have flown before -
On the morrow he will leave me, as my hopes have flown before.”
Then the bird said “Nevermore.”

Startled at the stillness broken by reply so aptly spoken,
“Doubtless,” said I, “what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore -
Till the dirges of his Hope that melancholy burden bore
Of Never – nevermore.”

But the Raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore -
What this grim, ungainly, ghastly, gaunt, and ominous bird of yore
Meant in croaking “Nevermore.”

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by angels whose faint foot-falls tinkled on the tufted floor.
“Wretch,” I cried, “thy God hath lent thee – by these angels he hath sent thee
Respite – respite and nepenthe from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore.”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil! – prophet still, if bird or devil!
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted -
On this home by Horror haunted – tell me truly, I implore -
Is there – is there balm in Gilead? – tell me – tell me, I implore.”
Quoth the Raven, “Nevermore.”

“Prophet!” said I, “thing of evil – prophet still, if bird or devil!
By that Heaven that bends above us – by that God we both adore -
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore -
Clasp a rare and radiant maiden whom the angels name Lenore.”
Quoth the Raven, “Nevermore.”

“Be that word our sign of parting, bird or fiend!” I shrieked, upstarting -
“Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! – quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door.”
Quoth the Raven, “Nevermore.”

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted – nevermore!

Edward Lear – selection from the book Nonsense Omnibus

read by Pavel Štébl and Alexander Packer

Limerics

There was an Old Man, who when little
Fell casually into a Kettle;
But, growing too stout,
He could never get out,
So he passed all his life in that Kettle

There was an Old Man of Berlin,
Whose form was uncommonly thin;
Till he once, by mistake,
Was mixed up in a cake,
So they baked that Old Man of Berlin.

There was a Young Lady whose eyes
Were unique as to colour and size;
When she opened them wide,
People all turned aside,
And started away in surprise.

There was an Old Man of Dumbree,
Who taught little Owls to drink Tea;
For he said, “To eat mice
Is not proper or nice.”
That amiable Man of Dumbree.

Nonsense Songs

The Duck and the Kangaroo

I.

Said the Duck to the Kangaroo,
“Good gracious! how you hop!
Over the fields and the water too,
As if you never would stop!
My life is a bore in this nasty pond,
And I long to go out in the world beyond!
I wish I could hop like you.”
Said the Duck to the Kangaroo.

II.

“Please give me a ride on your back.”
Said the Duck to the Kangaroo.
“I would sit quite still, and say nothing but
'Quack,'
The whole of the long day through!
And we'd go to the Dee, and the Jelly Bo Lee,
Over the land, and over the sea; -
Please take me a ride! O do.”
Said the Duck to the Kangaroo.

III.

Said the Kangaroo to the Duck,
“This requires some little reflection;
Perhaps on the whole it might bring me luck,
And there seems but one objection,
Which is, if you'll let me speak so bold,
Your feet are unpleasantly wet and cold,
And would probably give me the roo -
Matiz!” said the Kangaroo.

IV.

Said the Duck, “As I sate on the rocks,
I have thought over that completely,
And I bought four pairs of worsted socks
Which fit my web-feet neatly.
And to keep out the cold I've bought a cloak,
And every day a cigar I'll smoke,
All to follow my own dear true
Love of a Kangaroo.”

V.

Said the Kangaroo, “I'm ready!
“All in the moonlight pale;
But to balance me well, dear Duck, sit steady!
And quite at the end of my tail.”
So away they went with a hop and a bound,
And they hopped the whole world three times round;
And who so happy, – O who,
As the Duck and the Kangaroo?

The Table and the Chair

I.

Said the Table to the Chair,
“You can hardly be aware
How I suffer from the heat,
And from chilblains on my feet!
If we took a little walk,
We might have a little talk!
Pray let us take the air.”
Said the Table to the Chair.

II.

Said the Chair unto the Table,
“Now you know we are hot able!
How foolishly you talk,
When you know we cannot walk.”
Said the Table with a sigh,
“It can do no harm to try;
I've as many legs as you,
Why can't we walk on two.”

III.

So they both went slowly down,
And walked about the town
With a cheerful bumpy sound,
As they toddled round and round.
And everybody cried,
As they hastened to their side,
“See! the Table and the Chair
Have come out to take the air.”

IV.

But in going down an alley,
To a castle in the valley,
They completely lost their way,
And wandered all the day,
Till, to see them safely back.
They paid a Ducky-quack,
And a Beetle, and a Mouse,
Who took them to their house.

V.

Then they whispered to each other,
“O delightful little brother!
What a lovely walk we've taken!
Let us dine on Beans and Bacon.”
So the Ducky and the leetle
Browny-Mousy and the Beetle
Dined, and danced upon their heads
Till they toddled to their beds.

David Herbert Lawrence – selection from the book The Complete Poems of D. H. Lawrence

read by Chloe Fortescue

So Let Me Live

So let me live that I may die
eagerly passing over from the entanglement of life

to the adventure of death, in eagerness
turning to death as I turn to beauty,

to the breath, that is, of new beauty unfolding in death.

They Say the Sea is Loveless

They say the sea is loveless, that in the sea
love cannot live, but only bare, salt splinters
of loveless life.

But from the sea
the dolphins leap round Dionysos's ship
whose masts have purple vines,

and up they come with the purple dark of rainbows
and flip! they go! with the nose-dive of sheer delight;

and the sea is making love to Dionysos
in the bouncing of these small and happy whales.

William Butler Yeats – selection from the book The Collected Poems of W. B. Yeats

read by Pavel Štébl and Hilary Krupa

To a Squirrel at Kyle-Na-No

Come play with me; Why should you run
Through the shaking tree
As though I'd a gun
To strike you dead?

When all I would do
Is to scratch your head
And let you go.

To a Young Girl

My dear, my dear, I know
More than another
What makes your heart beat so;
Not even your own mother
Can know it as I know,
Who broke my heart for her

When the wild thought,
That she denies
And has forgot,
Set all her blood astir
And glittered in her eyes.

Memory

One had a lovely face,
And two or three had charm,

But charm and face were in vain
Because the mountain grass
Cannot but keep the form
Where the mountain hare has lain.

The Mask

“Put off that mask of burning gold
With emerald eyes.”

“O no, my dear, you make so bold
To find if hearts be wild and wise,
And yet not cold.”

“I would but find what's there to find,
Love or deceit.”

“It was the mask engaged your mind,
And after set your heart to beat,
Not what's behind.”

“But lest you are my enemy,
I must enquire.”

“O no, my dear, let all that be;
What matter, so there is but fire
In you, in me.”

A Dream of Death

I dreamed that one had died in a strange place
Near no accustomed hand;
And they had nailed the boards above her face,
The peasants of that land,

Wondering to lay her in that solitude,
And raised above her mound
A cross they had made out of two bits of wood,
And planted cypress round;

And left her to the indifferent stars above
Until I carved these words:
She was more beautiful than thy first love,
But now lies under boards.

Alan Alexander Milne – selection from the book When We Were Very Young

read by Pavel Štébl, Chloe Fortescue and Hilary Krupa

If I were king

I often wish I were a King,
And then I could do anything.

If only I were King of Spain,
I'd take my hat off in the rain.

If only I were King of France,
I wouldn't brush my hair for aunts.

I think, if I were King of Greece,
I'd push things off the mantelpiece.

If I were King of Norroway,
I'd ask an elephant to stay.

If I were King of Babylon,
I'd leave my button gloves undone.

If I were King of Timbuctoo,
I'd think of lovely things to do.

If I were King of anything,
I'd tell the soldiers, “I'm the King.”

Missing

Has anybody seen my mouse?

I opened his box for half a minute,
Just to make sure he was really in it,

And while I was looking, he jumped outside!
I tried to catch him, I tried, I tried...

I think he's somewhere about the house.
Has anyone seen my mouse?

Uncle John, have you seen my mouse?

Just a small sort of mouse, a dear little brown one,
He came from the country, he wasn't a town one,

So he'll feel all lonely in a London street;
Why, what could he possibly find to eat?

He must be somewhere. I'll ask Aunt Rose:
Have you seen a mouse with a woffelly nose?

He's just got out...

Hasn't anybody seen my mouse?

Rice pudding

What is the matter with Mary Jane?
She's crying with all her might and main,
And she won't eat her dinner – rice pudding again -
What is the matter with Mary Jane?

What is the matter with Mary Jane?
I've promised her dolls and a daisy-chain,
And a book about animals – all in vain -
What is the matter with Mary Jane?

What is the matter with Mary Jane?
She's perfectly well, and she hasn't a pain;
But, look at her, now she's beginning again! -
What is the matter with Mary Jane?

What is the matter with Mary Jane?
I've promised her sweets and a ride in the train,
And I've begged her to stop for a bit and explain -
What is the matter with Mary Jane?

What is the matter with Mary Jane?
She's perfectly well and she hasn't a pain,
And it's lovely rice pudding for dinner again!
What is the matter with Mary Jane?

The End

When I was One,
I had just begun.

When I was Two,
I was nearly new.

When I was Three,
I was hardly Me.

When I was Four,
I was not much more.

When I was Five,
I was just alive.

But now I am Six, I'm as clever as clever.
So I think I'll be six now for ever and ever.

The Morning Walk

When Anne and I go out a walk,
We hold each other's hand and talk
Of all the things we mean to do
When Anne and I are forty-two.

And when we've thought about a thing,
Like bowling hoops or bicycling,
Or falling down on Anne's balloon,
We do it in the afternoon.

Solitude

I have a house where I go
When there's too many people,

I have a house where I go
Where no one can be;

I have a house where I go,
Where nobody ever says “N.”;

Where no one says anything – so
There is no one but me.

Novels

Jane Austen – Pride and Prejudice

Chapter 1, 2, 3, abridged

read by Hilary Krupa

Chapter 1

It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife. However little known the feelings or views of such a man may be on his first entering a neighbourhood, this truth is so well fixed in the minds of the surrounding families, that he is considered as the rightful property of some one or other of their daughters.

“My dear Mr. Bennet,” said his lady to him one day, “have you heard that Netherfield Park is let at last.”

Mr. Bennet replied that he had not.

“But it is,” returned she; “for Mrs. Long has just been here, and she told me all about it.”

Mr. Bennet made no answer.

“Do not you want to know who has taken it?” cried his wife impatiently.

“You want to tell me, and I have no objection to hearing it.”

This was invitation enough.

“Why, my dear, you must know, Mrs. Long says that Netherfield is taken by a young man of large fortune from the north of England; that he came down on Monday in a chaise and four to see the place, and was so much delighted with it that he agreed with Mr. Morris immediately; that he is to take possession before Michaelmas, and some of his servants are to be in the house by the end of next week.”

“What is his name.”

“Bingley.”

“Is he married or single.”

“Oh! single, my dear, to be sure! A single man of large fortune; four or five thousand a year. What a fine thing for our girls.”

“How so? How can it affect them.”

“My dear Mr. Bennet,” replied his wife, “how can you be so tiresome! You must know that I am thinking of his marrying one of them.”

“Is that his design in settling here.”

“Design! Nonsense, how can you talk so! But it is very likely that he may fall in love with one of them, and therefore you must visit him as soon as he comes.”

“I see no occasion for that. You and the girls may go, or you may send them by themselves, which perhaps will be still better; for, as you are as handsome as any of them, Mr. Bingley might like you the best of the party.”

“My dear, you flatter me. I certainly have had my share of beauty, but I do not pretend to be any thing extraordinary now. When a woman has five grown up daughters, she ought to give over thinking of her own beauty.”

“In such cases, a woman has not often much beauty to think of.”

“But, my dear, you must indeed go and see Mr. Bingley when he comes into the neighbourhood.”

“It is more than I engage for, I assure you.”

“But consider your daughters. Only think what an establishment it would be for one of them. Sir William and Lady Lucas are determined to go, merely on that account, for in general, you know they visit no new comers. Indeed you must go, for it will be impossible for us to visit him, if you do not.”

“You are over-scrupulous, surely. I dare say Mr. Bingley will be very glad to see you; and I will send a few lines by you to assure him of my hearty consent to his marrying whichever he chooses of the girls; though I must throw in a good word for my little Lizzy.”

“I desire you will do no such thing. Lizzy is not a bit better than the others; and I am sure she is not half so handsome as Jane, nor half so good-humoured as Lydia. But you are always giving her the preference.”

“They have none of them much to recommend them,” replied he; “they are all silly and ignorant like other girls; but Lizzy has something more of quickness than her sisters.”

“Mr. Bennet, how can you abuse your own children in such way? You take delight in vexing me. You have no compassion on my poor nerves.”

“You mistake me, my dear. I have a high respect for your nerves. They are my old friends. I have heard you mention them with consideration these twenty years at least.”

“Ah! you do not know what I suffer.”

“But I hope you will get over it, and live to see many young men of four thousand a year come into the neighbourhood.”

“It will be no use to us if twenty such should come, since you will not visit them.”

“Depend upon it, my dear, that when there are twenty I will visit them all.”

Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three and twenty years had been insufficient to make his wife understand his character. Her mind was less difficult to develop. She was a woman of mean understanding, little information, and uncertain temper. When she was discontented, she fancied herself nervous. The business of her life was to get her daughters married; its solace was visiting and news.

Chapter 2

Mr. Bennet was among the earliest of those who waited on Mr. Bingley. He had always intended to visit him, though to the last always assuring his wife that he should not go; and till the evening after the visit was paid, she had no knowledge of it...

Chapter 3

Not all that Mrs. Bennet, however, with the assistance of her five daughters, could ask on the subject was sufficient to draw from her husband any satisfactory description of Mr. Bingley. They attacked him in various ways; with barefaced questions, ingenious suppositions, and distant surmises; but he eluded the skill of them all; and they were at last obliged to accept the second-hand intelligence of their neighbour Lady Lucas. Her report was highly favourable. Sir William had been delighted with him. He was quite young, wonderfully handsome, extremely agreeable, and, to crown the whole, he meant to be at the next assembly with a large party. Nothing could be more delightful! To be fond of dancing was a certain step towards falling in love; and very lively hopes of Mr. Bingley's heart were entertained.

“If I can but see one of my daughters happily settled at Netherfield,” said Mrs. Bennet to her husband, “and all the others equally well married, I shall have nothing to wish for.”

In a few days Mr. Bingley returned Mr. Bennet's visit, and sat about ten minutes with him in his library. He had entertained hopes of being admitted to a sight of the young ladies, of whose beauty he had heard much; but he saw only the father. The ladies were somewhat more fortunate, for they had the advantage of ascertaining, from an upper window, that he wore a blue coat and rode a black horse.

An invitation to dinner was soon afterwards dispatched; and already had Mrs. Bennet planned the courses that were to do credit to her housekeeping, when an answer arrived which deferred it all. Mr. Bingley was obliged to be in town the following day, and consequently unable to accept the honour of their invitation, etc. Mrs. Bennet was quite disconcerted. She could not imagine what business he could have in town so soon after his arrival in Hertfordshire; and she began to fear that he might be always flying about from one place to another, and never settled at Netherfield as he ought to be. Lady Lucas quieted her fears a little by starting the idea of his being gone to London only to get a large party for the ball; and a report soon followed that Mr. Bingley was to bring twelve ladies and seven gentlemen with him to the assembly. The girls grieved over such a large number of ladies; but were comforted the day before the ball by hearing that, instead of twelve, he had brought only six with him from London, his five sisters and a cousin. And when the party entered the assembly room, it consisted of only five altogether; Mr. Bingley, his two sisters, the husband of the oldest, and another young man.

Mr. Bingley was good looking and gentlemanlike; he had a pleasant countenance, and easy, unaffected manners. His brother-in-law, Mr. Hurst, merely looked the gentleman; but his friend Mr. Darcy soon drew the attention of the room by his fine, tall person, handsome features, noble mien; and the report which was in general circulation within five minutes after his entrance, of his having ten thousand a year. The gentlemen pronounced him to be a fine figure of a man, the ladies declared he was much handsomer than Mr. Bingley, and he was looked at with great admiration for about half the evening, till his manners gave a disgust which turned the tide of his popularity; for he was discovered to be proud, to be above his company, and above being pleased; and not all his large estate in Derbyshire could then save him from having a most forbidding, disagreeable countenance, and being unworthy to be compared with his friend.

Mr. Bingley had soon made himself acquainted with all the principal people in the room; he was lively and unreserved, danced every dance, was angry that the ball closed so early, and talked of giving one himself at Netherfield. Such amiable qualities must speak for themselves. What a contrast between him and his friend! Mr. Darcy danced only once with Mrs. Hurst and once with Miss Bingley, declined being introduced to any other lady, and spent the rest of the evening in walking about the room, speaking occasionally to one of his own party. His character was decided. He was the proudest, most disagreeable man in the world, and everybody hoped that he would never come there again. Amongst the most violent against him was Mrs. Bennet, whose dislike of his general behaviour was sharpened into particular resentment by his having slighted one of her daughters.

Elizabeth Bennet had been obliged, by the scarcity of gentlemen, to sit down for two dances; and during part of that time, Mr. Darcy had been standing near enough for her to overhear a conversation between him and Mr. Bingley, who came from the dance for a few minutes to press his friend to join it.

“Come, Darcy,” said he, “I must have you dance. I hate to see you standing about by yourself in this stupid manner. You had much better dance.”

“I certainly shall not. You know how I detest it, unless I am particularly acquainted with my partner. At such an assembly as this, it would be insupportable. Your sisters are engaged, and there is not another woman in the room whom it would not be a punishment to me to stand up with.”

“I would not be so fastidious as you are,” cried Bingley, “for a kingdom! Upon my honour I never met with so many pleasant girls in my life, as I have this evening; and there are several of them, you see, uncommonly pretty.”

“You are dancing with the only handsome girl in the room,” said Mr. Darcy, looking at the eldest Miss Bennet.

“Oh! she is the most beautiful creature I ever beheld! But there is one of her sisters sitting down just behind you, who is very pretty, and I dare say very agreeable. Do let me ask my partner to introduce you.”

“Which do you mean?” and turning round, he looked for a moment at Elizabeth, till catching her eye, he withdrew his own and coldly said, “She is tolerable; but not handsome enough to tempt me; and I am in no humour at present to give consequence to young ladies who are slighted by other men. You had better return to your partner and enjoy her smiles, for you are wasting your time with me.”

Mr. Bingley followed his advice. Mr. Darcy walked off; and Elizabeth remained with no very cordial feelings towards him. She told the story however with great spirit among her friends; for she had a lively, playful disposition, which delighted in anything ridiculous.

The evening altogether passed off pleasantly to the whole family. Mrs. Bennet had seen her eldest daughter much admired by the Netherfield party. Mr. Bingley had danced with her twice, and she had been distinguished by his sisters. Jane was as much gratified by this as her mother could be, though in a quieter way. Elizabeth felt Jane's pleasure. Mary had heard herself mentioned to Miss Bingley as the most accomplished girl in the neighbourhood; and Catherine and Lydia had been fortunate enough to be never without partners, which was all that they had yet learnt to care for at a ball. They returned therefore, in good spirits to Longbourn, the village where they lived, and of which they were the principal inhabitants. They found Mr. Bennet still up. With a book, he was regardless of time; and on the present occasion he had a good deal of curiosity as to the event of an evening which had raised such splendid expectations. He had rather hoped that all his wife's views on the stranger would be disappointed; but he soon found that he had a very different story to hear.

“Oh! my dear Mr. Bennet,” as she entered the room, “we have had a most delightful evening, a most excellent ball. I wish you had been there. Jane was so admired, nothing could be like it. Every body said how well she looked; and Mr. Bingley thought her quite beautiful, and danced with her twice. Only think of that my dear; he actually danced with her twice; and she was the only creature in the room that he asked a second time. First of all, he asked Miss Lucas. I was so vexed to see him stand up with her; but, however, he did not admire her at all: indeed, nobody can, you know; and he seemed quite struck with Jane as she was going down the dance. So, he enquired who she was, and got introduced, and asked her for the two next. Then, the two third he danced with Miss King, and the two fourth with Maria Lucas, and the two fifth with Jane again, and the two sixth with Lizzy, and the Boulanger .”

“If he had had any compassion for me,” cried her husband impatiently, “he would not have danced half so much! For God's sake, say no more of his partners. Oh! that he had sprained his ankle in the first dance.”

“Oh! my dear,” continued Mrs. Bennet, “I am quite delighted with him. He is so excessively handsome! and his sisters are charming women. I never in my life saw any thing more elegant than their dresses. I dare say the lace upon Mrs. Hurst's gown .”

Here she was interrupted again. Mr. Bennet protested against any description of finery. She was therefore obliged to seek another branch of the subject, and related, with much bitterness of spirit and some exaggeration, the shocking rudeness of Mr. Darcy.

“But I can assure you,” she added, “that Lizzy does not lose much by not suiting his fancy; for he is a most disagreeable, horrid man, not at all worth pleasing. So high and so conceited that there was no enduring him! He walked here, and he walked there, fancying himself so very great! Not handsome enough to dance with! I wish you had been there, my dear, to have given him one of your set downs. I quite detest the man.”

Lewis Carroll – Alice's Adventures in Wonderland

Chapter 8, abridged

read by Chloe Fortescue

Chapter 8 – The Queen's Croquet-Ground

A large rose-tree stood near the entrance of the garden: the roses growing on it were white, but there were three gardeners at it, busily painting them red. Alice thought this a very curious thing, and she went nearer to watch them, and just as she came up to them she heard one of them say, “Look out now, Five! Don't go splashing paint over me like that.”

“I couldn't help it,” said Five, in a sulky tone; “Seven jogged my elbow.”

On which Seven looked up and said, “That's right, Five! Always lay the blame on others.”

“You'd better not talk!” said Five. “I heard the Queen say only yesterday you deserved to be beheaded.”

“What for?” said the one who had spoken first.

“That's none of your business, Two!” said Seven.

“Yes, it is his business!” said Five, “and I'll tell him – it was for bringing the cook tulip-roots instead of onions.”

Seven flung down his brush, and had just begun “Well, of all the unjust things -” when his eye chanced to fall upon Alice, as she stood watching them, and he checked himself suddenly: the others looked round also, and all of them bowed low.

“Would you tell me,” said Alice, a little timidly, “why you are painting those roses.”

Five and Seven said nothing, but looked at Two. Two began in a low voice, “Why the fact is, you see, Miss, this here ought to have been a red rose-tree, and we put a white one in by mistake; and if the Queen was to find it out, we should all have our heads cut off, you know. So you see, Miss, we're doing our best, afore she comes, to -” At this moment Five, who had been anxiously looking across the garden, called out “The Queen! The Queen!” and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen.

First came ten soldiers carrying clubs; these were all shaped like the three gardeners, oblong and flat, with their hands and feet at the corners: next the ten courtiers; these were ornamented all over with diamonds, and walked two and two, as the soldiers did. After these came the royal children; there were ten of them, and the little dears came jumping merrily along hand in hand, in couples: they were all ornamented with hearts. Next came the guests, mostly Kings and Queens, and among them Alice recognised the White Rabbit: it was talking in a hurried nervous manner, smiling at everything that was said, and went by without noticing her. Then followed the Knave of Hearts, carrying the King's crown on a crimson velvet cushion; and, last of all this grand procession, came The King and Queen of Hearts.

Alice was rather doubtful whether she ought not to lie down on her face like the three gardeners, but she could not remember ever having heard of such a rule at processions; “and besides, what would be the use of a procession,” thought she, “if people had all to lie down upon their faces, so that they couldn't see it?” So she stood still where she was, and waited.

When the procession came opposite to Alice, they all stopped and looked at her, and the Queen said severely “Who is this?” She said it to the Knave of Hearts, who only bowed and smiled in reply.

“Idiot!” said the Queen, tossing her head impatiently; and, turning to Alice, she went on, “What's your name, child.”

“My name is Alice, so please your Majesty,” said Alice very politely; but she added, to herself, “Why, they're only a pack of cards, after all. I needn't be afraid of them.”

“And who are these?” said the Queen, pointing to the three gardeners who were lying round the rosetree; for, you see, as they were lying on their faces, and the pattern on their backs was the same as the rest of the pack, she could not tell whether they were gardeners, or soldiers, or courtiers, or three of her own children.

“How should I know?” said Alice, surprised at her own courage. “It's no business of mine.”

The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed “Off with her head! Off .”

“Nonsense!” said Alice, very loudly and decidedly, and the Queen was silent.

The King laid his hand upon her arm, and timidly said “Consider, my dear: she is only a child.”

The Queen turned angrily away from him, and said to the Knave “Turn them over.”

The Knave did so, very carefully, with one foot.

“Get up!” said the Queen, in a shrill, loud voice, and the three gardeners instantly jumped up, and began bowing to the King, the Queen, the royal children, and everybody else.

“Leave off that!” screamed the Queen. “You make me giddy.” And then, turning to the rose-tree, she went on, “What have you been doing here.”

“May it please your Majesty,” said Two, in a very humble tone, going down on one knee as he spoke, “we were trying .”

“I see!” said the Queen, who had meanwhile been examining the roses. “Off with their heads!” and the procession moved on, three of the soldiers remaining behind to execute the unfortunate gardeners, who ran to Alice for protection.

“You shan't be beheaded!” said Alice, and she put them into a large flower-pot that stood near. The three soldiers wandered about for a minute or two, looking for them, and then quietly marched off after the others.

“Are their heads off?” shouted the Queen.

“Their heads are gone, if it please your Majesty!” the soldiers shouted in reply.

“That's right!” shouted the Queen. “Can you play croquet.”

The soldiers were silent, and looked at Alice, as the question was evidently meant for her.

“Yes!” shouted Alice.

“Come on, then!” roared the Queen, and Alice joined the procession, wondering very much what would happen next.

“It's – it's a very fine day!” said a timid voice at her side. She was walking by the White Rabbit, who was peeping anxiously into her face.

“Very,” said Alice: “- where's the Duchess.”

“Hush! Hush!” said the Rabbit in a low, hurried tone. He looked anxiously over his shoulder as he spoke, and then raised himself upon tiptoe, put his mouth close to her ear, and whispered “She's under sentence of execution.”

“What for?” said Alice.

“Did you say 'What a pity!?'” the Rabbit asked.

“No, I didn't,” said Alice: “I don't think it's at all a pity. I said 'What for?.”

“She boxed the Queen's ears -” the Rabbit began. Alice gave a little scream of laughter. “Oh, hush!” the Rabbit whispered in a frightened tone. “The Queen will hear you! You see, she came rather late, and the Queen said .”

“Get to your places!” shouted the Queen in a voice of thunder, and people began running about in all directions, tumbling up against each other; however, they got settled down in a minute or two, and the game began. Alice thought she had never seen such a curious croquet-ground in her life; it was all ridges and furrows; the balls were live hedgehogs, the mallets live flamingoes, and the soldiers had to double themselves up and to stand on their hands and feet, to make the arches.

The chief difficulty Alice found at first was in managing her flamingo: she succeeded in getting its body tucked away, comfortably enough, under her arm, with its legs hanging down, but generally, just as she had got its neck nicely straightened out, and was going to give the hedgehog a blow with its head, it would twist itself round and look up in her face, with such a puzzled expression that she could not help bursting out laughing: and when she had got its head down, and was going to begin again, it was very provoking to find that the hedgehog had unrolled itself, and was in the act of crawling away: besides all this, there was generally a ridge or furrow in the way wherever she wanted to send the hedgehog to, and, as the doubled-up soldiers were always getting up and walking off to other parts of the ground, Alice soon came to the conclusion that it was a very difficult game indeed.

The players all played at once without waiting for turns, quarrelling all the while, and fighting for the hedgehogs; and in a very short time the Queen was in a furious passion, and went stamping about, and shouting “Off with his head!” or “Off with her head!” about once in a minute.

Alice began to feel very uneasy: to be sure, she had not as yet had any dispute with the Queen, but she knew that it might happen any minute, “and then,” thought she, “what would become of me? They're dreadfully fond of beheading people here; the great wonder is, that there's any one left alive.”

She was looking about for some way of escape, and wondering whether she could get away without being seen, when she noticed a curious appearance in the air: it puzzled her very much at first, but, after watching it a minute or two, she made it out to be a grin, and she said to herself “It's the Cheshire Cat: now I shall have somebody to talk to.”

“How are you getting on?” said the Cat, as soon as there was mouth enough for it to speak with.

Alice waited till the eyes appeared, and then nodded. “It's no use speaking to it,” she thought, “till its ears have come, or at least one of them.” In another minute the whole head appeared, and then Alice put down her flamingo, and began an account of the game, feeling very glad she had someone to listen to her. The Cat seemed to think that there was enough of it now in sight, and no more of it appeared.

“I don't think they play at all fairly,” Alice began, in rather a complaining tone, “and they all quarrel so dreadfully one can't hear oneself speak – and they don't seem to have any rules in particular; at least, if there are, nobody attends to them – and you've no idea how confusing it is all the things being alive; for instance, there's the arch I've got to go through next walking about at the other end of the ground – and I should have croqueted the Queen's hedgehog just now, only it ran away when it saw mine coming.”

“How do you like the Queen?” said the Cat in a low voice.

“Not at all,” said Alice: “she's so extremely -” Just then she noticed that the Queen was close behind her, listening: so she went on, “- likely to win, that it's hardly worth while finishing the game.”

The Queen smiled and passed on.

“Who are you talking to?” said the King, going up to Alice, and looking at the Cat's head with great curiosity.

“It's a friend of mine – a Cheshire Cat,” said Alice: “allow me to introduce it.”

“I don't like the look of it at all,” said the King: “however, it may kiss my hand if it likes.”

“I'd rather not,” the Cat remarked.

“Don't be impertinent,” said the King, “and don't look at me like that!” He got behind Alice as he spoke.

“A cat may look at a king,” said Alice. “I've read that in some book, but I don't remember where.”

“Well, it must be removed,” said the King very decidedly, and he called the Queen, who was passing at the moment, “My dear! I wish you would have this cat removed.”

The Queen had only one way of settling all difficulties, great or small. “Off with his head!” she said, without even looking round.

“I'll fetch the executioner myself,” said the King eagerly, and he hurried off.

Alice thought she might as well go back, and see how the game was going on, as she heard the Queen's voice in the distance, screaming with passion. She had already heard her sentence three of the players to be executed for having missed their turns, and she did not like the look of things at all, as the game was in such confusion that she never knew whether it was her turn or not. So she went in search of her hedgehog.

The hedgehog was engaged in a fight with another hedgehog, which seemed to Alice an excellent opportunity for croqueting one of them with the other: the only difficulty was, that her flamingo was gone across to the other side of the garden, where Alice could see it trying in a helpless sort of way to fly up into a tree.

By the time she had caught the flamingo and brought it back, the fight was over, and both the hedgehogs were out of sight: “but it doesn't matter much,” thought Alice, “as all the arches are gone from this side of the ground.” So she tucked it away under her arm, that it might not escape again, and went back for a little more conversation with her friend.

When she got back to the Cheshire Cat, she was surprised to find quite a large crowd collected round it: there was a dispute going on between the executioner, the King, and the Queen, who were all talking at once, while all the rest were quite silent, and looked very uncomfortable.

The moment Alice appeared, she was appealed to by all three to settle the question, and they repeated their arguments to her, though, as they all spoke at once, she found it very hard indeed to make out exactly what they said.

The executioner's argument was, that you couldn't cut off a head unless there was a body to cut it off from: that he had never had to do such a thing before, and he wasn't going to begin at his time of life.

The King's argument was, that anything that had a head could be beheaded, and that you weren't to talk nonsense.

The Queen's argument was, that if something wasn't done about it in less than no time she'd have everybody executed, all round. (It was this last remark that had made the whole party look so grave and anxious.)

Alice could think of nothing else to say but “It belongs to the Duchess: you'd better ask her about it.”

“She's in prison,” the Queen said to the executioner: “fetch her here.” And the executioner went off like an arrow.

The Cat's head began fading away the moment he was gone, and, by the time he had come back with the Dutchess, it had entirely disappeared; so the King and the executioner ran wildly up and down looking for it, while the rest of the party went back to the game.

Anna Sewell – Black Beauty

Chapter 1, 2

read by Hilary Krupa

Chapter 1 – My Early Home

The first place that I can well remember was a large pleasant meadow with a pond of clear water in it. Some shady trees leaned over it, and rushes and water-lilies grew at the deep end. Over the hedge on one side we looked into a plowed field, and on the other we looked over a gate at our master's house, which stood by the roadside; at the top of the meadow was a grove of fir trees, and at the bottom a running brook overhung by a steep bank.

While I was young I lived upon my mother's milk, as I could not eat grass. In the daytime I ran by her side, and at night I lay down close by her. When it was hot we used to stand by the pond in the shade of the trees, and when it was cold we had a nice warm shed near the grove.

As soon as I was old enough to eat grass my mother used to go out to work in the daytime, and come back in the evening.

There were six young colts in the meadow besides me; they were older than I was; some were nearly as large as grown-up horses. I used to run with them, and had great fun; we used to gallop all together round and round the field as hard as we could go. Sometimes we had rather rough play, for they would frequently bite and kick as well as gallop.

One day, when there was a good deal of kicking, my mother whinnied to me to come to her, and then she said:

“I wish you to pay attention to what I am going to say to you. The colts who live here are very good colts, but they are cart-horse colts, and of course they have not learned manners. You have been well bred and well-born; your father has a great name in these parts, and your grandfather won the cup two years at the Newmarket races; your grandmother had the sweetest temper of any horse I ever knew, and I think you have never seen me kick or bite. I hope you will grow up gentle and good, and never learn bad ways; do your work with a good will, lift your feet up well when you trot, and never bite or kick even in play.”

I have never forgotten my mother's advice; I knew she was a wise old horse, and our master thought a great deal of her. Her name was Duchess, but he often called her Pet.

Our master was a good, kind man. He gave us good food, good lodging, and kind words; he spoke as kindly to us as he did to his little children. We were all fond of him, and my mother loved him very much. When she saw him at the gate she would neigh with joy, and trot up to him. He would pat and stroke her and say, “Well, old Pet, and how is your little Darkie?” I was a dull black, so he called me Darkie; then he would give me a piece of bread, which was very good, and sometimes he brought a carrot for my mother. All the horses would come to him, but I think we were his favourites. My mother always took him to the town on a market day in a light gig.

There was a plowboy, Dick, who sometimes came into our field to pluck blackberries from the hedge. When he had eaten all he wanted he would have what he called fun with the colts, throwing stones and sticks at them to make them gallop. We did not much mind him, for we could gallop off; but sometimes a stone would hit and hurt us.

One day he was at this game, and did not know that the master was in the next field; but he was there, watching what was going on; over the hedge he jumped in a snap, and catching Dick by the arm, he gave him such a box on the ear as made him roar with the pain and surprise. As soon as we saw the master we trotted up nearer to see what went on.

“Bad boy!” he said, “bad boy! to chase the colts. This is not the first time, nor the second, but it shall be the last. There – take your money and go home; I shall not want you on my farm again.” So we never saw Dick any more. Old Daniel, the man who looked after the horses, was just as gentle as our master, so we were well off.

Chapter 2 – The Hunt

Before I was two years old a circumstance happened which I have never forgotten. It was early in the spring; there had been a little frost in the night, and a light mist still hung over the woods and meadows. I and the other colts were feeding at the lower part of the field when we heard, quite in the distance, what sounded like the cry of dogs. The oldest of the colts raised his head, pricked his ears, and said, “There are the hounds!” and immediately cantered off, followed by the rest of us to the upper part of the field, where we could look over the hedge and see several fields beyond. My mother and an old riding horse of our master's were also standing near, and seemed to know all about it.

“They have found a hare,” said my mother, “and if they come this way we shall see the hunt.”

And soon the dogs were all tearing down the field of young wheat next to ours. I never heard such a noise as they made. They did not bark, nor howl, nor whine, but kept on a “yo! yo, o, o! yo! yo, o, o!” at the top of their voices. After them came a number of men on horseback, some of them in green coats, all galloping as fast as they could. The old horse snorted and looked eagerly after them, and we young colts wanted to be galloping with them, but they were soon away into the fields lower down; here it seemed as if they had come to a stand; the dogs left off barking, and ran about every way with their noses to the ground.

“They have lost the scent,” said the old horse; “perhaps the hare will get off.”

“What hare?” I said.

“Oh! I don't know what hare; likely enough it may be one of our own hares out of the woods; any hare they can find will do for the dogs and men to run after;” and before long the dogs began their “yo! yo, o, o!” again, and back they came altogether at full speed, making straight for our meadow at the part where the high bank and hedge overhang the brook.

“Now we shall see the hare,” said my mother; and just then a hare wild with fright rushed by and made for the woods. On came the dogs; they burst over the bank, leaped the stream, and came dashing across the field followed by the huntsmen. Six or eight men leaped their horses clean over, close upon the dogs. The hare tried to get through the fence; it was too thick, and she turned sharp round to make for the road, but it was too late; the dogs were upon her with their wild cries; we heard one shriek, and that was the end of her. One of the huntsmen rode up and whipped off the dogs, who would soon have torn her to pieces. He held her up by the leg torn and bleeding, and all the gentlemen seemed well pleased.

As for me, I was so astonished that I did not at first see what was going on by the brook; but when I did look there was a sad sight; two fine horses were down, one was struggling in the stream, and the other was groaning on the grass. One of the riders was getting out of the water covered with mud, the other lay quite still.

“His neck is broke,” said my mother.

“And serve him right, too,” said one of the colts.

I thought the same, but my mother did not join with us.

“Well, no,” she said, “you must not say that; but though I am an old horse, and have seen and heard a great deal, I never yet could make out why men are so fond of this sport; they often hurt themselves, often spoil good horses, and tear up the fields, and all for a hare or a fox, or a stag, that they could get more easily some other way; but we are only horses, and don't know.”

While my mother was saying this we stood and looked on. Many of the riders had gone to the young man; but my master, who had been watching what was going on, was the first to raise him. His head fell back and his arms hung down, and every one looked very serious. There was no noise now; even the dogs were quiet, and seemed to know that something was wrong. They carried him to our master's house. I heard afterward that it was young George Gordon, the squire's only son, a fine, tall young man, and the pride of his family.

There was now riding off in all directions to the doctor's, to the farrier's, and no doubt to Squire Gordon's, to let him know about his son. When Mr. Bond, the farrier, came to look at the black horse that lay groaning on the grass, he felt him all over, and shook his head; one of his legs was broken. Then some one ran to our master's house and came back with a gun; presently there was a loud bang and a dreadful shriek, and then all was still; the black horse moved no more.

My mother seemed much troubled; she said she had known that horse for years, and that his name was “Rob Ro.”; he was a good horse, and there was no vice in him. She never would go to that part of the field afterward.

Not many days after we heard the church bell tolling for a long time, and looking over the gate we saw a long, strange black coach that was covered with black cloth and was drawn by black horses; after that came another and another and another, and all were black, while the bell kept tolling, tolling. They were carrying young Gordon to the churchyard to bury him. He would never ride again. What they did with Rob Roy I never knew; but it was all for one little hare.

Bram Stocker – Dracula

Chapter 1, abridged

read by Pavel Štébl

Chapter 1 – Jonathan Harker's Journal

5 May. The Castle. – The gray of the morning has passed, and the sun is high over the distant horizon, which seems jagged, whether with trees or hills I know not, for it is so far off that big things and little are mixed. I am not sleepy, and, as I am not to be called till I awake, naturally I write till sleep comes. There are many odd things to put down, and, lest who reads them may fancy that I dined too well before I left Bistritz, let me put down my dinner exactly. I dined on what they called “robber steak” – bits of bacon, onion, and beef, seasoned with red pepper, and strung on sticks, and roasted over the fire, in simple style of the London cat's meat! The wine was Golden Mediasch, which produces a queer sting on the tongue, which is, however, not disagreeable. I had only a couple of glasses of this, and nothing else.

When I got on the coach, the driver had not taken his seat, and I saw him talking to the landlady. They were evidently talking of me, for every now and then they looked at me, and some of the people who were sitting on the bench outside the door – came and listened, and then looked at me, most of them pityingly. I could hear a lot of words often repeated, queer words, for there were many nationalities in the crowd, so I quietly got my polyglot dictionary from my bag and looked them out. I must say they were not cheering to me, for amongst them were “Ordog” – Satan, “Pokol” – hell, “stregoica” – witch, “vrolok” and “vlkoslak” – both mean the same thing, one being Slovak and the other Servian for something that is either were-wolf or vampire. (Mem., I must ask the Count about these superstitions.)

When we started, the crowd round the inn door, which had by this time swelled to a considerable size, all made the sign of the cross and pointed two fingers towards me. With some difficulty, I got a fellow passenger to tell me what they meant. He would not answer at first, but on learning that I was English, he explained that it was a charm or guard against the evil eye. This was not very pleasant for me, just starting for an unknown place to meet an unknown man. But everyone seemed so kind-hearted, and so sorrowful, and so sympathetic that I could not but be touched. I shall never forget the last glimpse which I had of the inn-yard and its crowd of picturesque figures, all crossing themselves, as they stood round the wide archway, with its background of rich foliage of oleander and orange trees in green tubs clustered in the centre of the yard. Then our driver, whose wide linen drawers covered the whole front of the box-seat, – “gotza” they call them – cracked his big whip over his four small horses, which ran abreast, and we set off on our journey.

I soon lost sight and recollection of ghostly fears in the beauty of the scene as we drove along, although had I known the language, or rather languages, which my fellow passengers were speaking, I might not have been able to throw them off so easily. Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom – apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the “Mittel Land” ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillsides like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not yet been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadars would not repair them, lest the Turk should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point.

Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colours of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water. One of my companions touched my arm as we swept round the base of a hill and opened up the lofty, snow-covered peak of a mountain, which seemed, as we wound on our serpentine way, to be right before us.

“Look! Isten szek!” – “God's seat!” – and he crossed himself reverently. As we wound on our endless way, and the sun sank lower and lower behind us, the shadows of the evening began to creep round us. This was emphasized by the fact that the snowy mountain-top still held the sunset, and seemed to glow out with a delicate cool pink. Here and there we passed Cszeks and Slovaks, all in picturesque attire, but I noticed that goitre was painfully prevalent. By the roadside were many crosses, and as we swept by, my companions all crossed themselves. Here and there was a peasant man or woman kneeling before a shrine, who did not even turn round as we approached, but seemed in the self-surrender of devotion to have neither eyes nor ears for the outer world. There were many things new to me. For instance, hay-ricks in the trees, and here and there very beautiful masses of weeping birch, their white stems shining like silver through the delicate green of the leaves. Now and again we passed a leiterwagon – the ordinary peasants's cart, with its long, snakelike vertebra, calculated to suit the inequalities of the road. On this were sure to be seated quite a group of home-coming peasants, the Cszeks with their white, and the Slovaks with their coloured sheepskins, the latter carrying lance-fashion their long staves, with axe at end. As the evening fell it began to get very cold, and the growing twilight seemed to merge into one dark mistiness the gloom of the trees, oak, beech, and pine, though in the valleys which ran deep between the spurs of the hills, as we ascended through the Pass, the dark firs stood out here and there against the background of late-lying snow. Sometimes, as the road was cut through the pine woods that seemed in the darkness to be closing down upon us, great masses of greyness which here and there bestrewed the trees, produced a peculiarly weird and solemn effect, which carried on the thoughts and grim fancies engendered earlier in the evening, when the falling sunset threw into strange relief the ghost-like clouds which amongst the Carpathians seem to wind ceaselessly through the valleys. Sometimes the hills were so steep that, despite our driver's haste, the horses could only go slowly. I wished to get down and walk up them, as we do at home, but the driver would not hear of it. “No, no,” he said. “You must not walk here. The dogs are too fierce.” And then he added, with what he evidently meant for grim pleasantry – for he looked round to catch the approving smile of the rest – “and you may have enough of such matters before you go to sleep.” The only stop he would make was a moment's pause to light his lamps.

When it grew dark there seemed to be some excitement amongst the passengers, and they kept speaking to him, one after the other, as though urging him to further speed. He lashed the horses unmercifully with his long whip, and with wild cries of encouragement urged them on to further exertions. Then through the darkness I could see a sort of patch of grey light ahead of us,as though there were a cleft in the hills. The excitement of the passengers grew greater. The crazy coach rocked on its great leather springs, and swayed like a boat tossed on a stormy sea. I had to hold on. The road grew more level, and we appeared to fly along. Then the mountains seemed to come nearer to us on each side and to frown down upon us. We were entering on the Borgo Pass. One by one several of the passengers offered me gifts, which they pressed upon me with an earnestness which would take no denial. These were certainly of an odd and varied kind, but each was given in simple good faith, with a kindly word, and a blessing, and that same strange mixture of fear-meaning movements which I had seen outside the hotel at Bistritz – the sign of the cross and the guard against the evil eye. Then, as we flew along, the driver leaned forward, and on each side the passengers, craning over the edge of the coach, peered eagerly into the darkness. It was evident that something very exciting was either happening or expected, but though I asked each passenger, no one would give me the slightest explanation. This state of excitement kept on for some little time. And at last we saw before us the Pass opening out on the eastern side. There were dark, rolling clouds overhead, and in the air the heavy, oppressive sense of thunder. It seemed as though the mountain range had separated two atmospheres, and that now we had got into the thunderous one. I was now myself looking out for the conveyance which was to take me to the Count. Each moment I expected to see the glare of lamps through the blackness, but all was dark. The only light was the flickering rays of our own lamps, in which the steam from our hard-driven horses rose in a white cloud. We could see now the sandy road lying white before us, but there was on it no sign of a vehicle. The passengers drew back with a sigh of gladness, which seemed to mock my own disappointment. I was already thinking what I had best do, when the driver, looking at his watch, said to the others something which I could hardly hear, it was spoken so quietly and in so low a tone, I thought it was “An hour less than the time.” Then turning to me, he spoke in German worse than my own.

“There is no carriage here. The Herr is not expected after all. He will now come on to Bukovina, and return tomorrow or the next day, better the next day.” Whilst he was speaking the horses began to neigh and snort and plunge wildly, so that the driver had to hold them up. Then, amongst a chorus of screams from the peasants and a universal crossing of themselves, a caleche, with four horses, drove up behind us, overtook us, and drew up beside the coach. I could see from the flash of our lamps as the rays fell on them, that the horses were coal-black and splendid animals. They were driven by a tall man, with a long brown beard and a great black hat, which seemed to hide his face from us. I could only see the gleam of a pair of very bright eyes, which seemed red in the lamplight, as he turned to us.

He said to the driver, “You are early tonight, my friend.”

The man stammered in reply, “The English Herr was in a hurry.”

To which the stranger replied, “That is why, I suppose, you wished him to go on to Bukovina. You cannot deceive me, my friend. I know too much, and my horses are swift.”

As he spoke he smiled, and the lamplight fell on a hard-looking mouth, with very red lips and sharp-looking teeth, as white as ivory. One of my companions whispered to another the line from Burger's “Lenor.”.

“Denn die Todten reiten Schnell” (For the dead travel fast).

The strange driver evidently heard the words, for he looked up with a gleaming smile. The passenger turned his face away, at the same time putting out his two fingers and crossing himself. “Give me the Herr's luggage,” said the driver, and with exceeding alacrity my bags were handed out and put in the caleche. Then I descended from the side of the coach, as the caleche was close alongside, the driver helping me with a hand which caught my arm in a grip of steel. His strength must have been prodigious. Without a word he shook his reins, the horses turned, and we swept into the darkness of the pass. As I looked back I saw the steam from the horses of the coach by the light of the lamps, and projected against it the figures of my late companions crossing themselves. Then the driver cracked his whip and called to his horses, and off they swept on their way to Bukovina.

As they sank into the darkness I felt a strange chill, and a lonely feeling come over me. But a cloak was thrown over my shoulders, and a rug across my knees, and the driver said in excellent German:

“The night is chill, mein Herr, and my master the Count bade me take all care of you. There is a flask of slivovitz (the plum brandy of the country) underneath the seat, if you should require it.” I did not take any, but it was a comfort to know it was there all the same. I felt a little strangely, and not a little frightened. I think had there been any alternative I should have taken it, instead of prosecuting that unknown night journey. The carriage went at a hard pace straight along, then we made a complete turn and went along another straight road. It seemed to me that we were simply going over and over the same ground again, and so I took note of some salient point, and found that this was so. I would have liked to have asked the driver what this all meant, but I really feared to do so, for I thought that, placed as I was, any protest would have had no effect in case there had been an intention to delay. By and by, however, as I was curious to know how time was passing, I struck a match, and by its flame looked at my watch. It was within a few minutes of midnight. This gave me a sort of shock, for I suppose the general superstition about midnight was increased by my recent experiences. I waited with a sick feeling of suspense.

Then a dog began to howl somewhere in a farmhouse far down the road, a long, agonized wailing, as if from fear. The sound was taken up by another dog, and then another and another, till, borne on the wind which now sighed softly through the Pass, a wild howling began, which seemed to come from all over the country, as far as the imagination could grasp it through the gloom of the night. At the first howl the horses began to strain and rear, but the driver spoke to them soothingly, and they quieted down, but shivered and sweated as though after a runaway from sudden fright. Then, far off in the distance, from the mountains on each side of us began a louder and a sharper howling, that of wolves, which affected both the horses and myself in the same way. For I was minded to jump from the caleche and run, whilst they reared again and plunged madly, so that the driver had to use all his great strength to keep them from bolting. In a few minutes, however, my own ears got accustomed to the sound, and the horses so far became quiet that the driver was able to descend and to stand before them. He petted and soothed them, and whispered something in their ears, as I have heard of horse-tamers doing, and with extraordinary effect, for under his caresses they became quite manageable again, though they still trembled. The driver again took his seat, and shaking his reins, started off at a great pace. This time, after going to the far side or the Pass, he suddenly turned down a narrow roadway which ran sharply to the right.

Soon we were hemmed in with trees, which in places arched right over the roadway till we passed as through a tunnel. And again great frowning rocks guarded us boldly on either side. Though we were in shelter, we could hear the rising wind, for it moaned and whistled through the rocks, and the branches of the trees crashed together as we swept along. It grew colder and colder still, and fine, powdery snow began to fall, so that soon we and all around us were covered with a white blanket. The keen wind still carried the howling of the dogs, though this grew fainter as we went on our way. The baying of the wolves sounded nearer and nearer, as though they were closing round on us from every side. I grew dreadfully afraid, and the horses shared my fear. The driver, however, was not in the least disturbed. He kept turning his head to left and right, but I could not see anything through the darkness.

Suddenly, away on our left I saw a fain flickering blue flame. The driver saw it at the same moment. He at once checked the horses, and, jumping to the ground, disappeared into the darkness. I did not know what to do, the less as the howling of the wolves grew closer.

Jerome K. Jerome – Three Men in the Boat

Chapter 15, abridged

read by Alexander Packer

Chapter 15

We woke late the next morning, and, at Harris's earnest desire, partook of a plain breakfast, with “non dainties.” Then we cleaned up, and put everything straight (a continual labour, which was beginning to afford me a pretty clear insight into a question that had often posed me – namely, how a woman with the work of only one house on her hands, manages to pass away her time), and, at about ten, set out on what we had determined should be a good day's journey.

We agreed that we would pull this morning, as a change from towing; and Harris thought the best arrangement would be that George and I should scull, and he steer. I did not chime in with this idea at all; I said I thought Harris would have been showing a more proper spirit if he had suggested that he and George should work, and let me rest a bit. It seemed to me that I was doing more than my fair share of the work on this trip, and I was beginning to feel strongly on the subject.

It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work; it fascinates me. I can sit and look at it for hours. I love to keep it by me; the idea of getting rid of it nearly breaks my heart.

You cannot give me too much work; to accumulate work has almost become a passion with me; my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.

And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isn't a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.

But, though I crave for work, I still like to be fair. I do not ask for more than my proper share.

But I get it without asking for it – at least, so it appears to me – and this worries me.

George says he does not think I need trouble myself on the subject. He thinks it is only my over-scrupulous nature that makes me fear I am having more than my due; and that, as a matter of fact, I don't have half as much as I ought. But I expect he only says this to comfort me.

In a boat, I have always noticed that it is the fixed idea of each member of the crew that he is doing everything. Harris's notion was, that it was he alone who had been working, and that both George and I had been imposing upon him. George, on the other hand, ridiculed the idea of Harris's having done anything more than eat and sleep, and had a cast-iron opinion that it was he – George himself – who had done all the labour worth speaking of.

He said he had never been out with such a couple of lazy skulks as Harris and I.

That amused Harris.

“Fancy old George talking about work!” he laughed; “why about half an hour of it would kill him. Have you ever seen George work?” he added, turning to me.

I agreed with Harris that I never had – most certainly not since we had started on this trip.

“Well, I don't see how you can know much about it, one way or the other,” George retorted on Harris; “for I'm blest if you haven't been asleep half the time. Have you ever seen Harris fully awake, except at meal-time?” asked George, addressing me.

Truth compelled me to support George. Harris had been very little good in the boat, so far as helping was concerned, from the beginning.

“Well, hang it all, I've done more than old J., anyhow,” rejoined Harris.

“Well, you couldn't very well have done less,” added George.

“I suppose J. thinks he is the passenger,” continued Harris.

And that was their gratitude to me for having brought them and their wretched old boat all the way up from Kingston, and for having superintended and managed everything for them, and taken care of them, and slaved for them. It is the way of the world.

We settled the present difficulty by arranging that Harris and George should scull up past Reading, and that I should tow the boat on from there. Pulling a heavy boat against a strong stream has few attractions for me now. There was a time, long ago, when I used to clamour for the hard work: now I like to give the youngsters a chance.

I notice that most of the old river hands are similarly retiring, whenever there is any stiff pulling to be done. You can always tell the old river hand by the way in which he stretches himself out upon the cushions at the bottom of the boat, and encourages the rowers by telling them anecdotes about the marvellous feats he performed last season.

“Call what you're doing hard work!” he drawls, between his contented whiffs, addressing the two perspiring novices, who have been grinding away steadily up stream for the last hour and a half; “why, Jim Biffles and Jack and I, last season, pulled up from Marlow to Goring in one afternoon – never stopped once. Do you remember that, Jack.”

Jack, who has made himself a bed up in the prow of all the rugs and coats he can collect, and who has been lying there asleep for the last two hours, partially wakes up on being thus appealed to, and recollects all about the matter, and also remembers that there was an unusually strong stream against them all the way -likewise a stiff wind.

“About thirty-four miles, I suppose, it must have been,” adds the first speaker, reaching down another cushion to put under his head.

“No – no; don't exaggerate, Tom,” murmurs Jack, reprovingly; “thirty-three at the outside.”

And Jack and Tom, quite exhausted by this conversational effort, drop off to sleep once more. And the two simple-minded youngsters at the sculls feel quite proud of being allowed to row such wonderful oarsmen as Jack and Tom, and strain away harder than ever.

When I was a young man, I used to listen to these tales from my elders, and take them in, and swallow them, and digest every word of them, and then come up for more; but the new generation do not seem to have the simple faith of the old times. We – George, Harris, and myself – took a “raw un” up with us once last season, and we plied him with the customary stretchers about the wonderful things we had done all the way up.

We gave him all the regular ones – the time-honoured lies that have done duty up the river with every boating-man for years past – and added seven entirely original ones that we had invented for ourselves, including a really quite likely story, founded, to a certain extent, on an all but true episode, which had actually happened in a modified degree some years ago to friends of ours – a story that a mere child could have believed without injuring itself much.

And that young man mocked at them all, and wanted us to repeat the feats then and there, and to bet us ten to one that we didn't.

Sailing is a thing that wants knowledge and practice too – though, as a boy, I did not think so. I had an idea it came natural to a body, like rounders and touch. I knew another boy who held this view likewise, and so, one windy day, we thought we would try the sport. We were stopping down at Yarmouth, and we decided we would go for a trip up the Yare. We hired a sailing-boat at the yard by the bridge, and started off.

“It's rather a rough day,” said the man to us, as we put off: “better take in a reef and luff sharp when you get round the bend.”

We said we would make a point of it, and left him with a cheery “Good morning,” wondering to ourselves how you “luffed,” and where we were to get a “reef” from, and what we were to do with it when we had got it.

We rowed until we were out of sight of the town, and then, with a wide stretch of water in front of us, and the wind blowing a perfect hurricane across it, we felt that the time had come to commence operations.

Hector – I think that was his name – went on pulling while I unrolled the sail. It seemed a complicated job, but I accomplished it at length, and then came the question, which was the top end?

By a sort of natural instinct, we, of course, eventually decided that the bottom was the top, and set to work to fix it upside-down. But it was a long time before we could get it up, either that way or any other way. The impression on the mind of the sail seemed to be that we were playing at funerals, and that I was the corpse and itself was the winding-sheet.

When it found that this was not the idea, it hit me over the head with the boom, and refused to do anything.

“Wet it,” said Hector; “drop it over and get it wet.”

He said people in ships always wetted the sails before they put them up. So I wetted it; but that only made matters worse than they were before. A dry sail clinging to your legs and wrapping itself round your head is not pleasant, but, when the sail is sopping wet, it becomes quite vexing.

We did get the thing up at last, the two of us together. We fixed it, not exactly upside-down – more sideways like – and we tied it up to the mast with the painter, which we cut off for the purpose.

That the boat did not upset I simply state as a fact. Why it did not upset I am unable to offer any reason. I have often thought about the matter since, but I have never succeeded in arriving at any satisfactory explanation of the phenomenon.

Possibly the result may have been brought about by the natural obstinacy of all things in this world. The boat may possibly have come to the conclusion, judging from a cursory view of our behaviour, that we had come out for a morning's suicide, and had thereupon determined to disappoint us. That is the only suggestion I can offer.

By clinging like grim death to the gunwale, we just managed to keep inside the boat, but it was exhausting work. Hector said that pirates and other seafaring people generally lashed the rudder to something or other, and hauled in the main top-jib during severe squalls, and thought we ought to try to do something of the kind; but I was for letting her have her head to the wind.

As my advice was by far the easiest to follow, we ended by adopting it, and contrived to embrace the gunwale and give her her head.

The boat travelled up-stream for about a mile at a pace I have never sailed at since, and don't want to again. Then, at a bend, she heeled over till half her sail was under water. Then she righted herself by a miracle and flew for a long low bank of soft mud.

That mud-bank saved us. The boat ploughed its way into the middle of it and then stuck. Finding that we were once more able to move according to our ideas, instead of being pitched and thrown about like peas in a bladder, we crept forward, and cut down the sail.

We had had enough sailing. We did not want to overdo the thing and get a surfeit of it. We had had a sail – a good all-round, exciting, interesting sail – and now we thought we would have a row, just for a change like.

We took the sculls and tried to push the boat off the mud, and, in doing so, we broke one of the sculls. After that we proceeded with great caution, but they were a wretched old pair, and the second one cracked almost easier than the first, and left us helpless.

The mud stretched out for about a hundred yards in front of us, and behind us was the water. The only thing to be done was to sit and wait until someone came by.

It was not the sort of day to attract people out on the river, and it was three hours before a soul came in sight. It was an old fisherman who, with immense difficulty, at last rescued us, and we were towed back in an ignominious fashion to the boat-yard.

What between tipping the man who had brought us home, and paying for the broken sculls, and for having been out four hours and a half, it cost us a pretty considerable number of weeks' pocket-money, that sail. But we learned experience, and they say that is always cheap at any price.

Jack London – Martin Eden

Chapter 1, abridged

read by Pavel Štébl

Chapter 1

The one opened the door with a latch-key and went in, followed by a young fellow who awkwardly removed his cap. He wore rough clothes that smacked of the sea, and he was manifestly out of place in the spacious hall in which he found himself. He did not know what to do with his cap, and was stuffing it into his coat pocket when the other took it from him. The act was done quietly and naturally, and the awkward young fellow appreciated it. “He understands,” was his thought. “He'll see me through all right.”

He walked at the other's heels with a swing to his shoulders, and his legs spread unwittingly, as if the level floors were tilting up and sinking down to the heave and lunge of the sea. The wide rooms seemed too narrow for his rolling gait, and to himself he was in terror lest his broad shoulders should collide with the doorways or sweep the bric-a-brac from the low mantel. He recoiled from side to side between the various objects and multiplied the hazards that in reality lodged only in his mind. Between a grand piano and a centre-table piled high with books was space for a half a dozen to walk abreast, yet he essayed it with trepidation. His heavy arms hung loosely at his sides. He did not know what to do with those arms and hands, and when, to his excited vision, one arm seemed liable to brush against the books on the table, he lurched away like a frightened horse, barely missing the piano stool. He watched the easy walk of the other in front of him, and for the first time realized that his walk was different from that of other men. He experienced a momentary pang of shame that he should walk so uncouthly. The sweat burst through the skin of his forehead in tiny beads, and he paused and mopped his bronzed face with his handkerchief.

“Hold on, Arthur, my boy,” he said, attempting to mask his anxiety with facetious utterance. “This is too much all at once for yours truly. Give me a chance to get my nerve. You know I didn't want to come, an' I guess your fam'ly ain't hankerin' to see me neither.”

“That's all right,” was the reassuring answer. “You mustn't be frightened at us. We're just homely people Hello, there's a letter for me.”

He stepped back to the table, tore open the envelope, and began to read, giving the stranger an opportunity to recover himself. And the stranger understood and appreciated. His was the gift of sympathy, understanding; and beneath his alarmed exterior that sympathetic process went on. He mopped his forehead dry and glanced about him with a controlled face, though in the eyes there was an expression such as wild animals betray when they fear the trap. He was surrounded by the unknown, apprehensive of what might happen, ignorant of what he should do, aware that he walked and bore himself awkwardly, fearful that every attribute and power of him was similarly afflicted. He was keenly sensitive, hopelessly self-conscious, and the amused glance that the other stole privily at him over the top of the letter burned into him like a daggerthrust. He saw the glance, but he gave no sign, for among the things he had learned was discipline. Also, that dagger-thrust went to his pride. He cursed himself for having come, and at the same time resolved that, happen what would, having come, he would carry it through. The lines of his face hardened, and into his eyes came a fighting light. He looked about more unconcernedly, sharply observant, every detail of the pretty interior registering itself on his brain. His eyes were wide apart; nothing in their field of vision escaped; and as they drank in the beauty before them the fighting light died out and a warm glow took its place. He was responsive to beauty, and here was cause to respond.

An oil painting caught and held him. A heavy surf thundered and burst over an outjutting rock; lowering storm-clouds covered the sky; and, outside the line of surf, a pilot-schooner, close-hauled, heeled over till every detail of her deck was visible, was surging along against a stormy sunset sky. There was beauty, and it drew him irresistibly. He forgot his awkward walk and came closer to the painting, very close. The beauty faded out of the canvas. His face expressed his bepuzzlement. He stared at what seemed a careless daub of paint, then stepped away. Immediately all the beauty flashed back into the canvas. “A trick picture,” was his thought, as he dismissed it, though in the midst of the multitudinous impressions he was receiving he found time to feel a prod of indignation that so much beauty should be sacrificed to make a trick. He did not know painting. He had been brought up on chromos and lithographs that were always definite and sharp, near or far. He had seen oil paintings, it was true, in the show windows of shops, but the glass of the windows had prevented his eager eyes from approaching too near.

He glanced around at his friend reading the letter and saw the books on the table. Into his eyes leaped a wistfulness and a yearning as promptly as the yearning leaps into the eyes of a starving man at sight of food. An impulsive stride, with one lurch to right and left of the shoulders, brought him to the table, where he began affectionately handling the books. He glanced at the titles and the authors' names, read fragments of text, caressing the volumes with his eyes and hands, and, once, recognized a book he had read. For the rest, they were strange books and strange authors. He chanced upon a volume of Swinburne and began reading steadily, forgetful of where he was, his face glowing. Twice he closed the book on his forefinger to look at the name of the author. Swinburne! he would remember that name. That fellow had eyes, and he had certainly seen color and flashing light. But who was Swinburne? Was he dead a hundred years or so, like most of the poets? Or was he alive still, and writing? He turned to the title-page... yes, he had written other books; well, he would go to the free library the first thing in the morning and try to get hold of some of Swinburne's stuff. He went back to the text and lost himself. He did not notice that a young woman had entered the room. The first he knew was when he heard Arthur's voice saying: -

“Ruth, this is Mr. Eden.”

The book was closed on his forefinger, and before he turned he was thrilling to the first new impression, which was not of the girl, but of her brother's words. Under that muscled body of his he was a mass of quivering sensibilities. At the slightest impact of the outside world upon his consciousness, his thoughts, sympathies, and emotions leapt and played like lambent flame. He was extraordinarily receptive and responsive, while his imagination, pitched high, was ever at work establishing relations of likeness and difference. “Mr. Eden,” was what he had thrilled to he who had been called “Eden,” or “Martin Eden,” or just “Martin,” all his life. And “MISTER!” It was certainly going some, was his internal comment. His mind seemed to turn, on the instant, into a vast camera obscura, and he saw arrayed around his consciousness endless pictures from his life, of stoke-holes and forecastles, camps and beaches, jails and boozing-kens, fever-hospitals and slum streets, wherein the thread of association was the fashion in which he had been addressed in those various situations.

And then he turned and saw the girl. The phantasmagoria of his brain vanished at sight of her. She was a pale, ethereal creature, with wide, spiritual blue eyes and a wealth of golden hair. He did not know how she was dressed, except that the dress was as wonderful as she. He likened her to a pale gold flower upon a slender stem. No, she was a spirit, a divinity, a goddess; such sublimated beauty was not of the earth. Or perhaps the books were right, and there were many such as she in the upper walks of life. She might well be sung by that chap, Swinburne. Perhaps he had had somebody like her in mind when he painted that girl, Iseult, in the book there on the table. All this plethora of sight, and feeling, and thought occurred on the instant. There was no pause of the realities wherein he moved. He saw her hand coming out to his, and she looked him straight in the eyes as she shook hands, frankly, like a man. The women he had known did not shake hands that way. For that matter, most of them did not shake hands at all. A flood of associations, visions of various ways he had made the acquaintance of women, rushed into his mind and threatened to swamp it. But he shook them aside and looked at her. Never had he seen such a woman. The women he had known! Immediately, beside her, on either hand, ranged the women he had known. For an eternal second he stood in the midst of a portrait gallery, wherein she occupied the central place, while about her were limned many women, all to be weighed and measured by a fleeting glance, herself the unit of weight and measure. He saw the weak and sickly faces of the girls of the factories, and the simpering, boisterous girls from the south of Market. There were women of the cattle camps, and swarthy cigarette-smoking women of Old Mexico. These, in turn, were crowded out by Japanese women, doll-like, stepping mincingly on wooden clogs; by Eurasians, delicate featured, stamped with degeneracy; by full-bodied South-Sea-Island women, flower-crowned and brown-skinned. All these were blotted out by a grotesque and terrible nightmare brood frowsy, shuffling creatures from the pavements of Whitechapel, gin-bloated hags of the stews, and all the vast hell's following of harpies, vile-mouthed and filthy, that under the guise of monstrous female form prey upon sailors, the scrapings of the ports, the scum and slime of the human pit.

“Won't you sit down, Mr. Eden?” the girl was saying. “I have been looking forward to meeting you ever since Arthur told us. It was brave of you .”

He waved his hand deprecatingly and muttered that it was nothing at all, what he had done, and that any fellow would have done it. She noticed that the hand he waved was covered with fresh abrasions, in the process of healing, and a glance at the other loose-hanging hand showed it to be in the same condition. Also, with quick, critical eye, she noted a scar on his cheek, another that peeped out from under the hair of the forehead, and a third that ran down and disappeared under the starched collar. She repressed a smile at sight of the red line that marked the chafe of the collar against the bronzed neck. He was evidently unused to stiff collars. Likewise her feminine eye took in the clothes he wore, the cheap and unaesthetic cut, the wrinkling of the coat across the shoulders, and the series of wrinkles in the sleeves that advertised bulging biceps muscles.

While he waved his hand and muttered that he had done nothing at all, he was obeying her behest by trying to get into a chair. He found time to admire the ease with which she sat down, then lurched toward a chair facing her, overwhelmed with consciousness of the awkward figure he was cutting. This was a new experience for him. All his life, up to then, he had been unaware of being either graceful or awkward. Such thoughts of self had never entered his mind. He sat down gingerly on the edge of the chair, greatly worried by his hands. They were in the way wherever he put them. Arthur was leaving the room, and Martin Eden followed his exit with longing eyes. He felt lost, alone there in the room with that pale spirit of a woman. There was no bar-keeper upon whom to call for drinks, no small boy to send around the corner for a can of beer and by means of that social fluid start the amenities of friendship flowing.

“You have such a scar on your neck, Mr. Eden,” the girl was saying. “How did it happen? I am sure it must have been some adventure.”

“A Mexican with a knife, miss,” he answered, moistening his parched lips and clearing hip throat. “It was just a fight. After I got the knife away, he tried to bite off my nose.”

Baldly as he had stated it, in his eyes was a rich vision of that hot, starry night at Salina Cruz, the white strip of beach, the lights of the sugar steamers in the harbor, the voices of the drunken sailors in the distance, the jostling stevedores, the flaming passion in the Mexican's face, the glint of the beast-eyes in the starlight, the sting of the steel in his neck, and the rush of blood, the crowd and the cries, the two bodies, his and the Mexican's, locked together, rolling over and over and tearing up the sand, and from away off somewhere the mellow tinkling of a guitar. Such was the picture, and he thrilled to the memory of it, wondering if the man could paint it who had painted the pilot-schooner on the wall. The white beach, the stars, and the lights of the sugar steamers would look great, he thought, and midway on the sand the dark group of figures that surrounded the fighters. The knife occupied a place in the picture, he decided, and would show well, with a sort of gleam, in the light of the stars. But of all this no hint had crept into his speech. “He tried to bite off my nose,” he concluded.

“Oh,” the girl said, in a faint, far voice, and he noticed the shock in her sensitive face.

He felt a shock himself, and a blush of embarrassment shone faintly on his sunburned cheeks, though to him it burned as hotly as when his cheeks had been exposed to the open furnace-door in the fireroom. Such sordid things as stabbing affrays were evidently not fit subjects for conversation with a lady. People in the books, in her walk of life, did not talk about such things perhaps they did not know about them, either.

There was a brief pause in the conversation they were trying to get started. Then she asked tentatively about the scar on his cheek. Even as she asked, he realized that she was making an effort to talk his talk, and he resolved to get away from it and talk hers.

“It was just an accident,” he said, putting his hand to his cheek. “One night, in a calm, with a heavy sea running, the main-boom-lift carried away, an' next the tackle. The lift was wire, an' it was threshin' around like a snake. The whole watch was tryin' to grab it, an' I rushed in an' got swatted.”

“Oh,” she said, this time with an accent of comprehension, though secretly his speech had been so much Greek to her and she was wondering what a LIFT was and what SWATTED meant.

“This man Swineburne,” he began, attempting to put his plan into execution and pronouncing the I long.

“Who.”

“Swineburne,” he repeated, with the same mispronunciation. “The poet.”

“Swinburne,” she corrected.

“Yes, that's the chap,” he stammered, his cheeks hot again. “How long since he died.”

“Why, I haven't heard that he was dead.” She looked at him curiously. “Where did you make his acquaintance.”

“I never clapped eyes on him,” was the reply. “But I read some of his poetry out of that book there on the table just before you come in. How do you like his poetry.”

And thereat she began to talk quickly and easily upon the subject he had suggested. He felt better, and settled back slightly from the edge of the chair, holding tightly to its arms with his hands, as if it might get away from him and buck him to the floor. He had succeeded in making her talk her talk, and while she rattled on, he strove to follow her, marvelling at all the knowledge that was stowed away in that pretty head of hers, and drinking in the pale beauty of her face. Follow her he did, though bothered by unfamiliar words that fell glibly from her lips and by critical phrases and thought-processes that were foreign to his mind, but that nevertheless stimulated his mind and set it tingling. Here was intellectual life, he thought, and here was beauty, warm and wonderful as he had never dreamed it could be. He forgot himself and stared at her with hungry eyes. Here was something to live for, to win to, to fight for ay, and die for. The books were true. There were such women in the world. She was one of them. She lent wings to his imagination, and great, luminous canvases spread themselves before him whereon loomed vague, gigantic figures of love and romance, and of heroic deeds for woman's sake for a pale woman, a flower of gold. And through the swaying, palpitant vision, as through a fairy mirage, he stared at the real woman, sitting there and talking of literature and art. He listened as well, but he stared, unconscious of the fixity of his gaze or of the fact that all that was essentially masculine in his nature was shining in his eyes. But she, who knew little of the world of men, being a woman, was keenly aware of his burning eyes.

David Herbert Lawrence – Sons and Lovers

Chapter 7, abridged

read by Pavel Štébl

Chapter 7 – Lad-And-Girl Love

All the life of Miriam's body was in her eyes, which were usually dark as a dark church, but could flame with light like a conflagration. Her face scarcely ever altered from its look of brooding. She might have been one of the women who went with Mary when Jesus was dead. Her body was not flexible and living. She walked with a swing, rather heavily, her head bowed forward, pondering. She was not clumsy, and yet none of her movements seemed quite the movement. Often, when wiping the dishes, she would stand in bewilderment and chagrin because she had pulled in two halves a cup or a tumbler. It was as if, in her fear and self-mistrust, she put too much strength into the effort. There was no looseness or abandon about her. Everything was gripped stiff with intensity, and her effort, overcharged, closed in on itself.

She rarely varied from her swinging, forward, intense walk. Occasionally she ran with Paul down the fields. Then her eyes blazed naked in a kind of ecstasy that frightened him. But she was physically afraid. If she were getting over a stile, she gripped his hands in a little hard anguish, and began to lose her presence of mind. And he could not persuade her to jump from even a small height. Her eyes dilated, became exposed and palpitating.

“No!” she cried, half laughing in terror – “no.”

“You shall!” he cried once, and, jerking her forward, he brought her falling from the fence. But her wild “Ah!” of pain, as if she were losing consciousness, cut him. She landed on her feet safely, and afterwards had courage in this respect.

She was very much dissatisfied with her lot.

“Don't you like being at home?” Paul asked her, surprised.

“Who would?” she answered, low and intense. “What is it? I'm all day cleaning what the boys make just as bad in five minutes. I don't WANT to be at home.”

“What do you want, then.”

“I want to do something. I want a chance like anybody else. Why should I, because I'm a girl, be kept at home and not allowed to be anything? What chance HAVE I.”

“Chance of what.”

“Of knowing anything – of learning, of doing anything. It's not fair, because I'm a woman.”

She seemed very bitter. Paul wondered. In his own home Annie was almost glad to be a girl. She had not so much responsibility; things were lighter for her. She never wanted to be other than a girl. But Miriam almost fiercely wished she were a man. And yet she hated men at the same time.

“But it's as well to be a woman as a man,” he said, frowning.

“Ha! Is it? Men have everything.”

“I should think women ought to be as glad to be women as men are to be men,” he answered.

“No!” – she shook her head – “no! Everything the men have.”

“But what do you want?” he asked.

“I want to learn. Why SHOULD it be that I know nothing.”

“What! such as mathematics and French.”

“Why SHOULDN'T I know mathematics? Yes!” she cried, her eye expanding in a kind of defiance.

“Well, you can learn as much as I know,” he said. “I'll teach you, if you like.”

Her eyes dilated. She mistrusted him as teacher.

“Would you?” he asked.

Her head had dropped, and she was sucking her finger broodingly.

“Yes,” she said hesitatingly.

He used to tell his mother all these things.

“I'm going to teach Miriam algebra,” he said.

“Well,” replied Mrs. Morel, “I hope she'll get fat on it.”

When he went up to the farm on the Monday evening, it was drawing twilight. Miriam was just sweeping up the kitchen, and was kneeling at the hearth when he entered. Everyone was out but her. She looked round at him, flushed, her dark eyes shining, her fine hair falling about her face.

“Hello!” she said, soft and musical. “I knew it was you.”

“How.”

“I knew your step. Nobody treads so quick and firm.”

He sat down, sighing.

“Ready to do some algebra?” he asked, drawing a little book from his pocket.

“But .”

He could feel her backing away.

“You said you wanted,” he insisted.

“Tonight, though?” she faltered.

“But I came on purpose. And if you want to learn it, you must begin.”

She took up her ashes in the dustpan and looked at him, half tremulously, laughing.

“Yes, but tonight! You see, I haven't thought of it.”

“Well, my goodness! Take the ashes and come.”

He went and sat on the stone bench in the back-yard, where the big milk-cans were standing, tipped up, to air. The men were in the cowsheds. He could hear the little sing-song of the milk spurting into the pails. Presently she came, bringing some big greenish apples.

“You know you like them,” she said.

He took a bite.

“Sit down,” he said, with his mouth full.

She was short-sighted, and peered over his shoulder. It irritated him. He gave her the book quickly.

“Here,” he said. “It's only letters for figures. You put down 'a' instead of '2' or '6'.”

They worked, he talking, she with her head down on the book. He was quick and hasty. She never answered. Occasionally, when he demanded of her, “Do you see?” she looked up at him, her eyes wide with the half-laugh that comes of fear. “Don't you?” he cried.

He had been too fast. But she said nothing. He questioned her more, then got hot. It made his blood rouse to see her there, as it were, at his mercy, her mouth open, her eyes dilated with laughter that was afraid, apologetic, ashamed. Then Edgar came along with two buckets of milk.

“Hello!” he said. “What are you doing.”

“Algebra,” replied Paul.

“Algebra!” repeated Edgar curiously. Then he passed on with a laugh. Paul took a bite at his forgotten apple, looked at the miserable cabbages in the garden, pecked into lace by the fowls, and he wanted to pull them up. Then he glanced at Miriam. She was poring over the book, seemed absorbed in it, yet trembling lest she could not get at it. It made him cross. She was ruddy and beautiful. Yet her soul seemed to be intensely supplicating. The algebra-book she closed, shrinking, knowing he was angered; and at the same instant he grew gentle, seeing her hurt because she did not understand.

But things came slowly to her. And when she held herself in a grip, seemed so utterly humble before the lesson, it made his blood rouse. He stormed at her, got ashamed, continued the lesson, and grew furious again, abusing her. She listened in silence. Occasionally, very rarely, she defended herself. Her liquid dark eyes blazed at him.

“You don't give me time to learn it,” she said.

“All right,” he answered, throwing the book on the table and lighting a cigarette. Then, after a while, he went back to her repentant. So the lessons went. He was always either in a rage or very gentle.

“What do you tremble your SOUL before it for?” he cried. “You don't learn algebra with your blessed soul. Can't you look at it with your clear simple wits.”

Often, when he went again into the kitchen, Mrs. Leivers would look at him reproachfully, saying:

“Paul, don't be so hard on Miriam. She may not be quick, but I'm sure she tries.”

“I can't help it,” he said rather pitiably. “I go off like it.”

“You don't mind me, Miriam, do you?” he asked of the girl later.

“No,” she reassured him in her beautiful deep tones – “no, I don't mind.”

“Don't mind me; it's my fault.”

But, in spite of himself, his blood began to boil with her. It was strange that no one else made him in such fury. He flared against her. Once he threw the pencil in her face. There was a silence. She turned her face slightly aside.

“I didn't -” he began, but got no farther, feeling weak in all his bones. She never reproached him or was angry with him. He was often cruelly ashamed. But still again his anger burst like a bubble surcharged; and still, when he saw her eager, silent, as it were, blind face, he felt he wanted to throw the pencil in it; and still, when he saw her hand trembling and her mouth parted with suffering, his heart was scalded with pain for her. And because of the intensity to which she roused him, he sought her.

Then he often avoided her and went with Edgar. Miriam and her brother were naturally antagonistic. Edgar was a rationalist, who was curious, and had a sort of scientific interest in life. It was a great bitterness to Miriam to see herself deserted by Paul for Edgar, who seemed so much lower. But the youth was very happy with her elder brother. The two men spent afternoons together on the land or in the loft doing carpentry, when it rained. And they talked together, or Paul taught Edgar the songs he himself had learned from Annie at the piano. And often all the men, Mr. Leivers as well, had bitter debates on the nationalizing of the land and similar problems. Paul had already heard his mother's views, and as these were as yet his own, he argued for her. Miriam attended and took part, but was all the time waiting until it should be over and a personal communication might begin.

“After all,” she said within herself, “if the land were nationalized, Edgar and Paul and I would be just the same.” So she waited for the youth to come back to her.

He was studying for his painting. He loved to sit at home, alone with his mother, at night, working and working. She sewed or read. Then, looking up from his task, he would rest his eyes for a moment on her face, that was bright with living warmth, and he returned gladly to his work.

“I can do my best things when you sit there in your rocking-chair, mother,” he said.

“I'm sure!” she exclaimed, sniffing with mock scepticism. But she felt it was so, and her heart quivered with brightness. For many hours she sat still, slightly conscious of him labouring away, whilst she worked or read her book. And he, with all his soul's intensity directing his pencil, could feel her warmth inside him like strength. They were both very happy so, and both unconscious of it. These times, that meant so much, and which were real living, they almost ignored.

He was conscious only when stimulated. A sketch finished, he always wanted to take it to Miriam. Then he was stimulated into knowledge of the work he had produced unconsciously. In contact with Miriam he gained insight; his vision went deeper. From his mother he drew the life-warmth, the strength to produce; Miriam urged this warmth into intensity like a white light.

When he returned to the factory the conditions of work were better. He had Wednesday afternoon off to go to the Art School – Miss Jordan's provision – returning in the evening. Then the factory closed at six instead of eight on Thursday and Friday evenings.

One evening in the summer Miriam and he went over the fields by Herod's Farm on their way from the library home. So it was only three miles to Willey Farm. There was a yellow glow over the mowing-grass, and the sorrel-heads burned crimson. Gradually, as they walked along the high land, the gold in the west sank down to red, the red to crimson, and then the chill blue crept up against the glow.

They came out upon the high road to Alfreton, which ran white between the darkening fields. There Paul hesitated. It was two miles home for him, one mile forward for Miriam. They both looked up the road that ran in shadow right under the glow of the north-west sky. On the crest of the hill, Selby, with its stark houses and the up-pricked headstocks of the pit, stood in black silhouette small against the sky.

He looked at his watch.

“Nine o'clock!” he said.

The pair stood, loth to part, hugging their books.

“The wood is so lovely now,” she said. “I wanted you to see it.”

He followed her slowly across the road to the white gate.

“They grumble so if I'm late,” he said.

“But you're not doing anything wrong,” she answered impatiently.

He followed her across the nibbled pasture in the dusk. There was a coolness in the wood, a scent of leaves, of honeysuckle, and a twilight. The two walked in silence. Night came wonderfully there, among the throng of dark tree-trunks. He looked round, expectant.

She wanted to show him a certain wild-rose bush she had discovered. She knew it was wonderful. And yet, till he had seen it, she felt it had not come into her soul. Only he could make it her own, immortal. She was dissatisfied.

Dew was already on the paths. In the old oak-wood a mist was rising, and he hesitated, wondering whether one whiteness were a strand of fog or only campion-flowers pallid in a cloud.

By the time they came to the pine-trees Miriam was getting very eager and very tense. Her bush might be gone. She might not be able to find it; and she wanted it so much. Almost passionately she wanted to be with him when be stood before the flowers. They were going to have a communion together – something that thrilled her, something holy. He was walking beside her in silence. They were very near to each other. She trembled, and he listened, vaguely anxious.

Coming to the edge of the wood, they saw the sky in front, like mother-of-pearl, and the earth growing dark. Somewhere on the outermost branches of the pine-wood the honeysuckle was streaming scent.

“Where?” he asked.

“Down the middle path,” she murmured, quivering.

When they turned the corner of the path she stood still. In the wide walk between the pines, gazing rather frightened, she could distinguish nothing for some moments; the greying light robbed things of their colour. Then she saw her bush.

“Ah!” she cried, hastening forward.

It was very still. The tree was tall and straggling. It had thrown its briers over a hawthorn-bush, and its long streamers trailed thick, right down to the grass, splashing the darkness everywhere with great spilt stars, pure white. In bosses of ivory and in large splashed stars the roses gleamed on the darkness of foliage and stems and grass. Paul and Miriam stood close together, silent, and watched. Point after point the steady roses shone out to them, seeming to kindle something in their souls. The dusk came like smoke around, and still did not put out the roses.

Paul looked into Miriam's eyes. She was pale and expectant with wonder, her lips were parted, and her dark eyes lay open to him. His look seemed to travel down into her. Her soul quivered. It was the communion she wanted. He turned aside, as if pained. He turned to the bush.

“They seem as if they walk like butterflies, and shake themselves,” he said.

She looked at her roses. They were white, some incurved and holy, others expanded in an ecstasy. The tree was dark as a shadow. She lifted her hand impulsively to the flowers; she went forward and touched them in worship.

“Let us go,” he said.

There was a cool scent of ivory roses – a white, virgin scent. Something made him feel anxious and imprisoned. The two walked in silence.

“Till Sunday,” he said quietly, and left her; and she walked home slowly, feeling her soul satisfied with the holiness of the night. He stumbled down the path. And as soon as he was out of the wood, in the free open meadow, where he could breathe, he started to run as fast as he could. It was like a delicious delirium in his veins.

George Orwell – Animal Farm

Chapter 2, 3, abridged

read by Ondřej Schneider

Chapter 2

They woke at dawn as usual, and suddenly remembering the glorious thing that had happened, they all raced out into the pasture together. A little way down the pasture there was a knoll that commanded a view of most of the farm. The animals rushed to the top of it and gazed round them in the clear morning light. Yes, it was theirs – everything that they could see was theirs! In the ecstasy of that thought they gambolled round and round, they hurled themselves into the air in great leaps of excitement. They rolled in the dew, they cropped mouthfuls of the sweet summer grass, they kicked up clods of the black earth and snuffed its rich scent. Then they made a tour of inspection of the whole farm and surveyed with speechless admiration the ploughland, the hayfield, the orchard, the pool, the spinney. It was as though they had never seen these things before, and even now they could hardly believe that it was all their own.

Then they filed back to the farm buildings and halted in silence outside the door of the farmhouse. That was theirs too, but they were frightened to go inside. After a moment, however, Snowball and Napoleon butted the door open with their shoulders and the animals entered in single file, walking with the utmost care for fear of disturbing anything. They tiptoed from room to room, afraid to speak above a whisper and gazing with a kind of awe at the unbelievable luxury, at the beds with their feather mattresses, the looking-glasses, the horsehair sofa, the Brussels carpet, the lithograph of Queen Victoria over the drawing-room mantelpiece. They were lust coming down the stairs when Mollie was discovered to be missing. Going back, the others found that she had remained behind in the best bedroom. She had taken a piece of blue ribbon from Mrs. Jones's dressing-table, and was holding it against her shoulder and admiring herself in the glass in a very foolish manner. The others reproached her sharply, and they went outside. Some hams hanging in the kitchen were taken out for burial, and the barrel of beer in the scullery was stove in with a kick from Boxer's hoof, – otherwise nothing in the house was touched. A unanimous resolution was passed on the spot that the farmhouse should be preserved as a museum. All were agreed that no animal must ever live there.

Chapter 3

The animals had their breakfast, and then Snowball and Napoleon called them together again.

“Comrades,” said Snowball, “it is half-past six and we have a long day before us. Today we begin the hay harvest. But there is another matter that must be attended to first.”

The pigs now revealed that during the past three months they had taught themselves to read and write from an old spelling book which had belonged to Mr. Jones's children and which had been thrown on the rubbish heap. Napoleon sent for pots of black and white paint and led the way down to the five-barred gate that gave on to the main road. Then Snowball (for it was Snowball who was best at writing) took a brush between the two knuckles of his trotter, painted out MANOR FARM from the top bar of the gate and in its place painted ANIMAL FARM. This was to be the name of the farm from now onwards. After this they went back to the farm buildings, where Snowball and Napoleon sent for a ladder which they caused to be set against the end wall of the big barn. They explained that by their studies of the past three months the pigs had succeeded in reducing the principles of Animalism to Seven Commandments. These Seven Commandments would now be inscribed on the wall; they would form an unalterable law by which all the animals on Animal Farm must live for ever after. With some difficulty (for it is not easy for a pig to balance himself on a ladder) Snowball climbed up and set to work, with Squealer a few rungs below him holding the paint-pot. The Commandments were written on the tarred wall in great white letters that could be read thirty yards away. They ran thus:

THE SEVEN COMMANDMENTS

1. Whatever goes upon two legs is an enemy.

2. Whatever goes upon four legs, or has wings, is a friend.

3. No animal shall wear clothes.

4. No animal shall sleep in a bed.

5. No animal shall drink alcohol.

6. No animal shall kill any other animal.

7. All animals are equal.

It was very neatly written, and except that “friend” was written “freind” and one of the “S's” was the wrong way round, the spelling was correct all the way through. Snowball read it aloud for the benefit of the others. All the animals nodded in complete agreement, and the cleverer ones at once began to learn the Commandments by heart.

“Now, comrades,” cried Snowball, throwing down the paint-brush, “to the hayfield! Let us make it a point of honour to get in the harvest more quickly than Jones and his men could do.”

But at this moment the three cows, who had seemed uneasy for some time past, set up a loud lowing. They had not been milked for twenty-four hours, and their udders were almost bursting. After a little thought, the pigs sent for buckets and milked the cows fairly successfully, their trotters being well adapted to this task. Soon there were five buckets of frothing creamy milk at which many of the animals looked with considerable interest.

“What is going to happen to all that milk?” said someone.

“Jones used sometimes to mix some of it in our mash,” said one of the hens.

“Never mind the milk, comrades!” cried Napoleon, placing himself in front of the buckets. “That will be attended to. The harvest is more important. Comrade Snowball will lead the way. I shall follow in a few minutes. Forward, comrades! The hay is waiting.”

So the animals trooped down to the hayfield to begin the harvest, and when they came back in the evening it was noticed that the milk had disappeared.

How they toiled and sweated to get the hay in! But their efforts were rewarded, for the harvest was an even bigger success than they had hoped.

Sometimes the work was hard; the implements had been designed for human beings and not for animals, and it was a great drawback that no animal was able to use any tool that involved standing on his hind legs. But the pigs were so clever that they could think of a way round every difficulty. As for the horses, they knew every inch of the field, and in fact understood the business of mowing and raking far better than Jones and his men had ever done. The pigs did not actually work, but directed and supervised the others. With their superior knowledge it was natural that they should assume the leadership. Boxer and Clover would harness themselves to the cutter or the horse-rake (no bits or reins were needed in these days, of course) and tramp steadily round and round the field with a pig walking behind and calling out “Gee up, comrade!” or “Whoa back, comrade!” as the case might be. And every animal down to the humblest worked at turning the hay and gathering it. Even the ducks and hens toiled to and fro all day in the sun, carrying tiny wisps of hay in their beaks. In the end they finished the harvest in two days' less time than it had usually taken Jones and his men. Moreover, it was the biggest harvest that the farm had ever seen. There was no wastage whatever; the hens and ducks with their sharp eyes had gathered up the very last stalk. And not an animal on the farm had stolen so much as a mouthful.

All through that summer the work of the farm went like clockwork. The animals were happy as they had never conceived it possible to be. Every mouthful of food was an acute positive pleasure, now that it was truly their own food, produced by themselves and for themselves, not doled out to them by a grudging master. With the worthless parasitical human beings gone, there was more for everyone to eat. There was more leisure too, inexperienced though the animals were. They met with many difficulties – for instance, later in the year, when they harvested the corn, they had to tread it out in the ancient style and blow away the chaff with their breath, since the farm possessed no threshing machine – but the pigs with their cleverness and Boxer with his tremendous muscles always pulled them through. Boxer was the admiration of everybody. He had been a hard worker even in Jones's time, but now he seemed more like three horses than one; there were days when the entire work of the farm seemed to rest on his mighty shoulders. From morning to night he was pushing and pulling, always at the spot where the work was hardest. He had made an arrangement with one of the cockerels to call him in the mornings half an hour earlier than anyone else, and would put in some volunteer labour at whatever seemed to be most needed, before the regular day's work began. His answer to every problem, every setback, was “I will work harder!” – which he had adopted as his personal motto.

But everyone worked according to his capacity The hens and ducks, for instance, saved five bushels of corn at the harvest by gathering up the stray grains. Nobody stole, nobody grumbled over his rations, the quarrelling and biting and jealousy which had been normal features of life in the old days had almost disappeared. Nobody shirked – or almost nobody. Mollie, it was true, was not good at getting up in the mornings, and had a way of leaving work early on the ground that there was a stone in her hoof. And the behaviour of the cat was somewhat peculiar. It was soon noticed that when there was work to be done the cat could never be found. She would vanish for hours on end, and then reappear at meal-times, or in the evening after work was over, as though nothing had happened. But she always made such excellent excuses, and purred so affectionately, that it was impossible not to believe in her good intentions. Old Benjamin, the donkey, seemed quite unchanged since the Rebellion. He did his work in the same slow obstinate way as he had done it in Jones's time, never shirking and never volunteering for extra work either. When asked whether he was not happier now that Jones was gone, he would say only “Donkeys live a long time. None of you has ever seen a dead donkey,” and the others had to be content with this cryptic answer.

Kingsley Amis – Lucky Jim

Chapter 6, abridged

read by Alexander Packer

Chapter 6

Dixon was alive again. Consciousness was upon him before he could get out of the way; not for him the slow, gracious wandering from the halls of sleep, but a summary, forcible ejection. He lay sprawled, too wicked to move, spewed up like a broken spider-crab on the tarry shingle of the morning. The light did him harm, but not as much as looking at things did; he resolved, having done it once, never to move his eyeballs again. A dusty thudding in his head made the scene before him beat like a pulse. His mouth had been used as a latrine by some small creature of the night, and then as its mausoleum. During the night, too, he'd somehow been on a cross-country run and then been expertly beaten up by secret police. He felt bad.

He reached out for and put on his glasses. At once he saw that something was wrong with the bedclothes immediately before his face. Endangering his chance of survival, he sat up a little, and what met his bursting eyes roused to a frenzy the timpanist in his head. A large, irregular area of the turned-back part of the sheet was missing; a smaller but still considerable area of the turned-back part of the blanket was missing; an area about the size of the palm of his hand in the main part of the top blanket was missing. Through the three holes, which, appropriately enough, had black borders, he could see a dark brown mark on the second blanket. He ran a finger round a bit of the hole in the sheet, and when he looked at his finger it bore a dark-grey stain. That meant ash; ash meant burning; burning must mean cigarettes. Had this cigarette burnt itself out on the blanket? If not, where was it now? Nowhere on the bed; nor in it. He leaned over the side, gritting his teeth; a sunken brown channel, ending in a fragment of discoloured paper, lay across a light patch in the pattern of a valuable-looking rug. This made him feel very unhappy, a feeling sensibly increased when he looked at the bedside table. This was marked by two black, charred grooves, greyish and shiny in parts, lying at right angles and stopping well short of the ashtray, which held a single used match. On the table were two unused matches; the remainder lay with the empty cigarette packet on the floor. The bakelite mug was nowhere to be seen.

Had he done all this himself? Or had a wayfarer, a burglar, camped out in his room? Or was he the victim of some Horla fond of tobacco? He thought that on the whole he must have done it himself, and wished he hadn't. Surely this would mean the loss of his job, especially if he failed to go to Mrs Welch and confess what he'd done, and he knew already that he wouldn't be able to do that. There was no excuse which didn't consist of the inexcusable: an incendiary was no more pardonable when revealed as a drunkard as well – so much of a drunkard, moreover, that obligations to hosts and fellow-guests and the counter-attraction of a chamber-concert were as nothing compared with the lure of the drink. The only hope was that Welch wouldn't notice what his wife would presumably tell him about the burning of the bedclothes.

He got out of bed and went into the bathroom. After a minute or two he returned, eating toothpaste and carrying a safety-razor blade. He started carefully cutting round the edges of the burnt areas of the bedclothes with the blade. He didn't know why he did this, but the operation did seem to improve the look of things: the cause of the disaster wasn't so immediately apparent. When all the edges were smooth and regular, he knelt down slowly, as if he'd all at once become a very old man, and shaved the appropriate part of the rug. The debris from these modifications he stuffed into his jacket pocket, thinking that he'd have a bath and then go downstairs and phone Bill Atkinson and ask him to come through with his message about the senior Dixons a good deal earlier than had been arranged.

Breakfast technics at the Welches', like many of their ways of thought, recalled an earlier epoch. The food was kept hot on the sideboard in what Dixon conjectured were chafing-dishes. The quantity and variety of this food recalled in turn the fact that Mrs Welch supplemented Welch's professorial salary with a good-sized income of her own. Dixon had often wondered how Welch had contrived to marry money; it could hardly have been due to any personal merit, real or supposed, and the vagaries of Welch's mind could leave no room there for avarice. Perhaps the old fellow had had when younger what he now so demonstrably lacked: a way with him. In spite of the ravages wrought by his headache and his fury, Dixon felt happier as he wondered what foods would this morning afford visible proof of the Welches' prosperity. He went into the breakfast-room with the bedclothes and Margaret a long way from the foreground of his mind.

The only person in the room was the Callaghan girl, sitting behind a well-filled plate. Dixon said good morning to her.

“Oh, good morning.” Her tone was neutral, not hostile.

He quickly decided on a bluff, speak-my-mind approach as the best cloak for rudeness, past or to come. One of his father's friends, a jeweller, had got away with conversing almost entirely in insults for the fifteen years Dixon had known him, merely by using this simple device. Deliberately intensifying his northern accent, Dixon said: “Afraid I got off on the wrong foot with you last night.”

She looked up quickly, and he saw with bitterness how pretty her neck was. “Oh... that. I shouldn't worry too much about it if I were you. I didn't show up too well myself.”

“Nice of you to take it like that,” he said, remembering that he'd already had one occasion to use this phrase to her. “Very bad manners it was on my part, anyway.”

“Well, let's forget it, shall we.”

“Glad to; thanks very much.”

There was a pause, while he noted with mild surprise how much and how quickly she was eating. The remains of a large pool of sauce were to be seen on her plate beside a diminishing mound of fried egg, bacon, and tomatoes. Even as he watched she replenished her stock of sauce with a fat scarlet gout from the bottle. She glanced up and caught his look of interest, raised her eyebrows, and said, “I'm sorry, I like sauce; I hope you don't mind,” but not convincingly, and he fancied she blushed.

“That's all right,” he said heartily; “I'm fond of the stuff myself.” He pushed aside his bowl of cornflakes. They were of a kind he didn't like: malt had been used in their preparation. A study of the egg and bacon and tomatoes opposite him made him decide to postpone eating any himself. His gullet and stomach felt as if they were being deftly sewn up as he sat. He poured and drank a cup of black coffee, then refilled his cup.

“Aren't you going to have any of this stuff?” the girl asked.

“Well, not yet, I don't think.”

“What's the matter? Aren't you feeling so good.”

“No, not really, I must admit. Bit of a headache, you know.”

“Oh, then you did go to the pub, like that little man said – what was his name.”

“Johns,” Dixon said, trying to suggest by his articulation of the name the correct opinion of its bearer. “Yes, I did go to the pub.”

“You had a lot, did you?” In her interest she stopped eating, but still gripped her knife and fork, her fists resting on the cloth. He noticed that her fingers were square-tipped, with the nails cut quite close.

“I suppose I must have done, yes,” he replied.

“How much did you have.”

“Oh, I never count them. It's a bad habit, is counting them.”

“Yes, I dare say, but how many do you think it was? Roughly.”

“Ooh... seven or eight, possibly.”

“Beers, that is, is it.”

“Good Lord, yes. Do I look as if I can afford spirits.”

“Pints of beer.”

“Yes.” He smiled slightly, thinking she didn't seem such a bad sort after all, and that the slight blueness of the whites of her eyes helped to give her her look of health. He changed his mind abruptly about the first of these observations, and lost interest in the second, when she replied:

“Well, if you drink as much as that you must expect to feel a bit off colour the next day, mustn't you?” She drew herself upright in her seat in a schoolmarmy attitude.

“Everybody was wondering where you'd got to,” she said.

“I've no doubt they were. Tell me: how did Mr Welch react.”

“What, to finding out you'd probably gone to the pub.”

“Yes. Did he seem irritated at all.”

“I really have no idea.” Conscious, possibly, that this must sound rather bald, she added: “I don't know him at all, you see, and so I couldn't really tell. He didn't seem to notice much, if you see what I mean.”

Dixon saw. He felt too that he could tackle the eggs and bacon and tomatoes now, so went to get some and said: “Well, that's a relief, I must say. I shall have to apologize to him, I suppose.”

“It might be a good idea.”

She said this in a tone that made him turn his back for a moment at the sideboard and make his Chinese mandarin's face, hunching his shoulders a little. He disliked this girl and her boy-friend so much that he couldn't understand why they didn't dislike each other. Suddenly he remembered the bedclothes; how could he have been such a fool? He couldn't possibly leave them like that. He must do something else to them. He must get up to his room quickly and look at them and see what ideas their physical presence suggested. “God,” he said absently; “oh my God,” then, pulling himself together: “I'm afraid I shall have to dash off now.”

“Have you got to get back.”

“No, I'm not actually going until... No, I mean there's... I've got to go upstairs.” Realizing that this was a poor exit-line, he said wildly, still holding a dish-cover: “There's something wrong with my room, something I must alter.” He looked at her and saw her eyes were dilated. “I had a fire last night.”

“You lit a fire in your bedroom.”

“No, I didn't light it purposely, I lit it with a cigarette. It caught fire on its own.”

Her expression changed again. “Your bedroom caught fire.”

“No, only the bed. I lit it with a cigarette.”

“You mean you set fire to your bed.”

“That's right.”

“With a cigarette? Not meaning to? Why didn't you put it out.”

“I was asleep. I didn't know about it till I woke up.”

“But you must have... Didn't it burn you.”

He put the dish-cover down. “It doesn't seem to have done.”

“Oh, that's something, anyway.” She looked at him with her lips pressed firmly together, then laughed in a way quite different from the way she'd laughed the previous evening; in fact, Dixon thought, rather unmusically. A blonde look came away from the devotedly-brushed hair and she smoothed it back. “Well, what are you going to do about it.”

“I don't know yet. I must do something, though.”

“Yes, I quite agree. You'd better start on it quickly, hadn't you, before the maid goes round.”

“I know. But what can I do.”

“How bad is it.”

“Bad enough. There are great pieces gone altogether, you see.”

“Oh. Well, I don't really know what to suggest without seeing it. Unless you... no; that wouldn't help.”

“Look, I suppose you wouldn't come up and....”

“Have a look at it.”

“Yes. Do you think you could.”

She sat up again and thought. “Yes, all right. I don't guarantee anything, of course.”

“No, of course not.” He remembered with joy that he still had some cigarettes left after last night's holocaust. “Thanks very much.”

They were moving to the door when she said: “What about your breakfast.”

“Oh, I shall have to miss that. There's not time.”

“I shouldn't if I were you. They don't give you much for lunch here, you know.”

“But I'm not going to wait till... I mean there isn't much time to... Wait a minute.” He darted back to the sideboard, picked up a slippery fried egg and slid it into his mouth, whole. She watched him with folded arms and a blank expression. Chewing violently, he doubled up a piece of bacon and crammed it between his teeth, then signalled he was ready to move. Intimations of nausea circled round his digestive system.

They went in file through the hall and up the stairs. The ocarina-like notes of a recorder playing a meagre air were distantly audible; perhaps Welch had breakfasted in his room. Dixon found, with a pang of relief, that he could open the bathroom door.

The girl looked sternly at him, “What are we going in here for.”

“My bedroom's on the far side of this.”

“Oh, I see. What a curious arrangement.”

“I imagine old Welch had this part of the house built on. It's better like this than having the bathroom on the far side of a bedroom.”

“I suppose so. My goodness, you certainly have gone to town, haven't you?” She went forward and fingered the sheet and blankets like one shown material in a shop. “But this doesn't like a burn; it looks as if it's been cut with something.”

“Yes, I... cut the burnt bits off with razor-blade. I thought it would look better than just leaving it burnt.”

“Why on earth did you do that.”

“I can't explain. I just thought it would look better.”

“Mm. And did all this come from one cigarette.”

“That I don't know. Probably.”

“Well, you must have been pretty far gone not to... And the table too. And the rug. You know, I don't know that I ought to be a party to all this.” She grinned, which made her look almost ludicrously healthy and revealed at the same time that her front teeth were slightly irregular. “I think the best thing would be to remake the bed with all this mess at the bottom, out of sight. We can put the blanket that's only scorched – this one – on top; it'll probably be almost all right on the side that's underneath now. What about that? It's pity there isn't an eiderdown.”

“Yes. Sounds all right to me, that. They're bound to find it when they strip the bed, though, aren't they.”

“Yes, but they probably won't connect it with smoking, especially after what you did with your razor-blade. And after all, you wouldn't have put your head right down the bottom of the bed to smoke, would you.”

“That's a point, of course. We'd better get on with it, then.”

He heaved the bed away from the wall, while she watched with arms folded, then they both set about the unmaking and remaking. The vacuum-cleaner could now be heard quite close at hand, drowning Welch's recorder. As they worked, Dixon studied the Callaghan girl, despite his determination to notice nothing more about her, and saw with fury that she was prettier than he'd thought. He found himself wanting to make the kind of face or noise he was accustomed to make when entrusted with a fresh ability-testing task by Welch, or seeing Michie in the distance, or thinking about Mrs Welch, or being told by Beesley something Johns had said. He wanted to implode his features, to crush air from his mouth, in a way and to a degree that might be set against the mess of feelings she aroused in him: indignation, grief, resentment, peevishness, spite, and sterile anger, all the allotropes of pain. When the last corner was tucked in and he joined her on her side of the bed, he was strongly tempted to put his hand out and lay it on one of those full breasts, but this action, if performed, would have appeared as natural to him, as unimportant and unobjectionable, as reaching out to take a large ripe peach from a fruit-dish. No, all this, whatever it was or was called, was something nothing could be done about.

“There, I think that looks very nice,” the girl said. “You couldn't guess what was underneath it all if you didn't know, could you.”

“No, and thanks very much for the idea and the help.”

“Oh, that's all right. What are you going to do with the table.”

“I've been thinking about that. There's a little junk-room at the end of the passage, full of broken furniture and rotting books and things; they sent me up there yesterday to fetch a music-stand or whatever they call the things. That room's the place for this table, behind an old screen with French courtiers painted on it – you know, floppy hats and banjos. If you'll go and see whether the coast's clear, I'll rush along there with it now.”

“Agreed. I must say that's an inspiration. With the table out of the way nobody'll connect the sheets with smoking. They'll think you tore them with your feet, in a nightmare or something.”

“Some nightmare, to get through two blankets as well.”

She looked at him open-mouthed, then began to laugh. She sat down on the bed but immediately jumped up again as if it were once more on fire. Dixon began laughing too, not because he was much amused but because he felt grateful to her for her laughter. They were still laughing a minute later when she beckoned to him from outside the bathroom door, when he ran out on to the landing with the table, and when Margaret suddenly flung open the door of her bedroom and saw them.

“What do you imagine you're up to, James?” she asked.

Nick Hornby – About a Boy

Chapter 1, 2

read by Pavel Štébl

Chapter 1

“So, have you split up now.”

“Are you being funny.”

People quite often thought Marcus was being funny when he wasn't. He couldn't understand it. Asking his mum whether she'd split up with Roger was a perfectly sensible question, he thought: they'd had a big row, then they'd gone off into the kitchen to talk quietly, and after a little while they'd come out looking serious, and Roger had come over to him, shaken his hand and wished him luck at his new school, and then he'd gone.

“Why would I want to be funny.”

“Well, what does it look like to you.”

“It looks to me like you've split up. But I just wanted to make sure.”

“We've split up.”

“So he's gone.”

“Yes, Marcus, he's gone.”

He didn't think he'd ever get used to this business. He had quite liked Roger, and the three of them had been out a few times; now, apparently, he'd never see him again. He didn't mind, but it was weird if you thought about it. He'd once shared a toilet with Roger, when they were both busting for a pee after a car journey. You'd think that if you'd peed with someone you ought to keep in touch with them somehow.

“What about his pizza?” They'd just ordered three pizzas when the argument started, and they hadn't arrived yet.

“We'll share it. If we're hungry.”

“They're big, though. And didn't he order one with pepperoni on it.”

Marcus and his mother were vegetarians. Roger wasn't.

“We'll throw it away, then,” she said.

“Or we could pick the pepperoni off. I don't think they give you much of it anyway. It's mostly cheese and tomato.”

“Marcus, I'm not really thinking about the pizzas right now.”

“OK. Sorry. Why did you split up.”

“Oh... this and that. I don't really know how to explain it.”

Marcus wasn't surprised that she couldn't explain what had happened. He'd heard more or less the whole argument, and he hadn't understood a word of it; there seemed to be a piece missing somewhere. When Marcus and his mum argued, you could hear the important bits: too much, too expensive, too late, too young, bad for your teeth, the other channel, homework, fruit. But when his mum and her boyfriends argued, you could listen for hours and still miss the point, the thing, the fruit and homework part of it. It was like they'd been told to argue and just came out with anything they could think of.

“Did he have another girlfriend.”

“I don't think so.”

“Have you got another boyfriend.”

She laughed. “Who would that be? The guy who took the pizza orders? No, Marcus, I haven't got another boyfriend. That's not how it works. Not when you're a thirty-eight-year-old working mother. There's a time problem. Ha! There's an everything problem. Why? Does it bother you.”

“I dunno.”

And he didn't know. His mum was sad, he knew that – she cried a lot now, more than she did before they moved to London – but he had no idea whether that was anything to do with boyfriends. He kind of hoped it was, because then it would all get sorted out. She would meet someone, and he would make her happy. Why not? His mum was pretty, he thought, and nice, and funny sometimes, and he reckoned there must be loads of blokes like Roger around. If it wasn't boyfriends, though, he didn't know what it could be, apart from something bad.

“Do you mind me having boyfriends.”

“No. Only Andrew.”

“Well, yes, I know you didn't like Andrew. But generally? You don't mind the idea of it.”

“No. Course not.”

“You've been really good about everything. Considering you've had two different sorts of life.”

He understood what she meant. The first sort of life had ended four years ago, when he was eight and his mum and dad had split up; that was the normal, boring kind, with school and holidays and homework and weekend visits to grandparents. The second sort was messier, and there were more people and places in it: his mother's boyfriends and his dad's girlfriends; flats and houses; Cambridge and London. You wouldn't believe that so much could change just because a relationship ended, but he wasn't bothered. Sometimes he even thought he preferred the second sort of life to the first sort. More happened, and that had to be a good thing. Apart from Roger, not much had happened in London yet. They'd only been here for a few weeks – they'd moved on the first day of the summer holidays – and so far it had been pretty boring. He had been to see two films with his mum, Home Alone 2, which wasn't as good as Home Alone 1, and Honey, I Blew Up the Kids, which wasn't as good as Honey, I Shrunk the Kids, and his mum had said that modern films were too commercial, and that when she was his age... something, he couldn't remember what. And they'd been to have a look at his school, which was big and horrible, and wandered around their new neighbourhood, which was called Holloway, and had nice bits and ugly bits, and they'd had lots of talks about London, and the changes that were happening to them, and how they were all for the best, probably. But really they were sitting around waiting for their London lives to begin. The pizzas arrived and they ate them straight out of the boxes.

“They're better than the ones we had in Cambridge, aren't they?” Marcus said cheerfully. It wasn't true: it was the same pizza company, but in Cambridge the pizzas hadn't had to travel so far, so they weren't quite as soggy. It was just that he thought he ought to say something optimistic.

“Shall we watch TV.”

“If you want.”

He found the remote control down the back of the sofa and zapped through the channels. He didn't want to watch any of the soaps, because soaps were full of trouble, and he was worried that the trouble in the soaps would remind his mum of the trouble she had in her own life. So they watched a nature programme about this sort of fish thing that lived right down at the bottom of caves and couldn't see anything, a fish that nobody could see the point of; he didn't think that would remind his mum of anything, much.

Chapter 2

How cool was Will Freeman? This cool: he had slept with a woman he didn't know very well in the last three months (five points). He had spent more than three hundred pounds on a jacket (five points). He had spent more than twenty pounds on a haircut (five points) (How was it possible to spend less than twenty pounds on a haircut in 1993?). He owned more than five hip-hop albums (five points). He had taken Ecstasy (five points), but in a club and not merely at home as a sociological exercise (five bonus points). He intended to vote Labour at the next general election (five points). He earned more than forty thousand pounds a year (five points), and he didn't have to work very hard for it (five points, and he awarded himself an extra five points for not having to work at all for it). He had eaten in a restaurant that served polenta and shaved parmesan (five points). He had never used a flavoured condom (five points), he had sold his Bruce Springsteen albums (five points), and he had both grown a goatee (five points) and shaved it off again (five points). The bad news was that he hadn't ever had sex with someone whose photo had appeared on the style page of a newspaper or magazine (minus two), and he did still think, if he was honest (and if Will had anything approaching an ethical belief, it was that lying about yourself in questionnaires was utterly wrong), that owning a fast car was likely to impress women. Even so, that gave him... sixty-six! He was, according to the questionnaire, sub-zero! He was dry ice! He was Frosty the Snowman! He would die of hypothermia!

Will didn't know how seriously you were supposed to take these questionnaire things, but he couldn't afford to think about it; being men's-magazine cool was as close as he had ever come to an achievement, and moments like this were to be treasured. Sub-zero! You couldn't get much cooler than sub-zero! He closed the magazine and put it on to a pile of similar magazines that he kept in the bathroom. He didn't save them all, because he bought too many for that, but he wouldn't be throwing this one out in a hurry.

Will wondered sometimes – not very often, because historical speculation wasn't something he indulged in very often – how people like him would have survived sixty years ago. .”People like him” was, he knew, something of a specialized grouping; in fact, there couldn't have been anyone like him sixty years ago, because sixty years ago no adult could have had a father who had made his money in quite the same way. So when he thought about people like him, he didn't mean people exactly like him, he just meant people who didn't really do anything all day, and didn't want to do anything much, either.) Sixty years ago, all the things Will relied on to get him through the day simply didn't exist: there was no daytime TV, there were no videos, there were no glossy magazines and therefore no questionnaires and, though there were probably record shops, the kind of music he listened to hadn't even been invented yet. (Right now he was listening to Nirvana and Snoop Doggy Dogg, and you couldn't have found too much that sounded like them in 1933.) Which would have left books. Books! He would have had to get a job, almost definitely, because he would have gone round the twist otherwise.

Now, though, it was easy. There was almost too much to do. You didn't have to have a life of your own anymore; you could just peek over the fence at other people's lives, as lived in newspapers and EastEnders and films and exquisitely sad jazz or tough rap songs. The twenty-year-old Will would have been surprised and perhaps disappointed to learn that he would reach the age of thirty-six without finding a life for himself, but the thirty-six-year-old Will wasn't particularly unhappy about it; there was less clutter this way.

Clutter! Will's friend John's house was full of it. John and Christine had two children – the second had been born the previous week, and Will had been summoned to look at it – and their place was, Will couldn't help thinking, a disgrace. Pieces of brightly coloured plastic were strewn all over the floor, videotapes were out of their cases near the TV set, the white throw over the sofa looked as if it had been used as a piece of gigantic toilet paper, although Will preferred to think that the stains were chocolate... How could people live like this?

Christine came in holding the new baby while John was in the kitchen making him a cup of tea. “This is Imogen,” she said.

“Oh,” said Will. “Right.” What was he supposed to say next? He knew there was something, but he couldn't for the life of him remember what it was. “She's...” No. It had gone. He concentrated his conversational efforts on Christine. “How are you, anyway, Chris.”

“Oh, you know. A bit washed out.”

“Been burning the candle at both ends.”

“No. Just had a baby.”

“Oh. Right.” Everything came back to the sodding baby. “That would make you pretty tired, I guess.” He'd deliberately waited a week so that he wouldn't have to talk about this sort of thing, but it hadn't done him any good. They were talking about it anyway. John came in with a tray and three mugs of tea.

“Barney's gone to his grandma's today,” he said, for no reason at all that Will could see.

“How is Barney?” Barney was two, that was how Barney was, and therefore of no interest to anyone apart from his parents, but, again, for reasons he would never fathom, some comment seemed to be required of him.

“He's fine, thanks,” said John. “He's a right little devil at the moment, mind you, and he's not too sure what to make of Imogen, but... he's lovely.”

Will had met Barney before, and knew for a fact he wasn't lovely, so he chose to ignore the non sequitur.

“What about you, anyway, Will.”

“I'm fine, thanks.”

“Any desire for a family of your own yet.”

I would rather eat one of Barney's dirty diapers, he thought. “Not yet,” he said.

“You are a worry to us,” said Christine.

“I'm OK as I am, thanks.”

“Maybe,” said Christine smugly. These two were beginning to make him feel physically ill. It was bad enough that they had children in the first place; why did they then wish to compound the original error by encouraging their friends to do the same? For some years now Will had been convinced that it was possible to get through life without having to make yourself unhappy in the way that John and Christine were making themselves unhappy (and he was sure they were unhappy, even if they had achieved some peculiar, brainwashed state that prevented them from recognizing their own unhappiness). You needed money, sure – the only reason for having children, as far as Will could see, was so they could look after you when you were old and useless and skint – but he had money, which meant that he could avoid the clutter and the toilet-paper throws and the pathetic need to convince friends that they should be as miserable as you are.

John and Christine used to be OK, really. When Will had been going out with Jessica, the four of them used to go clubbing a couple of times a week. Jessica and Will split up when Jessica wanted to exchange the froth and frivolity for something more solid; Will had missed her, temporarily, but he would have missed the clubbing more. (He still saw her, sometimes, for a lunchtime pizza, and she would show him pictures of her children, and tell him he was wasting his life, and he didn't know what it was like, and he would tell her how lucky he was he didn't know what it was like, and she would tell him he couldn't handle it anyway, and he would tell her that he had no intention of finding out one way or the other; then they would sit in silence and glare at each other.) Now that John and Christine had taken the Jessica route to oblivion, he had no use for them whatsoever. He didn't want to meet Imogen, or know how Barney was, and he didn't want to hear about Christine's tiredness, and there wasn't anything else to them anymore. He wouldn't be bothering with them again.

“We were wondering,” said John, “whether you'd like to be Imogen's godfather?” The two of them sat there with an expectant smile on their faces, as if he were about to leap to his feet, burst into tears and wrestle them to the carpet in a euphoric embrace. Will laughed nervously.

“Godfather? Church and things? Birthday presents? Adoption if you're killed in an air crash.”

“Yeah.”

“You're kidding.”

“We've always thought you have hidden depths,” said John.

“Ah, but you see I haven't. I am this shallow.”

They were still smiling. They weren't getting it.

“Listen. I'm touched that you asked. But I can't think of anything worse. Seriously. It's just not my sort of thing.”

He didn't stay much longer.

A couple of weeks later Will met Angie and became a temporary stepfather for the first time. Maybe if he had swallowed his pride and his hatred of children and the family and domesticity and monogamy and early nights, he could have saved himself an awful lot of trouble.

Plays

William Shakespeare – Anthony and Cleopatra

read by Alexander Packer and Pavel Štébl

Act 2

Scene II

AGRIPPA
There she appeared indeed; or my reporter devised well for her.

DOMITIUS ENOBARBUS
I will tell you.
The barge she sat in, like a burnish'd throne,
Burn'd on the water: the poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion, – cloth-of-gold of tissue, -
O'er – picturing that Venus where we see
The fancy outwork nature: on each side her
Stood pretty-dimpled boys, like smiling Cupids,
With divers-colour'd fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

AGRIPPA
O, rare for Antony!

DOMITIUS ENOBARBUS
Her gentlewomen, like the Nereides,
So many mermaids, tended her i' the eyes,
And made their bends adornings: at the helm
A seeming mermaid steers: the silken tackle
Swell with the touches of those flower-soft hands,
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her; and Antony,
Enthrone'd i' the market-place, did sit alone,
Whistling to the air; which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.

AGRIPPA
Rare Egyptian!

DOMITIUS ENOBARBUS
Upon her landing, Antony sent to her,
Invited her to supper: she replied,
It should be better he became her guest;
Which she entreated: our courteous Antony,
Whom ne'er the word of 'No 'woman heard speak,
Being barber'd ten times o'er, goes to the feast,
And for his ordinary pays his heart
For what his eyes eat only.

AGRIPPA
Royal wench!
She made great Caesar lay his sword to bed:
He plough'd her, and she cropp'd.

DOMITIUS ENOBARBUS
I saw her once
Hop forty paces through the public street;
And having lost her breath, she spoke, and panted,
That she did make defect perfection,
And, breathless, power breathe forth.

MECAENAS
Now Antony must leave her utterly.

DOMITIUS ENOBARBUS
Never; he will not:
Age cannot wither her, nor custom stale
Her infinite variety: other women cloy
The appetites they feed: but she makes hungry
Where most she satisfies; for vilest things
Become themselves in her: that the holy priests
Bless her when she is riggish.

Oscar Wilde – The Importance of Being Ernest

read by Chloe Fortescue and Pavel Štébl

Act 1

LADY BRACKNELL Mr. Worthing! Rise, sir, from this semi-recumbent posture. It is most indecorous.

GWENDOLEN
Mamma! I must beg you to retire. This is no place for you. Besides, Mr. Worthing has not quite finished yet.

LADY BRACKNELL
Finished what, may I ask?

GWENDOLEN
I am engaged to Mr. Worthing, mamma.

LADY BRACKNELL
Pardon me, you are not engaged to any one. When you do become engaged to some one, I, or your father, should his health permit him, will inform you of the fact. An engagement should come on a young girl as a surprise, pleasant or unpleasant, as the case may be. It is hardly a matter that she could be allowed to arrange for herself... And now I have a few questions to put to you, Mr. Worthing. While I am making these inquiries, you, Gwendolen, will wait for me below in the carriage.

GWENDOLEN
Mamma!

LADY BRACKNELL
In the carriage, Gwendolen! Gwendolen, the carriage!

GWENDOLEN
Yes, mamma.

LADY BRACKNELL
You can take a seat, Mr. Worthing.

JACK
Thank you, Lady Bracknell, I prefer standing.

LADY BRACKNELL
I feel bound to tell you that you are not down on my list of eligible young men, although I have the same list as the dear Duchess of Bolton has. We work together, in fact. However, I am quite ready to enter your name, should your answers be what a really affectionate mother requires. Do you smoke?

JACK
Well, yes, I must admit I smoke.

LADY BRACKNELL
I am glad to hear it. A man should always have an occupation of some kind. There are far too many idle men in London as it is. How old are you?

JACK
Twenty-nine.

LADY BRACKNELL
A very good age to be married at. I have always been of opinion that a man who desires to get married should know either everything or nothing. Which do you know?

JACK
I know nothing, Lady Bracknell.

LADY BRACKNELL
I am pleased to hear it. I do not approve of anything that tampers with natural ignorance. Ignorance is like a delicate exotic fruit; touch it and the bloom is gone. The whole theory of modern education is radically unsound. Fortunately in England, at any rate, education produces no effect whatsoever. If it did, it would prove a serious danger to the upper classes, and probably lead to acts of violence in Grosvenor Square. What is your income?

JACK
Between seven and eight thousand a year.

LADY BRACKNELL
In land, or in investments?

JACK
In investments, chiefly.

LADY BRACKNELL
That is satisfactory. What between the duties expected of one during one's lifetime, and the duties exacted from one after one's death, land has ceased to be either a profit or a pleasure. It gives one position, and prevents one from keeping it up. That's all that can be said about land.

JACK
I have a country house with some land, of course, attached to it, about fifteen hundred acres, I believe; but I don't depend on that for my real income. In fact, as far as I can make out, the poachers are the only people who make anything out of it.

LADY BRACKNELL
A country house! How many bedrooms? Well, that point can be cleared up afterwards. You have a town house, I hope? A girl with a simple, unspoiled nature, like Gwendolen, could hardly be expected to reside in the country.

JACK
Well, I own a house in Belgrave Square, but it is let by the year to Lady Bloxham. Of course, I can get it back whenever I like, at six months' notice.

LADY BRACKNELL
Lady Bloxham? I don't know her.

JACK
Oh, she goes about very little. She is a lady considerably advanced in years.

LADY BRACKNELL
Ah, nowadays that is no guarantee of respectability of character. What number in Belgrave Square?

JACK
149.

LADY BRACKNELL
The unfashionable side. I thought there was something. However, that could easily be altered.

JACK
Do you mean the fashion, or the side?

LADY BRACKNELL
Both, if necessary, I presume. What are your polities?

JACK
Well, I am afraid I really have none. I am a Liberal Unionist.

LADY BRACKNELL
Oh, they count as Tories. They dine with us. Or come in the evening, at any rate. Now to minor matters. Are your parents living?

JACK
I have lost both my parents.

LADY BRACKNELL
To lose one parent, Mr. Worthing, may be regarded as a misfortune; to lose both looks like carelessness. Who was your father? He was evidently a man of some wealth. Was he born in what the Radical papers call the purple of commerce, or did he rise from the ranks of the aristocracy?

JACK
I am afraid I really don't know. The fact is, Lady Bracknell, I said I had lost my parents. It would be nearer the truth to say that my parents seem to have lost me... I don't actually know who I am by birth. I was... well, I was found.

LADY BRACKNELL
Found!

JACK
The late Mr. Thomas Cardew, an old gentleman of a very charitable and kindly disposition, found me, and gave me the name of Worthing, because he happened to have a first-class ticket for Worthing in his pocket at the time. Worthing is a place in Sussex. It is a seaside resort.

LADY BRACKNELL
Where did the charitable gentleman who had a first-class ticket for this seaside resort find you?

JACK
In a hand-bag.

LADY BRACKNELL
A hand-bag?

JACK
Yes, Lady Bracknell. I was in a hand-bag – a somewhat large, black leather hand-bag, with handles to it – an ordinary hand-bag in fact.

LADY BRACKNELL
In what locality did this Mr. James, or Thomas, Cardew come across this ordinary hand-bag?

JACK
In the cloak-room at Victoria Station. It was given to him in mistake for his own.

LADY BRACKNELL
The cloak-room at Victoria Station?

JACK
Yes. The Brighton line.

LADY BRACKNELL
The line is immaterial. Mr. Worthing, I confess I feel somewhat bewildered by what you have just told me. To be born, or at any rate bred, in a hand-bag, whether it had handles or not, seems to me to display a contempt for the ordinary decencies of family life that reminds one of the worst excesses of the French Revolution. And I presume you know what that unfortunate movement led to? As for the particular locality in which the hand-bag was found, a cloak-room at a railway station might serve to conceal a social indiscretion – has probably, indeed, been used for that purpose before now – but it could hardly be regarded as an assured basis for a recognised position in good society.

JACK
May I ask you then what you would advise me to do? I need hardly say I would do anything in the world to ensure Gwendolen's happiness.

LADY BRACKNELL
I would strongly advise you, Mr. Worthing, to try and acquire some relations as soon as possible, and to make a definite effort to produce at any rate one parent, of either sex, before the season is quite over.

JACK
Well, I don't see how I could possibly manage to do that. I can produce the hand-bag at any moment. It is in my dressing-room at home. I really think that should satisfy you, Lady Bracknell.

LADY BRACKNELL
Me, sir! What has it to do with me? You can hardly imagine that I and Lord Bracknell would dream of allowing our only daughter – a girl brought up with the utmost care – to marry into a cloak-room, and form an alliance with a parcel? Good morning, Mr. Worthing!

JACK
Good morning!

Brian Friel – Translations

read by Hilary Krupa, Martin Hrobský and Alexander Packer

Act 2

Scene I

OWEN
You know George, don't you?

MAIRE
We wave to each other across the fields.

YOLLAND
Sorry – sorry?

OWEN
She says you wave to each other across the fields.

YOLLAND
Yes, we do; oh, yes; indeed we do.

MAIRE
What's he saying?

OWEN
He says you wave to each other across the fields.

MAIRE
That's right. So we do.

YOLLAND
What's she saying?

OWEN
Nothing – nothing – nothing. What's the news?

MAIRE
Not a thing. You're busy, the two of you.

OWEN
We think we are.

MAIRE
I hear the Fiddler O'Shea's about. There's some talk of a dance tomorrow night.

OWEN
Where will it be?

MAIRE
Maybe over the road. Maybe at Tobair Vree.

YOLLAND
Tobair Vree!

MAIRE
Yes.

YOLLAND
Tobair Vree! Tobair Vree!

MAIRE
Does he know what I'm saying?

OWEN
Not a word.

MAIRE
Tell him then.

OWEN
Tell him what?

MAIRE
About the dance.

OWEN
Maire says there may be a dance tomorrow night.

YOLLAND
Yes? May I come? Would anybody object if I came?

MAIRE
What's he saying?

OWEN
Who would object?

MAIRE
Did you tell him?

YOLLAND
Sorry – sorry?

OWEN
He says may he come?

MAIRE
That's up to you.

YOLLAND
What does she say?

OWEN
She says -

YOLLAND
What – what?

MAIRE
Well?

YOLLAND
Sorry – sorry?

OWEN
Will you go?

YOLLAND
Yes, yes, if I may.

MAIRE
What does he say?

YOLLAND
What is she saying?

OWEN
Oh for God's sake! You take on this job, Manus.

MAIRE
Didn't you offer me a drink?

OWEN
Will you risk Anna na mBreag?

MAIRE
Why not.

YOLLAND
Anna na mBreag! Baile Beag! Inis Meadhon! Bombay! Tobair Vree! Eden! And poteen – correct, Owen?

OWEN
Perfect.

YOLLAND
And bloody marvellous stuff it is, too. I love it! Bloody, bloody, bloody marvellous!

Scene II

MAIRE
O my God, that leap across the ditch nearly killed me.

YOLLAND
I could scarcely keep up with you.

MAIRE
Wait till I get my breath back.

YOLLAND
We must have looked as if we were being chased.

MAIRE
Manus'll wonder where I've got to.

YOLLAND
I wonder did anyone notice us leave.

MAIRE
The grass must be wet. My feet are soaking.

YOLLAND
Your feet must be wet. The grass is soaking.

YOLLAND
George.

MAIRE
Lieutenant George.

YOLLAND
Don't call me that. I never think of myself as Lieutenant.

MAIRE
What – what?

YOLLAND
Sorry – sorry? George.

MAIRE
Maire.

YOLLAND
Yes, I know you're Maire. Of course I know you're Maire. I mean I've been watching you night and day for the past -

MAIRE
What – what?

YOLLAND
Maire. George. Maire and George.

MAIRE
Say anything at all. I love the sound of your speech.

YOLLAND
Sorry – sorry? Every-morning-I-see-you-feeding-brown-hens-and-giving-meal-to-black-calf – O my God.

MAIRE
Tu es centurio in-in-in exercitu Britannico -

YOLL AND
Yes – yes? Go on – go on – say anything at all – I love the sound of your speech.

MAIRE
- et es in castris quae – quae – quae sunt in agro – O my God. George – water.

YOLLAND
“Wate.”? Water! Oh yes – water – water – very good – water – good – good.

MAIRE
Fire.

YOLLAND
Fire – indeed – wonderful – fire, fire, fire – splendid – splendid!

MAIRE
Ah... ah ...

YOLLAND
Yes? Go on.

MAIRE
Earth.

YOLLAND
“Eart.”?

MAIRE
Earth. Earth. Earth.

YOLLAND
Earth! Of course – earth! Earth. Earth. Good Lord, Maire, your English is perfect!

MAIRE
What – what?

YOLLAND
Perfect English. English perfect.

MAIRE
George -

YOLLAND
That's beautiful – oh, that's really beautiful.

MAIRE
George -

YOLLAND
Say it again – say it again -

MAIRE
Shhh. George, “In Norfolk we besport ourselves around the maypoll.”

YOLLAND
Good God, do you? That's where my mother comes from – Norfolk. Norwich actually. Not exactly Norwich town but a small village called Little Walsingham close beside it. But in our own village of Winfarthing we have a maypole too and every year on the first of May -

MAIRE
Mother of God, my Aunt Mary wouldn't have taught me something dirty, would she?

YOLLAND
Maire. Maire Chatach. Bun na hAbhann? Druim Dubh? Poll na gCaorach. Lis Maol. Lis na nGall.

MAIRE
Lis na nGradh.

MAIRE
Carraig an Phoill.

YOLLAND
Carraig na Ri. Loch na nEan.

MAIRE
Loch an lubhair. Machaire Buidhe.

YOLLAND
Machaire Mor. Cnoc na Mona.

MAIRE
Cnoc na nGabhar.

YOLLAND
Mullach.

MAIRE
Port.

YOLLAND
Tor.

MAIRE
Lag.

YOLLAND
I wish to God you could understand me.

MAIRE
Soft hands; a gentleman's hands.

YOLLAND
Because if you could understand me I could tell you how I spend my days either thinking of you or gazing up at your house in the hope that you'll appear even for a second.

MAIRE
Every evening you walk by yourself along the Tra Bhan and every morning you wash yourself in front of your tent.

YOLLAND
I would tell you how beautiful you are, curly-headed Maire. I would so like to tell you how beautiful you are.

MAIRE
Your arms are long and thin and the skin on your shoulders is very white.

YOLLAND
I would tell you...

MAIRE
Don't stop – I know what you're saying.

YOLLAND
I would tell you how I want to be here – to live here – always – with you – always, always.

MAIRE
“Alway.”? What is that word – “alway.”?

YOLLAND
Yes – yes; always.

MAIRE
You're trembling.

YOLLAND
Yes, I'm trembling because of you.

MAI RE
I'm trembling, too.

YOLLAND
I've made up my mind...

MAIRE
Shhhh.

YOLLAND
I'm not going to leave here...

MAIRE
Shhh – listen to me. I want you, too, soldier.

YOLLAND
Don't stop – I know what you're saying.

MAIRE
I want to live with you – anywhere – anywhere at all – always – always.

YOLLAND
“Alway.”? What is that word – “alway.”?

MAIRE
Take me away with you, George.

Edward – Who's Afraid of Virginia Woolf

read by Hilary Krupa and Dylan Vance

Act 1

MARTHA
Jesus...

GEORGE
...Shhhhhhh.

MARTHA
...H. Christ...

GEORGE
For God's sake, Martha, it's two o'clock in the...

MARTHA
Oh, George!

GEORGE
Well, I'm sorry, but...

MARTHA
What a cluck! What a cluck you are.

GEORGE
It's late, you know? Late.
I'm tired, dear... it's late... and besides...

MARTHA
I don't know what you're so tired about... you haven't done anything all day; you didn't have any classes, or anything...

GEORGE
Well, I'm tired. ...If your father didn't set up these goddamn Saturday night orgies all the time...

MARTHA
Well, that's too bad about you, George...

GEORGE
Well, that's how it is, anyway.

MARTHA
You didn't do anything; you never do anything; you never mix. You just sit around and talk.

GEORGE
What do you want me to do? Do you want me to act like you? Do you want me to go around all night braying at everybody, the way you do?

MARTHA
I don't bray!

GEORGE
All right... you don't bray.

MARTHA
I do not bray.

GEORGE
All right. I said you didn't bray.

MARTHA
Make me a drink.

GEORGE
What?

MARTHA
I said, make me a drink.

GEORGE
Well, I don't suppose a nightcap'd kill either one of us...

MARTHA
A nightcap! Are you kidding? We've got guests.

GEORGE
We've got what?

MARTHA
Guests. Guests.

GEORGE
Guests!

MARTHA
Yes... guests... people... We've got guests coming over.

GEORGE
When?

MARTHA
Now!

GEORGE
Good Lord, Martha... do you know what time it... who's coming over?

MARTHA
What's-their-name.

GEORGE
Who?

MARTHA
What's their name!

GEORGE
Who what's-their-name?

MARTHA
I don't know what their name is, George... You met them tonight... they're new... he's in the math department, or something...

GEORGE
Who... who are these people?

MARTHA
You met them tonight, George.

GEORGE
I don't remember meeting anyone tonight...

MARTHA
Well you did... Will you give me my drink, please... He's in the math department ...about thirty, blond, and...

GEORGE
...and good-looking...

MARTHA
Yes ...and good-looking...

GEORGE
It figures.

MARTHA
...and his wire's a mousey little type, without any hips, or anything.

GEORGE
Oh.

MARTHA
You remember them now?

GEORGE
Yes, I guess so, Martha... But why in God's name are they coming over here now?

MARTHA
Because Daddy said we should be nice to them, that's why.

GEORGE
Oh, Lord.

MARTHA
May I have my drink, please? Daddy said we should be nice to them. Thank you.

GEORGE
But why now? It's after two o'clock in the morning, and...

MARTHA
Because Daddy said we should be nice to them!

GEORGE
Yes. But I'm sure your father didn't mean we were supposed to stay up all night with these people. I mean, we could have them over some Sunday or something...

MARTHA
Well, never mind... Besides, it is Sunday. Very early Sunday.
Hey, put some more ice in my drink, will you? You never put any ice in my drink. Why is that, huh?

GEORGE
I always put ice in your drink. You eat it, that's all. It's that habit you have... chewing your ice cubes... like a cocker spaniel. You'll crack your big teeth.

MARTHA
They're my big teeth!

GEORGE
Some of them... some of them.

MARTHA
I've got more teeth than you've got.

GEORGE
Two more.

MARTHA
Well, two more's a lot more.

GEORGE
I suppose it is. I suppose it's pretty remarkable... considering how old you are.

MARTHA
You cut that out! You're not so young yourself.

GEORGE
I'm six years younger than you are... I always have been and I always will be.

MARTHA
Well... you're going bald.

GEORGE
So are you. Hello, honey.

MARTHA
Hello. C'mon over here and give your Mommy a big sloppy kiss.

GEORGE
...oh, now...

MARTHA
I want a big sloppy kiss!

GEORGE
I don't want to kiss you, Martha. Where are these people? Where are these people you invited over?

MARTHA
They stayed on to talk to Daddy... They'll be here... Why don't you want to kiss me?

GEORGE
Well, dear, if I kissed you I'd get all excited... I'd get beside myself, and I'd take you, by force, right here on the living room rug, and then our little guests would walk in, and... well, just think what your father would say about that.

Tom Stoppard – Arcadia

read by Chloe Fortescue and Pavel Štébl

Act 1

Scene I

A room in the garden front of a very large country house in Derbyshire in April 1809. Nowadays, the house would be called a stately home. The upstage wall is mainly tall, shapely, uncurtained windows, one or more of which work as doors. Nothing much need be said or seen of the exterior beyond. We come to learn that the house stands in the typical English park of the time. Perhaps we see an indication of this, perhaps only light and air and sky. The room looks bare despite the large table which occupies the center of it. The table, the straight-backed chairs and, the only other item of furniture, the architect's stand or reading stand, would all be collectable pieces now but here, on an uncarpeted wood floor, they have no more pretension than a schoolroom, which is indeed the main use of this room at this time. What elegance there is, is architectural, and nothing is impressive but the scale. There is a door in each of the side walls. These are closed, but one of the french windows is open to a bright but sunless morning.
There are two people, each busy with books and paper and pen and ink, separately occupied. The pupil is THOMASINA COVERLY, aged 13. The tutor is SEPTIMUS HODGE, aged 22. Each has an open book. Hers is a slim mathematics primer. His is a handsome thick quarto, brand new, a vanity production, with little tapes to tie when the book is closed. His loose papers, etc., are kept in a stiff-backed portfolio which also ties up with tapes.
SEPTIMUS had a tortoise which is sleepy enough to serve as a paperweight.
Elsewhere on the table there is an old-fashioned theodolite and also some other books stacked up.

THOMASINA
Septimus, what is carnal embrace?

SEPTIMUS
Carnal embrace is the practice of throwing one's arms around a side of beef.

THOMASINA
Is that all?

SEPTIMUS
No... a shoulder of mutton, a haunch of venison well hugged, an embrace of grouse... caro, carnis; feminine; flesh.

THOMASINA
Is it a sin?

SEPTIMUS
Not necessarily, my lady, but when carnal embrace is sinful it is a sin of the flesh, QED. We had caro in our Gallic Wars – “The Britons live on milk and meat” – “lacte et carne vivan.”. I am sorry that the seed fell on stony ground.

THOMASINA
That was the sin of Onan, wasn't it, Septimus?

SEPTIMUS
Yes. He was giving his brother's wife a Latin lesson and she was hardly the wiser after it than before. I thought you were finding a proof for Fermat's last theorem.

THOMASINA
It is very difficult, Septimus. You will have to show me how.

SEPTIMUS
If I knew how, there would be no need to ask you. Fermat's last theorem has kept people busy for a hundred and fifty years, and I hoped it would keep you busy long enough for me to read Mr. Chater's poem in praise of love with only the distraction of its own absurdities.

THOMASINA
Our Mr. Chater has written a poem?

SEPTIMUS
He believes he has written a poem, yes. I can see that there might be more carnality in your algebra than in Mr. Chater's “Couch of Eros.”

THOMASINA
Oh, it was not my algebra. I heard Jellaby telling cook that Mrs. Chater was discovered in carnal embrace in the gazebo.

SEPTIMUS
Really? With whom, did Jellaby happen to say?

THOMASINA
What do you mean, with whom?

SEPTIMUS
With what? Exactly so. The idea is absurd. Where did this story come from?

THOMASINA
Mr. Noakes.

SEPTIMUS
Mr. Noakes!

THOMASINA
Papa's landskip gardener. He was taking bearings in the garden when he saw – through his spyglass – Mrs. Chater in the gazebo in carnal embrace.

SEPTIMUS
And do you mean to tell me that Mr. Noakes told the butler?

THOMASINA
No. Mr. Noakes told Mr. Chater. Jellaby was told by the groom, who overheard Mr. Noakes telling Mr. Chater, in the stable yard.

SEPTIMUS
Mr. Chater being engaged in closing the stable door.

THOMASINA
What do you mean, Septimus?

SEPTIMUS
So, thus far, the only people who know about this are Mr. Noakes the landskip architect, the groom, the butler, the cook and, of course, Mrs. Chater's husband, the poet.

THOMASINA
And Arthur who was cleaning the silver, and the bootboy. And now you.

SEPTIMUS
Of course. What else did he say?

THOMASINA
Mr. Noakes?

SEPTIMUS
No, not Mr. Noakes. Jellaby. You heard Jellaby telling the cook.

THOMASINA
Cook hushed him almost as soon as he started. Jellaby did not see that I was being allowed to finish yesterday's upstairs' rabbit pie before I came to my lesson. I think you have not been candid with me, Septimus. A gazebo is not, after all, a meat larder.

SEPTIMUS
I never said my definition was complete.

THOMASINA
Is carnal embrace kissing?

SEPTIMUS
Yes.

THOMASINA
And throwing one's arms around Mrs. Chater?

SEPTIMUS
Yes. Now, Fermat's last theorem -

THOMASINA
I thought as much. I hope you are ashamed.

SEPTIMUS
I, my lady?

THOMASINA
If you do not teach me the true meaning of things, who will?

SEPTIMUS
Ah. Yes, I am ashamed. Carnal embrace is sexual congress, which is the insertion of the male genital organ into the female genital organ for purposes of procreation and pleasure. Fermat's last theorem, by contrast, asserts that when x, y, and z are whole numbers each raised to the power of n, the sum of the first two can never equal the third when n is greater than 2.

THOMASINA
Eurghhh!

SEPTIMUS
Nevertheless, that is the theorem.

THOMASINA
It is disgusting and incomprehensible. Now when I am grown to practice it myself I shall never do so without thinking of you.

SEPTIMUS
Thank you very much, my lady. Was Mrs. Chater down this morning?

THOMASINA
No. Tell me more about sexual congress.

SEPTIMUS
There is nothing more to be said about sexual congress.

THOMASINA
Is it the same as love?

SEPTIMUS
Oh no, it is much nicer than that.

Songs

It's me

(traditional)

It's me, me oh Lord, It's me, me oh Lord
It's me, me oh Lord
Standing in the need of prayer

It's me, it's me, it's me, oh Lord
Standing in the need of prayer
It's me, it's me, it's me, oh Lord
Standing in the need of prayer
It's me, it's me, it's me, oh Lord
Standing in the need of prayer
It's me, it's me, it's me, oh Lord
Standing in the need of prayer

Not the preacher, not the deacon, but it's me, oh lord
Standing in the need of prayer
Not the preacher, not the deacon, but it's me, oh lord
Standing in the need of prayer
Not the preacher, not the deacon, but it's me, oh lord
Standing in the need of prayer
Not the preacher, not the deacon, but it's me, oh lord
Standing in the need of prayer

It's me, it's me, it's me, oh Lord
Standing in the need of prayer
It's me, it's me, it's me, oh Lord
Standing in the need of prayer
It's me, it's me, it's me, oh Lord
Standing in the need of prayer
It's me, it's me, it's me, oh Lord
Standing in the need of prayer

Not my brother, not my sister, but it's me, oh lord
Standing in the need of prayer
Not my brother, not my sister, but it's me, oh lord
Standing in the need of prayer
Not my brother, not my sister, but it's me, oh lord
Standing in the need of prayer
Not my brother, not my sister, but it's me, oh lord
Standing in the need of prayer
Standing in the need of prayer

De Angel Rolled de Stone Away

(traditional)

De angel roll de stone away De angel roll de stone away
'Twas on a bright an' shiny morn
When de trumpet begin to soun'
De angel roll de stone away

De angel roll de stone away
De angel roll de stone away
'Twas on a bright an' shiny morn
When de trumpet begin to soun'
De angel roll de stone away

Sister Mary came a-running at de break o' day
Brought de news f'om heav'n
De stone done roll away
I'm a-lookin' for my Saviour, tell me where He lay
High up on de mountain
De stone done roll away

De angel roll de stone away
De angel roll de stone away
'Twas on a bright an' shiny morn
When de trumpet begin to soun'
De angel roll de stone away

De soljahs dere a-plenty, standin' by de do'
But dey could not hinder
De stone done roll away
Ol' Pilate an'his wise men didn't know what to say
De miracle was on dem
De stone done roll away

De angel roll de stone away
De angel roll de stone away
'Twas on a bright an' shiny morn
When de trumpet begin to soun'
De angel roll de stone away

De angel roll de stone away
De angel roll de stone away
'Twas on a bright an' shiny morn
When de trumpet begin to soun'
De angel roll de stone away

Auld Lang Syne

(traditional)

Should auld acquaintance be forgot, And never brought to mind?
Should auld acquaintance be forgot,
And days of auld lang syne?
And days of auld lang syne, my dear,
And days of auld lang syne.
Should auld acquaintance be forgot,
And days of auld lang syne?

We twa hae run about the braes
And pu'd the gowans fine.
We've wandered many a weary foot,
Sin' auld lang syne.
Sin' auld lang syne, my dear,
Sin' auld lang syne,
We've wandered many a weary foot,
Sin' auld lang syne.

We twa hae sported i' the burn,
From morning sun till dine,
But seas between us braid hae roared
Sin' auld lang syne.
Sin' auld lang syne, my dear,
Sin' auld lang syne.
But seas between us braid hae roared
Sin' auld lang syne.

And ther's a hand, my trusty friend,
And gie's a hand of thine;
We'll take a cup of kindness yet,
For the sake of auld lang syne.
For auld lang syne, my dear,
For auld lang syne,
We'll take a cup of kindness yet,
For the sake of auld lang syne.

Amazing Grace

(Music by James P. Carrell and David S. Clayton, Lyrics by John Newton)

Amazing grace! How sweet the sound That saved a wretch like me!
I once was lost, but now am found;
Was blind, but now I see.

'Twas grace that taught my heart to fear,
And grace my fears relieved;
How precious did that grace appear
The hour I first believed.

The Lord has promised good to me,
His Word my hope secures;
He will my Shield and Portion be,
As long as life endures.

The earth shall soon dissolve like snow,
The sun forbear to shine;
But God, Who called me here below,
Shall be forever mine.

When we've been there ten thousand years,
Bright shining as the sun,
We've no less days to sing God's praise
Than when we'd first begun.

Amazing grace! How sweet the sound
That saved a wretch like me!
I once was lost, but now am found;
Was blind, but now I see,
Was blind, but now I see.

Every Time I Feel the Spirit

(traditional)

Every time I feel the spirit Moving in my heart I will pray
Every time I feel the spirit
Moving in my heart I will pray

Every time I feel the spirit
Moving in my heart I will pray
Every time I feel the spirit
Moving in my heart I will pray

Upon a mountain my Lord spoke
Out of his mouth came fire and smoke
Jordan river chilly and cold
Took the body but not the soul

Every time I feel the spirit
Moving in my heart I will pray
Every time I feel the spirit
Moving in my heart I will pray

Down in the valley on my knees
I asked my Lord have mercy please
When I see trouble my children cry
I ask my Lord please tell me why

Every time I feel the spirit
Moving in my heart I will pray
Every time I feel the spirit
Moving in my heart I will pray

All around me looking so fine
I ask the Lord and know it is mine
Ain't but one train runs this track
Runs to heaven runs right back

Every time I feel the spirit
Moving in my heart I will pray
Every time I feel the spirit
Moving in my heart I will pray

Every time I feel the spirit
Moving in my heart I will pray
Every time I feel the spirit
Moving in my heart I will pray

Circle